41,259 research outputs found
New Hannaea Patrick (Fragilariaceae, Bacillariophyta) species from Asia, with comments on the biogeography of the genus
No full textLiu, Qi, Glushchenko, Anton, Kulikovskiy, Maxim, Maltsev, Yevhen, Kociolek, John Patrick (2019): New Hannaea Patrick (Fragilariaceae, Bacillariophyta) species from Asia, with comments on the biogeography of the genus. Cryptogamie, Algologie 20 (5): 41-61, DOI: 10.5252/cryptogamie-algologie2019v40a
Liu Kang
No full textLiu Kang: Essays on Art and Culture is a testament to the inexorable passion of an artist who knew no boundaries. This collection of essays, which Liu Kang wrote over 44 years, offers an insight into the artist’s myriad interests as well as his contributions as a first generation Nanyang artist and art educator. Translated into English for this volume, Liu Kang’s essays are accompanied by commentaries and photographs of the artist-author and his subjects
FIG. 10 in New Hannaea Patrick (Fragilariaceae, Bacillariophyta) species from Asia, with comments on the biogeography of the genus
No full textFIG. 10. — Hannaea mongolica Glushchenko, Kulikovskiy, Q. Liu & Kociolek, sp. nov. SEM. Internal views. White arrows show the rimoportulae. Scale bars: A, 10 μm; B-E, 2 μm.Published as part of Liu, Qi, Glushchenko, Anton, Kulikovskiy, Maxim, Maltsev, Yevhen & Kociolek, John Patrick, 2019, New Hannaea Patrick (Fragilariaceae, Bacillariophyta) species from Asia, with comments on the biogeography of the genus, pp. 41-61 in Cryptogamie, Algologie 20 (5) on page 53, DOI: 10.5252/cryptogamie-algologie2019v40a5, http://zenodo.org/record/781896
Hannaea orientalis Q. Liu, Glushchenko, Kulikovskiy & Kociolek 2019, comb. nov., stat. nov.
No full text<i>Hannaea orientalis</i> (Skuja) Q. Liu, Glushchenko, Kulikovskiy & Kociolek, comb. nov., stat. nov. <p> <i>Ceratoneis arcus</i> var. <i>orientalis</i> Skuja <i>Algae. Symbolae Sinicae. Botanische</i> <i>ergebnisse der Expedition der Akademie de Wissenschaften in Wien nach Südwest-China 1914/1918</i> 1: 50, plate 3, figures 20, 21 (1937).</p> <p>LOCALITY — SOUTHWESTERN CHINA.</p>Published as part of <i>Liu, Qi, Glushchenko, Anton, Kulikovskiy, Maxim, Maltsev, Yevhen & Kociolek, John Patrick, 2019, New Hannaea Patrick (Fragilariaceae, Bacillariophyta) species from Asia, with comments on the biogeography of the genus, pp. 41-61 in Cryptogamie, Algologie 20 (5)</i> on page 55, DOI: 10.5252/cryptogamie-algologie2019v40a5, <a href="http://zenodo.org/record/7818966">http://zenodo.org/record/7818966</a>
One new species of Achnanthidium Kützing (Bacillariophyta, Achnanthidiaceae) from Tibet, China
No full textGe, Danyang, Zhang, Simeng, Liu, Hongyan, Liu, Yan, Kociolek, Patrick John, Zhu, Huan, Liu, Guoxiang, Fan, Yawen (2022): One new species of Achnanthidium Kützing (Bacillariophyta, Achnanthidiaceae) from Tibet, China. Phytotaxa 538 (4): 268-280, DOI: 10.11646/phytotaxa.538.4.
Phoebus 10: A Journal of Art History
No full texttableOfContents: Homage to the Past: The Art of Yin Xiaofeng by Ralph Gabbard and Liu Liu.. pages 5-1
Hannaea subarcus Q. Liu, Glushchenko, Kulikovskiy & Kociolek 2019, comb. nov., stat. nov.
