680 research outputs found

    At home in national parks : a study of power, knowledge and discourse in Banff National Park and Cairngorms National Park

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    National Parks bear greater implications than simply preserving or conserving pockets of landscape. They evoke values of conservation versus development, livelihood economics, environmental stewardship and personal enrichment; they fulfil positions in relation to the national and the international stage. Social characteristics are revealed though this comparative study of Banff National Park and the Cairngorms National Park. Perceptions of space, place and boundaries crucially imply different meanings to the people living inside the national park boundaries and those living outside the boundaries. 'Insiders' are long-term permanent residents for whom being in the park is a practical activity; 'outsiders' include scientists, conservationists, bureaucrats, and tourists, who take various ideological positions regarding the park's purpose. Both sides take a serious interest in the park and how it is managed and regard it as a place where they are 'at home'. Groups within these spaces considers their values and rights superior to others and conflict often arises. Non-violent means of gaining power as theorized by Foucault and Bourdieu, employing knowledge and discourse, are highly suggestive in the study of national parks. Discourse of nature is strategically significant as it influences purpose and policy that drive government's decisions on how the park will be managed - in this way discourse shapes the culture of how we use nature. Knowledge, as symbolic capital and as the basis for truth, sparks divisiveness - in particular scientific knowledge versus experiential knowledge. Changes to the exclusive North American model, such as those instituted in the Caimgorms, mark the increased social utility and inclusive nature of national parks. The challenge remains for park managers to reconcile values connected with nationalism and environmental ethics with values connected with local livelihoods

    Creeps (1976)

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    1. Poster [attached]. 2. Unidentified Author. (1977, March 3). Glendon student discovered by Stratford. Pro Tem. 3. Mallet, Gina. (1976, Nov. 5). Glendon College show a taut production. The Toronto Star. 4. Walters, Frank. (1976, Sept. 30). "Creeps" staggers on. Pro Tem. 5. Melvin, David. (1976, Nov. 4). Glendon's first hit of the season. Pro Tem. 6. Gayton, D.P. (1976). Slap-in-the-face. Pro Tem. 7. Parker, Ara Rose. (1976, Nov.). Glendon has "creeps". Excalibur. 8. Moore, Colleen. (1976, Oct. 21). Creeps, to tell the truth. Excalibur. 9. Scenes from Creeps [10 photocopies].Archival file for the Glendon College production of Creeps by David Freeman and directed by Charles Northcote. The play was performed from November 1-7 at 8:30 PM in 1976

    Cult: A Composite Novel

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    Cult (redacted) The first component of the thesis is a composite novel called Cult which falls into two parts with seven narratives in each. Part 1 tracks the protagonist, Ellen, from her first involvement with the cult through to her eventually leaving it. Although fiction, the first half of the book answers the kinds of questions the author is asked when people discover that she was once a sannyasin (a follower of the guru Bhagwan Shree Rajneesh). While the experiences of meditation, group therapy and communal living are all faithfully rendered within the stories, the need for strong characters, narrative drive and a lightness of touch takes precedence. Part 2 picks up Ellen’s story some twenty or so years later and explores what becomes of her in middle age. It also looks at other groups in society, such as academia, the law and the internet dating community which each have their own jargon, hierarchies, rituals and rules but are not considered to be cults. The book examines the question raised in the Epigraph, ‘how do we be together when we feel so alone’ with a focus on relationships other than the familial and the romantic. Collisions, Chasms and Connections: a Performative Exploration of the Composite Novel Form The second part of the thesis is both a critical and creative response to three contemporary American books: Olive Kitteridge by Elizabeth Strout; A Visit from the Goon Squad by Jennifer Egan; and Legend of a Suicide by David Vann. The critical element comprises a close reading of the three books; a chronological reconstruction of their overarching storylines; and a consideration of what their authors have said about writing the books. It concludes that, in the composite novel, the simultaneous presentation of multiple views and storylines operate much like a 3D image to give the impression of depth to the characters and situations rendered. The creative element of the essay is a playful and personal response to the texts

    Developing a partnership of indigenous peoples, conservationists, and land use planners in Latin America

