7,573 research outputs found
Le «buone letture». 2. Giovanni Casati
No full textIl saggio è costituito da due parti, la prima delle quali, dedicata alla fondazione della Federazione italiana delle biblioteche circolanti cattoliche, è stata pubblicata nel precedente numero dei «Nuovi Annali», XXVII (2013), pp. 137-163. In questa seconda parte viene delineata la figura intellettuale di Giovanni Casati, che diresse la «Rivista di letture» dal 1912 al 1944, trasformando il periodico della Federazione in una rivista impegnata nella divulgazione della cultura cattolica. A questo impegno militante Casati fece corrispondere un intenso programma editoriale, che trovò espressione nella pubblicazione di saggi letterari, di manuali e opere repertoriali.The study consists of two parts; the first is dedicated to the history of the Federazione italiana delle biblioteche circolanti cattoliche since its foundation (1904) up to 1912 and was published in the previous volume of the «Nuovi Annali », XXVII (2013), pp. 137-163. In this second part, the author outlines the intellectual figure of Giovanni Casati, who directed the «Rivista di letture» from 1912 to 1944, transforming the magazine of the Federation in a journal engaged in the spreading of Catholic culture. To this militant engagement Casati matched an intense publishing program, which found its expression in the publication of literary essays, manuals and reference works
Pascal Quignard méditant
No full textAnalisi dell''augmentum' cui Pascal Quignard sottopone, di ripresa in variazione, il mito di Medea rispetto alle fonti letterarie e iconografiche convocate in vari suoi scritti da 'Le sexe et l'effroi' a 'L'origine de la danse' (continuazione dell'articolo intitolato Méditant médée)
Cosmopolitismo e fedeltà al Principe: appunti e documenti per una biografia di Cosimo Brunetti tra Italia, Francia e Polonia nella seconda metà del XVII secolo
No full textSulla base di nuovi documenti si ricostruisce la biografia di Cosimo Brunetti, viaggiatore cosmopolita fiorentino del XVII secolo, aderente al giansenismo (traduttore di Pascal), corrispondente di scienziati, che si pone senza fortuna al servizio del papa e poi diviene segretario di Giovanni Sobiesk
Comico e tragico del diritto nella novellistica italiana: il novelliere di Giovanni Sercambi
No full textNelle novelle di età tardomedievale ed umanistica, a causa del loro carattere fortemente realistico, il diritto ha un posto importante, poiché rappresenta un elemento centrale e ineliminabile della vita della comunità. Il novelliere di Giovanni Sercambi da Lucca non fa eccezione, anche se l’autore non ha una cultura giuridica né s’interessa in modo specifico al diritto. Il presente saggio vuole analizzare sotto tale profilo queste novelle per verificare quale concezione del diritto emerge da esse e come la narrazione ne risulti arricchita.In the late medieval and humanistic novellas, owing to their very realistic character, the right is an important central and inevitable element in community life. Giovanni Sercambi’s novelliere is no exception even if the author lacks a legal culture, nor is specifically interested in right. This essay intends to analyze these novellas under this profile to verify what kind of right they consider and how the stories are enriched
À propos de Echo de Jean-Pascal Chaigne, oeuvre créée dans le cadre du projet de recherche « Perspectives actuelles de la musique polychorale »
No full textLe 22 janvier 2020 s’est tenu à Genève le premier laboratoire du projet de recherche en création « Perspectives actuelles de la musique polychorale », réunissant notamment des étudiants de la Haute école de musique (hem) de Genève et l’ensemble Contrechamps. Jean-Pascal Chaigne, compositeur, professeur à la hem et responsable du projet, présente les résultats de sa recherche tels qu’ils se concrétisent dans sa pièce Echo, composée à cette occasion. Après avoir expliqué en quoi l’écriture polyphonique de Giovanni Gabrieli et son rapport spécifique au timbre ont inspiré un tel projet, il détaille les procédés de sa partition qui trouvent leur origine dans la musique polychorale vénitienne du xvie siècle : en l’occurrence, les propositions de diminutions ainsi que les différentes formes de polychoralité que l’on rencontre dans Echo.On January 22, 2020, the first workshop of the research-creation project “Perspectives actuelles de la musique polychorale” (“Current Outlooks of Polychoral Music”) was held in Geneva, bringing together students from the Haute école de musique (hem) de Genève and the Ensemble Contrechamps. Project leader Jean-Pascal Chaigne, composer and hem professor, presents the results of his research as they are applied in his piece Echo, composed for the occasion. After explaining how Giovanni Gabrieli’s polyphonic writing and its specific relationship to timbre inspired such a project, he details his musical means, which originate in 16th century Venetian polychoral music: namely, the rhythmic diminutions as well as the different forms of polychorality that we encounter in Echo
Human's Un-placed Place (Giovanni Pico della Mirandola, Blaise Pascal, Søren Kierkegaard, Max Picard)
No full textHuman's Un-placed Place (Giovanni Pico della Mirandola, Blaise Pascal, Søren Kierkegaard, Max Picard) This diploma thesis studies the theme of human's place and the claim of leading one's own life through the exercise of choice among the possibilities of being. In its title, Human's Un-placed Place, it states that human's place is not of the nature of some predefined and stable place. Human co- defines and finds their own's place by leading their own's life. This thesis interconnects associated philosophical themes in works of Giovanni Pico della Mirandola, Blaise Pascal, Søren Kierkegaard and Max Picard. As an introduction, the concept of "human's central position" is being thought over. Through that it can be seen that human, unlike other beings, must lead their own's life because no fixed place in cosmos was given to them in advance, so they have to define it themselves. Subsequently, a demand is emphasised on getting to know oneself and coming to oneself as an individual, which is followed by thinking of the constitution of "self" and of the possibilities of despair arising from the fact of "the self". In parallel, the phenomena of escaping from oneself as a response to this specific human position in world is thought through. Also, the fact that human doesn't have the power to completely..