No full text<i>Hannaea subarcus</i> (Iwahashi) Q. Liu, Glushchenko, Kulikovskiy & Kociolek, comb. nov., stat. nov. <p> <i>Ceratoneis recta</i> f. <i>subarcus</i> Y. Iwahashi, <i>Journal of Japanese Botany</i> 12: 391, text fig. 1, d-f (1936). — <i>Hannaea arcus</i> var. <i>subarcus</i> (Iwahashi) Lee in Lee <i>et al. The Japanese Journal of Diatomology</i> 7: 50, pl. 2: fig. 34 (1992).</p> <p>LOCALITY. — Western Japan.</p>Published as part of <i>Liu, Qi, Glushchenko, Anton, Kulikovskiy, Maxim, Maltsev, Yevhen & Kociolek, John Patrick, 2019, New Hannaea Patrick (Fragilariaceae, Bacillariophyta) species from Asia, with comments on the biogeography of the genus, pp. 41-61 in Cryptogamie, Algologie 20 (5)</i> on page 56, DOI: 10.5252/cryptogamie-algologie2019v40a5, <a href="http://zenodo.org/record/7818966">http://zenodo.org/record/7818966</a>
Hannaea hattoriana Q. Liu, Glushchenko, Kulikovskiy & Kociolek 2019, comb. nov., stat. nov.
No full text<i>Hannaea hattoriana</i> (Meister) Q. Liu, Glushchenko, Kulikovskiy & Kociolek, comb. nov., stat. nov. <p> <i>Ceratoneis arcus</i> var. <i>hattoriana</i> Meister, <i>Archiv</i> <i>für Hydrobiologie und Planktonkunde, Stuttgart</i> 9: 226, pl. 8, fig. 1-3 (1914). — <i>Hannaea arcus</i> var. <i>hattoriana</i> (Meister) Ohtsuka, <i>The Japanese Journal of Diatomology</i>. 18: p. 35; figs. 100, 101 (2002).</p> <p>LOCALITY. — Japan.</p>Published as part of <i>Liu, Qi, Glushchenko, Anton, Kulikovskiy, Maxim, Maltsev, Yevhen & Kociolek, John Patrick, 2019, New Hannaea Patrick (Fragilariaceae, Bacillariophyta) species from Asia, with comments on the biogeography of the genus, pp. 41-61 in Cryptogamie, Algologie 20 (5)</i> on page 56, DOI: 10.5252/cryptogamie-algologie2019v40a5, <a href="http://zenodo.org/record/7818966">http://zenodo.org/record/7818966</a>
Cultural exploitation in chinese politics: Reinterpreting liu sanjie
No full textLiu Sanjie is a typical Chinese legendary figure, adapted from folk custom and transformed during many historical and political stages. By comparing the musical film Liu Sanjie with the landscape performing art Impression Liu Sanjie, this paper explores how Liu Sanjie is reconstructed in the Impression to be in accord with contemporary demands (shidaixing). In the film, made during the 1960s, Liu Sanjie was promoted as a heroine fighting against the privileged classes, but in the Impression, her class struggle has been erased and only a harmonious and abstract legend remains. Her ethnicity is promoted by Han elites as not exclusive Zhuang, but shared equally with Han, Miao and Dong ethnicity in an imagined community to propagate a sense of ethnic harmony and unified Chineseness. Her transformation from a realistic character, full of a rebelling spirit, to an abstract and disembodied ‘sense of harmony’, is a complete reinterpretation of a Chinese historical legend. Utilizing a term from Wang Ban (1997), ‘the sublime figure of history’, which refers to an ideology aestheticized by the party state for securing its governance, this paper refers to the bold artistic treatment of Liu Sanjie for cultural exploitation as ‘Liu Sanjie’s sublime’. The paper explores the evolutionary progress of Liu Sanjie from class revolution to art revolution in response to political requirements. The author is a stage-trained performing artist, specialized in both Western opera and Chinese classical and folk singing and dance. He is also a critic and art consultant in the Chinese landscape performing arts industry. These professional roles have allowed privileged access to the top people in this industry
Test Make Sense?
No full textCorresponding author Changyu Liu should be listed as the first corresponding author.No Full Tex
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