1,935 research outputs found
Samuel Beckett and the Writers of Port-Royal
No full textIt has been observed that ‘the literary influences on Beckett have been far more important than has been acknowledged, and more important indeed, than the philosophical influences’ (Smith 2002: 3). The truth of this statement is evidenced by the description that scholars have given of Samuel Beckett’s relationship to seventeenth century French classicism. To date, critical interest has been limited for the most part to the figure of the philosopher René Descartes on the (fragile) grounds that Beckett was exclusively concerned with the Cartesian imperative of clarity and order, the fundamental dualism between body and mind, and Nominalism.
Together with the assumption that Beckett’s vision was essentially Cartesian, his literary filiation with Pascal was suggested by critics, but only in terms of Beckett’s formal approach to the theatre. In his short article on En attendant Godot in 1953, the playwright Jean Anouilh was among the first reviewers to suggest that Beckett’s drama synthesizes the encounter between ‘classicism’ and a ‘modern’ form of art. It is well known that Beckett retained a lifelong admiration for Pascal – indeed, Pascal was one of his ‘old chestnuts’ (Knowlson 1997: 653). Little attention has been paid, however, to the originality of Pascal’s thought, the specific nature of his prose, and the impact these might have had upon Beckett’s mature work, especially the trilogy and the subsequent short prose. Yet, in the literary and philosophical context of post-war France, Beckett’s filiation with Pascal, their corresponding preoccupations, were evident to his contemporaries, who identified Pascal as an underlying presence in his works
Colloque médico-technique autour des épreuves combinées, Saint-Etienne, 25 juin 2010 : (à l'occasion des championnats de France nationaux et jeunes)
No full textIntroduction et présentation du colloque / Pascal Edouard. Intérêt des relations force-vitesse dans l'approche de l'entraînement / Pierre Samozino. Mesure directe de la puissance lors du sprint en course à pied / Jean-Benoît Morin. Description et optimisation de la période d'affutage à partir de la modélisation / Luc Thomas. Les abandons en épreuves combinées : fréquence et causes / Pascal Edouard. Les lésions de l'insertion haute des ischio-jambiers / Jacques Pruvost. Suivi prospectif des blessures chez les internationaux d'épreuves combinées / Alain Kerspern et Pascal Edouard
Edouard Roditi Collection 1931-1980
No full textThe collection documents professional activities of Edouard Roditi as an art historian and critic and consists of manuscripts, notes, research files, and a wealth of art catalogues, press release, photographs, and exhibit invitations. There are manuscripts by Roditi as well as by other authors on such topics as Jewish artists in France, Sephardic Jews, and other. Correspondence collected here includes Roditi’s professional correspondence with individuals as well as organizations.However, the bulk of the collection consists of art catalogues, press release, photographs, and exhibit invitations dealing with Jewish artists in France. These materials have not been microfilmed and are available in the original form. There are no personal materials that shed light on Eduard Roditi’s life, nor any materials pertaining to his work as an interpreter for the Nuremberg trial, or San Francisco Conference, during which the United Nations Organization was established.Edouard Roditi was born in France into an American family. He was educated in England, France, Germany, and in the United States. During WWII and shortly after he worked for a number of United States agencies. He was an author as well as a well established art critic and a translator. - Edouard Roditi died on May 10, 1992, at the age of 81.Photographs removed to Photograph Collectiondigitize
