48,134 research outputs found
Art, Biography, Sexuality: Patrick Procktor and Keith Vaughan
No full textThis critical review forms a reflection on the research published within the following publications:
Patrick Procktor: Art and Life (Unicorn Press, 2010)
Keith Vaughan: The Mature Oils 1946-1977, (Sansom & Co., 2012)
The research is on two artists, Patrick Procktor (1936-2003), and Keith Vaughan (1912-1977). The monograph on Procktor – previously one of the least documented of the generation of artists who came to prominence in London in the Sixties – positions him in a history of art from which he had been notably absent. The research on Vaughan asserts a new reading of his work, one that is both deeper and more nuanced in its analysis of the ways in which personal experience and sexuality are encoded autobiographically within his work. Crucially, in both artists biography and work are symbiotically linked; the research therefore examines the links between life and art.
Revisionary in intent, the work examines trajectories of experience of gay British (or rather, English) artists in the twentieth century, artists who sought to express themselves and forge careers within the constraints of a heteronormative society, albeit one in which attitudes to sexuality were undergoing change. As gay men, both were constrained by the social mores of their times, and each used painting as a means to affirm personal and sexual identities. A key research interest is in the ways in which sexuality and persona are reflected in critical responses to the artist’s work: in Vaughan, Procktor and other gay male artists of the period. The writing on both Procktor and Vaughan examines the relationship between their personal and professional/artistic lives, framed within a broader socio-political and art historical context. It asserts the place of biography as a means to understand and form new readings of the work. The work adds substantially to the literature and wider discourse on post-war British painting and social history
Chambers's cyclopaedia of english literature
No full textChambers's cyclopaedia of english literatureV.II 18th centuryEdited by David Patrick, revised by J. Liddell Geddie
Patrick MulCahy's Remarks at the College of Business Administration Dedication, 1984
No full textRemarks by Business Administration Alumni Association President Patrick Mulcahy at the College of Business Administration Dedication as David A. Straz, Jr. Hall, December 2, 1984
Data set for the publication 'Mechanically axially chiral catenanes and noncanonical chiral rotaxanes'
No full textThis dataset supports the publication: Mechanically axially chiral catenanes and noncanonical chiral rotaxanes
AUTHORS: John R. J. Maynard, Peter Gallagher, David Lozano, Patrick Butler, Stephen M. Goldup,*
JOURNAL: Nature Chemistry
This dataset contains:
Characterisation data (NMR, MS, x-ray) for all the compounds reported in the manuscript
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Evolution of cooperation among tumor cells
No full textThe evolution of cooperation has a well established theoretical framework based on game theory. This approach has made valuable contributions to a wide variety of disciplines, including political science, economics, and evolutionary biology. Existing cancer theory suggests that individual clones of cancer cells evolve independently from one another, acquiring all of the genetic traits or hallmarks necessary to form a malignant tumor. It is also now recognized that tumors are heterotypic, with cancer cells interacting with normal stromal cells within the issue microenvironment, including endothelial, stromal, and nerve cells. This tumor cell???stromal cell interaction in itself is a form of commensalism, because it has been demonstrated that these nonmalignant cells support and even enable tumor growth. Here, we add to this theory by regarding tumor cells as game players whose interactions help to determine their Darwinian fitness. We marshal evidence that tumor cells overcome certain host defenses by means of diffusible products. Our original contribution is to raise the possibility that two nearby cells can protect each other from a set of