Human's Un-placed Place (Giovanni Pico della Mirandola, Blaise Pascal, Søren Kierkegaard, Max Picard)
No full textHuman's Un-placed Place (Giovanni Pico della Mirandola, Blaise Pascal, Søren Kierkegaard, Max Picard) This diploma thesis studies the theme of human's place and the claim of leading one's own life through the exercise of choice among the possibilities of being. In its title, Human's Un-placed Place, it states that human's place is not of the nature of some predefined and stable place. Human co- defines and finds their own's place by leading their own's life. This thesis interconnects associated philosophical themes in works of Giovanni Pico della Mirandola, Blaise Pascal, Søren Kierkegaard and Max Picard. As an introduction, the concept of "human's central position" is being thought over. Through that it can be seen that human, unlike other beings, must lead their own's life because no fixed place in cosmos was given to them in advance, so they have to define it themselves. Subsequently, a demand is emphasised on getting to know oneself and coming to oneself as an individual, which is followed by thinking of the constitution of "self" and of the possibilities of despair arising from the fact of "the self". In parallel, the phenomena of escaping from oneself as a response to this specific human position in world is thought through. Also, the fact that human doesn't have the power to completely...Ne-místné místo člověka (Giovanni Pico della Mirandola, Blaise Pascal, Søren Kierkegaard, Max Picard) Tato diplomová práce sleduje téma postavení člověka a z něj plynoucí nárok na vedení svého života skrze výkon volby z možností, jak být. V jejím názvu, Ne-místné místo člověka, zaznívá, že postavení člověka nemá povahu nějakého předem určeného a neměnnéhomísta. Člověk vedením svého života své místo spoluurčuje a nachází. Tato práce je propojením souvisejících filosofémat a jejich vypracování u Giovanniho Pika z Mirandoly, Blaise Pascala, Sørena Kierkegaarda a Maxe Picarda. Na úvod je promýšlen koncept "středového postavení člověka". Ten ukáže, že člověk na rozdíl od jiných jsoucen musí svůj život vést, jelikož mu nebylo předem přiděleno pevné místo v kosmu, a tak jej musí určovat sám. Následně je artikulován důraz na potřebu poznávání sebe sama a přicházení k sobě jako jednotlivci, na což záhy navazuje promýšlení konstituce "já" a možnostizoufalstvíplynoucí zfaktu "jáství". Paralelně jsou promýšleny fenomény útěků před sebou jako reakce na tento specificky lidský typ postavení ve světě. A také skutečnost, že úplný útěk před sebou (ani před Bohem) člověk ve své moci nemá.Program Filosofie v kontextu humanitních vědProgramme Philosophy in the context of humanitiesFaculty of HumanitiesFakulta humanitních studi
Bird presence vegetation complexity data in Melbourne, Australia. Data created in 2018 by Giovanni Carrabs.
No full textBird presence and vegetation complexity data from Melbourne, Australia. Data created for a university thesis project and publication in 2018. Author: Giovanni Carrabs.</p
Sul movimento e sull'immobilità. Montaigne, Pascal e la questione della vita
No full textThe essay shows a comparison between Montaigne and Pascal on the theme of life, using the question of movement as a key to reading. From this comparison, Pascal shows a significant closeness to the Greek metaphysical paradigm
Chapter Atto biografo di Giovanni Gualberto
No full textThe paper examines the Vita s. Iohannis Gualberti by Atto, reconstructing its genesis and fortune. Probably the author wrote this hagiography when he was abbot and before becoming bishop of Pistoia. He re-elaborated the Life of the saint by Andrea of Strumi, adapting it to a changed historical and ecclesiastical context. The text was successful among the Vallombrosan Order and it was used by later hagiographers to create epitomes and rewritings of the Life of Giovanni Gualberto
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