1,721,141 research outputs found
Photographs, Patrick Healy
Portrait photographs (including cartes de visite) and an engraving of Patrick Healy. Undated but from the period of Healy's presidency at Georgetown (circa 1870s-1880s)
Correspondence, Patrick Healy, S.J. (1 of 3)
Correspondence to George Fenwick, S.J., including letter from Patrick Healy to George Fenwick, November 23, 1853, alluding to his attempts to pass as white at Holy Cross College: Father, I will be candid with you. Placed in a college as I am, near boys who were well acquainted wither by sight or hearsay with me & my brothers. . .**Former finding aid locations: 119_74_1; 221A*
Gerard F. Yates, S.J. (on left), reviews his citation for the Patrick Healy Award with Georgetown University President Robert J. Henle, S.J. (on right)
Gerard F. Yates, S.J. (1907-1979) spent forty years at Georgetown, as Professor of Government, Dean of the Graduate School, director of international student programs, foreign student advisor, and as a long-time member of the Chimes singing group. The field house at Georgetown bears his name. When asked why he became a Jesuit, he replied: "The Order seemed to stand for great things and the spread of God's kingdom at every level. Chivalry was still a reality... when I was a boy, and the Society of Jesus was to me a spiritual chivalry and a disciplined army. I came to see them as men formed in a great school, modeled on a noble pattern; and I thought if I could be that kind of man that they were... there was nothing better I could ask or do in life." The Patrick Healy Award is named for Patrick F. Healy, S.J., who was president of Georgetown University from 1874 to 1882. The first African-American to serve as president of a major American university, he led Georgetown through a period of extensive growth and is credited with changing the university from a small liberal arts college into a modern university. The Patrick Healy Award is given annually to a non-alumnus who continues Fr. Healy's tradition of service to Georgetown.Repository: Booth Family Center for Special Collections. For more information about this collection please email: [email protected]
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
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