[Pascal et Chambord, vaudeville d'Anicet-Bourgeois et Edouard Brisebarre : costume d'Elisa Leménil (Mina)]
No full textFonds Emile Prisse d'Avennes sur l'Egypte : Iconographie. Dessins, estampes, photographies (NAF 20434-20443). « Art arabe : Monuments du Caire, 1 »
No full textContient : Jarrot (Edouard Athanase) ? Porte à muqarnas ; Jarrot (Edouard Athanase) ? Porte à muqarnas et façade à merlons ; Maison du Grand Mufti au Caire ; Sebah (Jean-Pascal) ? Mosquée du Soultan Haçen : Porte en bois et niche du portail (vue rapprochée) ; Sebah (Jean-Pascal) ? Mosquée du Soultan Haçen : Porte en bois et niche du portail ; Sebah (Jean-Pascal) ? Mosquée du Soultan Haçen : Détail du soubassement du portail ; Braun (A.). N° 22. Le Caire : Intérieur de la mosquée du sultan Hassan / A. Braun à Dornac, (Haut-Rhin) ; Goupil & Cie d'après Gérôme. La Mosquée El-Assaneyn au Caire ou furent exposées les têtes des beys immolés par Salek-Kachef / Peint par J.L. Gérôme ; Photographié par Goupil & Cie. — Paris ; Londres ; Berlin ; Bruxelles ; La Haye ; New-York : Publié par Goupil & Cie Editeurs. — (Galerie Photographique ; 449) ; Rabat Hammon ; Royer & Aufière, Désiré & Cie Successeurs. Mosquée Achrafieh / Photographie parisienne Royer & Aufiere Desire & Cie Successeurs. — Caire (Egypte). — Actif 1864-1885 ; Jarrot (Edouard Athanase) ? Mosquée Achrafieh ; Royer & Aufière, Désiré & Cie Successeurs. Tombeau et Mosuée de Achraf Ainal / Photographie parisienne Royer & Aufiere Desire & Cie Successeurs. — Caire (Egypte). — Actif 1864-1885 ; Royer & Aufière, Désiré & Cie Successeurs. Mosquée de Quaït Bey / Photographie parisienne Royer & Aufiere Desire & Cie Successeurs. — Caire (Egypte). — Actif 1864-1885 ; Sebah (Jean-Pascal) ? Arcades de la cour centrale de la mosquée d'Ibn Touloun ; Jarrot (Edouard Athanase) ? Vue de l'enceinte et de la grande mosquée de la citadelle, des chameliers au premier plan ; Jarrot (Edouard Athanase). Sibyl du sultan Mahmoud ben Moustafa, 1143 = 1735 ; Jarrot (Edouard Athanase). Sibyl d'Abd-El-Rahman Kyahya ; Jarrot (Edouard Athanase).F enêtre à moucharabyeh ; Jarrot (Edouard Athanase). Fenêtre à moucharabyehNumérisation effectuée à partir d'un document original.Appartient à l'ensemble documentaire : BbLevt
Les mobilités spatiales dans les villes intermédiaires. Territoires, pratiques, régulations (Livre)
No full text"Les mobilités spatiales dans les villes intermédiaires. Territoires, pratiques, régulations" de GIROUD Matthieu, MAINET Hélène, EDOUARD Jean-Charles - Clermont-Ferrand : Presses universitaires Blaise-Pascal, 2011 – Coll. CERAMAC – 494 p. Accédez au site de l'éditeur Résumé extrait du site : Cet ouvrage est issu d’un colloque international organisé à Clermont-Ferrand les 25 et 26 novembre 2010. Il aborde la thématique des mobilités spatiales (migrations, mobilités résidentielles, mobilités qu..
sj-docx-1-sph-10.1177_19417381211071010 – Supplemental material for Location of Hamstring Injuries Based on Magnetic Resonance Imaging: A Systematic Review
No full textSupplemental material, sj-docx-1-sph-10.1177_19417381211071010 for Location of Hamstring Injuries Based on Magnetic Resonance Imaging: A Systematic Review by Sylvain Grange, Gustaaf Reurink, Anh Quoc Nguyen, Camille Riviera-Navarro, Clément Foschia, Pierre Croisille and Pascal Edouard in Sports Health: A Multidisciplinary Approach</p
Un pharmacien limousin à l'esprit inventif : Antoine-Edouard Peyrusson
No full textEin erfinderischen Apotheker aus dem Limousin : Antoine-Édouard Peyrusson.
Édouard Peyrusson (1841-1909), Professor an der « École de Médecine et de Pharmacie » von Limoges, Offizinapotheker, geboren und verstorben in dieser Stadt, ist Autor von verschiedene Arbeiten über Keramik, sowie Inhaber von zahlreichen Erfindungs- oder Verbesserungs-patenten von elektrischen Akkumulatoren und Elektrolyseapparaten .A pharmacist from Limoges with an inventive mind : Antoine-Edouard Peyrusson.
