1,721,917 research outputs found
Editorial: Special issue: Present achievements and new frontiers in space plasmas
No full textSpace plasma physics, pushed by the impressive recent technological developments, is undergoing a period of intense progress. This progress is achieved first at the level of observations, including both remote and in situ measurements, but also on the theoretical side, mainly by means of large scale numerical simulations made possible by the dramatic increase of computational resources. In particular, three-dimensional mainly hybrid but also fully kinetic simulations are today feasible, and large intervals in spatial and time scales can at last be accessed by fluid simulations. Addressing fundamental problems such as, e.g. magnetic reconnection, nonlinear dynamics or turbulence development in the kinetic range, are no longer just a heart’s desire today
Tables comparées des anciennes et nouvelles mesures généralement usitées en France, par L. Passot
No full textAvec mode text
Tables d'intérêts simples à tous les taux... augmentées d'une table des jours compris entre deux époques de l'année, d'une table des douzièmes de contributions et des tables comparatives des anciennes et nouvelles mesures, par L. Passot,...
No full textContient une table des matièresAvec mode text
Application of the Normal Spectrum Technique to the Calculation of Distortion in Delta Modulators
No full textChantai Passot, La souffrance des autres. Paris, Editions du Cerf, 1988 (Coll. « Parole présente ».)
No full textKaempf Bernard. Chantai Passot, La souffrance des autres. Paris, Editions du Cerf, 1988 (Coll. « Parole présente ».). In: Revue d'histoire et de philosophie religieuses, 68e année n°4, Novembre-décembre 1988. p. 489
Le Costume sous Henri VIII d'Angleterre - Conférence vivante de Sébastien Passot au musée national de la Renaissance - 31 janvier 2016
No full textLe dimanche 31 janvier, le musée national de la Renaissance accueillait un événement tout à fait particulier. Aussi passionnant pour les spécialistes que pour les néophytes, la conférence vivante de Sébastien Passot se penchait sur le costume à la cour d’Henri VIII d’Angleterre vers 1530. La richesse de cet après-midi reposait sur le caractère vivant et pédagogique de son contenu. Le tailleur Sébastien Passot présentait tout son travail réalisé dans un atelier installé dans la château d’Ecoue..
Going Beyond Counting First Authors in Author Co-citation Analysis
No full textThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
No full text“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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