1,721,394 research outputs found
Parso Gidwani Centre of Sindhi Studies
No full textIn 2011, a new research centre of Sindhi studies was established in memory of Parso Gidwani. Here below is a description of The Parso Gidwani Centre of Sindhi Studies: "The Parso Gidwani Centre of Sindhi Studies (PGCSS) was created in 2011 in memory of the Ethnolinguist Parso J. Gidwani (1937-2004) who was a pioneer in the field of Ethnology and Linguistics related to the Sindhi world. Born in Dadu, now Pakistan, Parso Gidwani migrated over to the newly framed borders of India as a boy and a..
PARSO ADIYANTO TOKOH SENIMAN TARI MADURA DI KABUPATEN PAMEKASAN
No full text
ABSTRAK
Kesenian adalah salah satu unsur yang menyangga kebudayaan. Ia berkembang menurut kondisi dari kebudayaan itu. Seperti halnya Pamekasan–Madura, kesenian merupakan bagian integral dari kehidupan masyarakat Madura, yang mayoritas beragama Islam. Keterkaitan yang erat dengan pelaksanaan adat dan seni budaya, menjadi faktor yang penting bagi kelangsungan hidup kesenian itu.Inilah salah satu keuntungan Madura, dalam melestarikan dan mengembangkan kesenian, sebagai bagian integral dari kehidupan budayanya.
Penelitian ini menggunakan pendekatan kualitatif dan merupakan jenis penelitian kualitatif deskriptif. Pendekatan kualitatif merupakan penelitian yang memanfaatkan wawancara terbuka untuk menelaah.Penelitian kualitatif ini dilakukan pada kondisi alamiah dan bersifat penemuan. Pendekatan kualitatif adalah prosedur penelitian yang menghasilkan data deskriptif yang berupa kata-kata tertulis atau lisan dari orang-orang dan perilaku yang diamati. Pendekatan ini langsung menunjukkan setting dan individu-individu dalam setting secara keseluruhan.
Laden, adalah sebuah desa kecil yang termasuk dalam lingkungan wilayah Kecamatan Pamekasan, Kabupaten Pamekasan. Desa Laden ini, identik dengan pertunjukan Shandur, masyarakat Pamekasan Mengenal nama Laden ini, karna di desa ini tumbuh dan berkembang kesenian Shandur. Di desa kecil inilah, lahir seorang anak laki-laki, yang bernama Parso Adiyanto dilahirkan, Jumat jam 10 siang, 9 April 1957. Parso adalah putra ke Lima dari 13 bersaudara dalam lingkungan keluarga seniman. Darah seni yang mengalir dalam dirinya merupakan campuran dari ayah seorang juragan Ludruk/ Shandur yang bernama Sakdullah yang berasal dari Laden, dengan seorang ibu bernama Markati. Saat itulah Parso kecil yang berumur +/ 8 tahun mulai di kenalkan oleh bapaknya pada kesenian ludruk/ Shandur di Pamekasan yang pada saat itu Parso kecil sebagai Penari “Rondhing”. Menginjak usia remaja, Parso mulai belajar tari klonoan kepada bapaknya yaang di kemudian hari tari klonoan sekarang di kenal sebagai tari Topeng Ghettak. Pada saat usia remaja inilah Parso sering memerankan menjadi penari perempua (thandek) travesti yang di kenal dengan nama pajhuen bhini’an (tandhak perempuan) penari Pajhuen. Akibat dari seringnya Parso memerankan seorang perempuan, mengakibatkan perilaku peran yang sering dilakukannya sosok perempuan, Parso terlihat seperti Perempuan, hal ini terlihat jelas ketika dia berjalan, perilaku Parso seperti ini berlangsung sampai usianya beranjak 17 tahun ketika Parso akan melanjutkan sekolahnya yaitu SPG (Sekolah Pendidikan Guru).
Kata Kunci : Biografi, Ketokohan dan Parso Adiyant
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Full text linkWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
No full textWe have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
Author-wise bibliometric analysis based on entropy.
No full textAuthor-wise bibliometric analysis based on entropy.</p
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