host defenses that neither could survive alone. Cooperation can evolve as byproduct mutualism among genetically diverse tumor cells. Our hypothesis supplements, but does not supplant, the traditional view of carcinogenesis in which one clonal population of cells develops all of the necessary genetic traits independently to form a tumor. Cooperation through the sharing of diffusible products raises new questions about tumorigenesis and has implications for understanding observed phenomena, designing new experiments, and developing new therapeutic approaches.Author manuscript. Published in final edited form as: Proc Natl Acad Sci U S A. 2006 September 5; 103(36): 13474-13479.The final published version of this article is located at: www.pnas.org/cgi/doi/10.1073/pnas.0606053103NIH U56 CA113004; to David E. AxelrodR.A. was supported by National Science Foundation (NSF) Grant SES-0240852. D.E.A. was supported by NSF Grant IIS-0312953, National Institutes of Health (NIH) Grant U56 CA113004, and New Jersey Commission on Cancer Research Grant 1076-CCR-SO. K.J.P. is an American Cancer Society Clinical Research Professor and is supported by NIH Grants CA69568, CA102872, and CA093900.NIH CA69568; to Kenneth J. PientaNIH CA102872; to Kenneth J. PientaNIH CA093900; to Kenneth J. PientaNSF SES-0240852; to Robert AxelrodNJ Commission on Cancer Research 1076-CCR-SO; to David E. AxelrodAlso available in PubMed Central. PMCID: PMC155738
Patrick J. Brunet et Martin David-Blais éd., Valeurs et éthique dans les médias. Approches internationales
No full textCe volumineux ouvrage de plus de 400 pages, coordonné par Patrick J. Brunet et Martin David-Blais, tous deux enseignants à Ottawa, a pour objectif de répondre à plusieurs questions fondamentales pour qui s’intéresse aux médias, parmi lesquelles : quelles valeurs recouvre le terme éthique s’agissant des médias ? Cette éthique est-elle plurielle ou universelle ? Quels sont les effets de la mondialisation sur cette interrogation, et plus encore sur les pratiques ? Etc. Après une trop rapide intr..
Patrick J. Brunet et Martin David-Blais éd., Valeurs et éthique dans les médias. Approches internationales
No full textCe volumineux ouvrage de plus de 400 pages, coordonné par Patrick J. Brunet et Martin David-Blais, tous deux enseignants à Ottawa, a pour objectif de répondre à plusieurs questions fondamentales pour qui s’intéresse aux médias, parmi lesquelles : quelles valeurs recouvre le terme éthique s’agissant des médias ? Cette éthique est-elle plurielle ou universelle ? Quels sont les effets de la mondialisation sur cette interrogation, et plus encore sur les pratiques ? Etc. Après une trop rapide intr..
The Arts Interview. Dr. David Pitt : The Truant Years, E. J. Pratt
No full textHost Fred Hollingshurst interviews Dr. David Pitt of Memorial University, who discusses the life and work of Newfoundland poet E. J. Pratt. Pitt is the author of E. J. Pratt: The Truant Years, 1881-1927
Web interface for "Dynamics of the Trade Balance and the Terms of Trade: The J-Curve?"
No full textThis is a version of the program used in David Backus, Patrick Kehoe and Finn Kydland, "Dynamics of the Trade Balance and the Terms of Trade: The J-Curve?," American Economic Review, vol. 84, pp. 84-103, Mar. 1994 The parameter values have to be specified in a separate file.
David Atkins as Patrick Dennis in the J. C. Williamson production of Mame, 1968 [picture].
No full textFrom: Mame / music and lyrics by Jerry Herman ; book by Jerome Lawrence and Robert E. Lee.; Handwritten note on verso : ""Mame", JCW Aust. production 68/69. David Atkins, playing Patrick Dennis, aged 10".; Part of the collection: J.C. Williamson collection of photographs.; Also available in an electronic version via the Internet at: http://nla.gov.au/nla.pic-vn3720164; Seasons in Australasia recorded in programs and ephemera held in J C Williamson collection, PROMPT Collection: 1968 commencing 25 May Her Majesty's Theatre, Melbourne ; 1968 commencing 12 October Her Majesty's Theatre, Adelaide ; 1968 commencing 28 December Her Majesty's Theatre, Brisbane ; 1969 commencing 8 February Her Majesty's Theatre, Sydney
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