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    Illustrating from a rich body of case material, Poole's report reflects a shift away from the traditional view - represented by certain national parks and similar protected areas - that indigenous peoples be allowed to occupy and use an area's resources following rules set by conservationists. Under the new paradigm that is developing, indigenous peoples are seen as an integral part of protected area planning through agreements worked out in partnership with conservation authorities. An example of this new approach is the role that indigenous peoples are playing in the design of biosphere reserves. Poole suggests that the Bank and other development organizations pay more attention to vernacular economies - economies based on local resources, used either for subsistence or as a source of revenue. He also recommends more research into economics and resource implications of these local activities to harvest wild resources, especially in environmentally delicate areas such as tropical rainforests.Environmental Management,Tourism and Ecotourism,Water Conservation,Natural Resources Management,Wetlands

    Conference in Honour of the 90th Birthday of Freeman Dyson

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    Professor Freeman Dyson, a great physicist, thinker and futurist, has been very active in scientific, literary and public policy activities throughout his career. As a tribute to him on the occasion of his 90th birthday and to celebrate his lifelong contributions in physics, mathematics, astronomy, nuclear engineering and global warming, a conference covering a wide range of topics was held in Singapore from 26 to 29 August 2013. Distinguished scientists from around the world, including Nobel Laureate Professor David Gross, joined Professor Dyson in the celebration with a festival of lectures. This memorable volume collects an interesting lecture by Professor Dyson, Is a Graviton Detectable?, contributions by speakers at the conference, as well as guest contributions by colleagues who celebrated Dyson's birthday in Princeton. About Freeman Dyson Freeman John Dyson FRS, born December 15, 1923, is an eminent English-born American physicist, mathematician, and futurist. He is famous for his work in quantum electrodynamics, solid-state physics, mathematics, astronomy and nuclear engineering, as well as a renowned and best-selling author. He has spent most of his life as a professor of physics at the Institute for Advanced Study in Princeton, taking time off to advise the US government and write books for the public. He has won numerous notable awards including the Enrico Fermi Award, Templeton Prize, Wolf Prize, Pomeranchuk Prize, and Henri Poincaré Prize

    Adjunctive treatment with oral AKL1, a botanical nutraceutical, in chronic obstructive pulmonary disease

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    Claire Brockwell,1 Sundari Ampikaipakan,1,2 Darren W Sexton,1 David Price,3,4 Daryl Freeman,5 Mike Thomas,6 Muzammil Ali,4 Andrew M Wilson1,21Norwich Medical School, University of East Anglia, Norwich, UK; 2Norfolk and Norwich University Hospital Foundation Trust, Norwich, UK; 3Academic Primary Care, University of Aberdeen, Aberdeen, UK; 4Research in Real Life, Cambridge, UK; 5Mundesley Medical Centre, Mundesley, Norwich, UK; 6Primary Care Research, Aldermoor Health Centre, University of Southampton, Southampton, UKPurpose: The objective of this pilot trial was to evaluate the safety and efficacy of AKL1, a patented botanical formulation containing extracts of Picrorhiza kurroa, Ginkgo biloba, and Zingiber officinale, as add-on therapy for patients with chronic obstructive pulmonary disease (COPD) and chronic cough.Patients and methods: This randomized, double-blind, placebo-controlled trial enrolled male and female patients >18 years old with COPD and Leicester Cough Questionnaire (LCQ) score of <18. The 10-week study period comprised a 2-week single-blind placebo run-in period followed by add-on treatment with AKL1 or placebo twice daily for 8 weeks. The primary study endpoint was the change from week 0 to week 8 in cough-related health status, as assessed by the LCQ.Results: Of 33 patients enrolled, 20 were randomized to AKL1 and 13 to placebo. Patients included 19 (58%) men and 14 (42%) women of mean (standard deviation [SD]) age of 67 (9.4) years; 15 (45%) patients were smokers and 16 (49%) were ex-smokers. The mean (SD) change from baseline in LCQ score at 8 weeks was 2.3 (4.9) in the AKL1 group and 0.6 (3.7) in the placebo group, with mean difference in change of 1.8 (95% confidence interval: –1.5 to 5.1; P=0.28). The St George's Respiratory Questionnaire score improved substantially in the AKL1 treatment group by a mean (SD) of –7.7 (11.7) versus worsening in the placebo group (+1.5 [9.3]), with mean difference in change of –9.2 (95% confidence interval: –19.0 to 0.6; P=0.064). There were no significant differences between treatment groups in change from baseline to week 8 in other patient-reported measures, lung function, or the 6-minute walk distance.Conclusion: Further study is needed with a larger patient population and over a longer duration to better assess the effects of add-on therapy with AKL1 in COPD.Keywords: Leicester Cough Questionnaire, anti-inflammatory, Picrorhiza kurroa, Ginkgo biloba, Zingiber officinal

