1,721,155 research outputs found

    The skill of ECMWF precipitation and temperature predictions in the Danube basins as forcings of hydrological models

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    In this paper the suitability of ECMWF forecasts for hydrological applications is evaluated. This study focuses on three spatial scales: the upper Danube (which is upstream of Bratislava, Slovakia), the entire Danube catchment, and the whole of Europe. Two variables, 2-m temperature and total precipitation, are analyzed. The analysis shows that precipitation forecasts follow largely in pattern the observations. The timing of the peaks between forecasted and observed precipitation and temperature is good although precipitation amounts are often underestimated. The catchment scale influences the skill scores significantly. Small catchments exhibit a larger variance as well as larger extremes. A water balance analysis suggest a 10% underestimation by the ensemble mean and an overestimation by the high-resolution forecast over the past few years. Precipitation and temperature predictions are skillful up to days 5-7. Forecasts accumulated over a longer time frame are largely more skillful than forecasts accumulated over short time periods. cr 2009 American Meteorological Society.</p

    Evaluation of a probabilistic hydrometeorological forecast system

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    Medium range hydrological forecasts in mesoscale catchments are only possible with the use of hydrological models driven by meteorological forecasts, which in particular contribute quantitative precipitation forecasts (QPF). QPFs are accompanied by large uncertainties, especially for longer lead times, which are propagated within the hydrometeorological model system. To deal with this limitation of predictability, a probabilistic forecasting system is tested, which is based on a hydrological-meteorological ensemble prediction system. The meteorological component of the system is the operational limited-area ensemble prediction system COSMO-LEPS that downscales the global ECMWF ensemble to a horizontal resolution of 10 km, while the hydrological component is based on the semi-distributed hydrological model PREVAH with a spatial resolution of 500 m. Earlier studies have mostly addressed the potential benefits of hydrometeorological ensemble systems in short case studies. Here we present an analysis of hydrological ensemble hindcasts for two years (2005 and 2006). It is shown that the ensemble covers the uncertainty during different weather situations with appropriate spread. The ensemble also shows advantages over a corresponding deterministic forecast, even under consideration of an artificial spread

    The skill of probabilistic precipitation prediction under observational uncertainties within the Generalized Likelihood Uncertainty Estimation framework for hydrological applications

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    A methodology for evaluating ensemble forecasts, taking into account observational uncertainties for catchment-based precipitation averages, is introduced. Probability distributions for mean catchment precipitation are derived with the Generalized Likelihood Uncertainty Estimation (GLUE) method. The observation uncertainty includes errors in the measurements, uncertainty as a result of the inhomogeneities in the rain gauge network, and representativeness errors introduced by the interpolation methods. The closeness of the forecast probability distribution to the observed fields is measured using the Brier skill score, rank histograms, relative entropy, and the ratio between the ensemble spread and the error of the ensemble-median forecast (spread-error ratio). Four different methods have been used to interpolate observations on the catchment regions. Results from a 43-day period (20 July-31 August 2002) show little sensitivity to the interpolation method used. The rank histograms and the relative entropy better show the effect of introducing observation uncertainty, although this effect on the Brier skill score and the spread-error ratio is not very large. The case study indicates that overall observation uncertainty should be taken into account when evaluating forecast skill.</p

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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