Born and died in Limoges, professor at the School of Medicine and Pharmacy in that city, Edouard Peyrusson (1841-1909), retail pharmacist, was the author of works on ceramics and of numerous invention patents on the perfecting of electrolytic cells and of electrolyzers.Saumande Pierre. Un pharmacien limousin à l'esprit inventif : Antoine-Edouard Peyrusson. In: Revue d'histoire de la pharmacie, 77ᵉ année, n°283, 1989. pp. 327-332
Edouard Vuillermoz and Dix Pièces Mélodiques
No full textabstract: ABSTRACT
Edouard Vuillermoz (1869-1939) was a horn player and teacher who studied and later taught at the Paris Conservatory during the early twentieth century. As did many of the professors from the Conservatory, Vuillermoz published works for the horn. Unfortunately, his name has largely faded into obscurity and most of his works are no longer in print, yet one has remained in the repertoire and is still available for purchase today—Dix Pièces Mélodiques. Published in 1927 by Alphonse-Leduc, Vuillermoz desired for his students a set of etudes that would teach mastery of transposition, but he was not a composer. The ten transposition exercises he created were selected and transcribed from a compilation of vocalises commissioned by a vocal professor at the Conservatory, Amédée-Louis Hettich (1856-1937).
Hettich desired vocalise-etudes that would able aid and inspire his students, so he commissioned over one-hundred-fifty vocalises by modern composers during the first half of the twentieth century. Composers including Bozza, Copland, Dukas, Fauré, Messiaen, Nielsen, Ravel, and Tomasi answered his call for works between 1906 and 1938. These modern vocalise-etudes have since disappeared from the vocal repertoire. Now, a century later, many of these studies have entered the public domain and are resurfacing as instrumental transcriptions and concert etudes. This study promotes awareness of Edouard Vuillermoz’s Dix Pièces Mélodiques and advocates for their inclusion in a modern revival.Dissertation/ThesisDoctoral Dissertation Music 201
S-Nitrosylation in Organs of Mice Exposed to Low or High Doses of γ-Rays: The Modulating Effect of Iodine Contrast Agent at a Low Radiation Dose
No full textThe covalent addition of nitric oxide (NO•) onto cysteine thiols, or S-nitrosylation, modulates the activity of key signaling proteins. The dysregulation of normal S-nitrosylation contributes to degenerative conditions and to cancer. To gain insight into the biochemical changes induced by low-dose ionizing radiation, we determined global S-nitrosylation by the “biotin switch” assay coupled with mass spectrometry analyses in organs of C57BL/6J mice exposed to acute 0.1 Gy of cesium-137 γ-rays. The dose of radiation was delivered to the whole body in the presence or absence of iopamidol, an iodinated contrast agent used during radiological examinations. To investigate whether similar or distinct nitrosylation patterns are induced following high-dose irradiation, mice were exposed in parallel to acute 4 Gy of cesium-137 γ rays. Analysis of modulated S-nitrosothiols (SNO-proteins) in freshly-harvested organs of animals sacrificed 13 days after irradiation revealed radiation dose- and contrast agent-dependent changes. The major results were as follows: (i) iopamidol alone had significant effects on S-nitrosylation in brain, lung and liver; (ii) relative to the control, exposure to 0.1 Gy without iopamidol resulted in statistically-significant SNO changes in proteins that differ in molecular weight in liver, lung, brain and blood plasma; (iii) iopamidol enhanced the decrease in S-nitrosylation induced by 0.1 Gy in brain; (iv) whereas a decrease in S-nitrosylation occurred at 0.1 Gy for proteins of ~50 kDa in brain and for proteins of ~37 kDa in liver, an increase was detected at 4 Gy in both organs; (v) mass spectrometry analyses of nitrosylated proteins in brain revealed differential modulation of SNO proteins (e.g., sodium/potassium-transporting ATPase subunit beta-1; beta tubulins; ADP-ribosylation factor 5) by low- and high-dose irradiation; and (vi) ingenuity pathway analysis identified major signaling networks to be modulated, in particular the neuronal nitric oxide synthase signaling pathway was differentially modulated by low- and high-dose γ-irradiation.Peer reviewe
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