    Exploring visual representation of sound in computer music software through programming and composition

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    Presented through contextualisation of the portfolio works are developments of a practice in which the acts of programming and composition are intrinsically connected. This practice-based research (conducted 2009–2013) explores visual representation of sound in computer music software. Towards greater understanding of composing with the software medium, initial questions are taken as stimulus to explore the subject through artistic practice and critical thinking. The project begins by asking: How might the ways in which sound is visually represented influence the choices that are made while those representations are being manipulated and organised as music? Which aspects of sound are represented visually, and how are those aspects shown? Recognising sound as a psychophysical phenomenon, the physical and psychological aspects of aesthetic interest to my work are identified. Technological factors of mediating these aspects for the interactive visual-domain of software are considered, and a techno-aesthetic understanding developed. Through compositional studies of different approaches to the problem of looking at sound in software, on screen, a number of conceptual themes emerge in this work: the idea of software as substance, both as a malleable material (such as in live coding), and in terms of outcome artefacts; the direct mapping between audio data and screen pixels; the use of colour that maintains awareness of its discrete (as opposed to continuous) basis; the need for integrated display of parameter controls with their target data; and the tildegraph concept that began as a conceptual model of a gramophone and which is a spatio-visual sound synthesis technique related to wave terrain synthesis. The spiroid-frequency-space representation is introduced, contextualised, and combined both with those themes and a bespoke geometrical drawing system (named thisis), to create a new modular computer music software environment named sdfsys

    Persistent progressives: the Rocky Mountain Farmers Union

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    Includes bibliographical references and index.Persistent Progressives tells the story of the Rocky Mountain Farmers Union's evolution from an early movement against monopolists and wholesalers to a regional trailblazer for agriculture ideologies built on social democracy, the family farmer, and cooperative enterprises. As a continuing advocate for saving the family farm, the Farmers Union legacy provides a unique window into the transformation of the agriculture and rural communities in Wyoming, Colorado, and New Mexico. Using data spanning decades, author John Freeman covers the founding of the RMFU in 1907 until the present, demonstrating how members continually sought to control the means of production and marketing by forming cooperatives, providing consumer services, and engaging in politics. Powering this evolution was a group of 'practical idealists'--the Farmers Union leaders and titular persistent progressives who shaped the organization's growth and expansion. Initiated by Jim Patton, who brought the organization out of its oppositional roots and into its cooperative advocacy, the RMFU passed to John Stencel and then David Carter, joining hands with agricultural conservationists and small organic producers along the way to carry the torch for progressive agrarianism in today's urbanized world. Shaken but undeterred by some notable failures, its leadership remains convinced of the efficacy of cooperatives as a means to achieve justice for all. Discussing the broader social, economic, political, and environmental issues related to farming, ranching, and urbanization, Persistent Progressives seamlessly blends regional history with ongoing issues of agricultural and economic development.--Provided by publisher

    David Mabberley. Painting By Numbers: The Life and Art of Ferdinand Bauer

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    Painting by Numbers is the epitome of a good book on the history of science illustration. It has superbly reproduced images and an eminently scholarly text, but one that is accessible and engaging, venturing into the present and giving its subject contemporary relevance. This success is perhaps not surprising. Its author, David Mabberley, is a plant specialist and science historian who has undertaken extensive field work in Africa, Asia and Australasia; worked at Royal Botanic Gardens Kew; was CEO of Greening Australia (NSW); is the former director of the Royal Botanic Garden Sydney and was awarded a prize for ‘successful efforts to popularize botany to non-scientists’
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