1,720,953 research outputs found
Traduction et recréation d’un album de jeunesse anglais en français et grec : textes et images dans Les Trois Petits Loups et le Grand Méchant Cochon d’Eugène Trivizas
No full textThe Three Little Wolves and the Big Bad Pig, l’album le plus célèbre de l’auteur grec Eugène Trivizas illustré par Helen Oxenbury, a été publié en 1993, immédiatement suivi de sa traduction en français. Un an plus tard, la version grecque est éditée, signée par l’auteur. Dans le cadre de cet article, nous allons examiner la relation entre ces trois textes – le texte en anglais, la traduction en français et l’auto-traduction en grec – ainsi que la traduction du rapport texte-image. L’album de Trivizas inverse les rôles des personnages du conte traditionnel des Trois Petits Cochons. Le caractère particulier de ce texte parodique, l’humour subversif, les jeux de mots, allitérations et assonances constituent un défi pour le traducteur. Mais qu’en est-il lorsqu’il s’agit d’une auto-traduction ? Nous examinerons les procédés utilisés par l’auteur par opposition à ceux choisis par le traducteur afin de respecter les particularités linguistiques et culturelles ainsi que les sens véhiculés par l’image.The Three Little Wolves and the Big Bad Pig, the most famous picture book by Greek author Eugene Trivizas, illustrated by Helen Oxenbury, was published in 1993, followed immediately by its French translation. One year later, the Greek version was published, signed by the author. In this article, we are going to examine the relevance between those three texts—the English text, French translation and Greek self-translation—as well as the translation of the text-image relation. Trivizas’s picture book inverts the main roles of the traditional fairytale The Three Little Pigs. The particular character of this parodic text, its subversive humor, wordplay, alliterations and assonances represent a challenge for the translator. However, what happens in the case of self-translation? The analysis focuses on the procedures used by the author compared to those chosen by the translator in order to respect the linguistic and cultural particularities as well as the senses conveyed by the image
Traduire en français des jeux de mots de la littérature de jeunesse néohellénique : le cas d'Eugène Trivizas
Get PDFΤο αντικείμενο της παρούσας εργασίας είναι η μετάφραση στα γαλλικά των λογοπαίγνιων που εντοπίζονται στα παιδικά άλμπουμ του Έλληνα συγγραφέα Ευγένιου Τριβιζά. Εξετάζουμε τις στρατηγικές μετάφρασης των λογοπαίγνιων, υπό το φως των ιδιαιτεροτήτων αυτών των γλωσσικών ενοτήτων και των παιδικών άλμπουμ, στο γλωσσικό πλαίσιο που τίθεται από το ζευγάρι ελληνικά-γαλλικά. Υιοθετώντας την τυπολογία και τις στρατηγικές μετάφρασης των λογοπαίγνιων που προτείνει η μεταφρασεολόγος Jacqueline Henry, αναλύουμε το δείγμα λογοπαίγνιων που συλλέξαμε από πέντε άλμπουμ του Ευγένιου Τριβιζά και τις μεταφράσεις τους, εκ των οποίων οι τέσσερις πραγματοποιήθηκαν στα πλαίσια αυτής της εργασίας. Η προτιμώμενη στρατηγική είναι η ομόμορφη μετάφραση. Η προτιμώμενη στρατηγική είναι η ομόμορφη μετάφραση. Παράγοντες όπως η επιρροή των λογοπαίγνιων μέσα στο κείμενο, οι πολιτισμικές αναφορές και η γλωσσική ιδιαιτερότητα της γλώσσας-πηγής και της γλώσσας-στόχου επηρεάζουν σημαντικά αυτήν την τάση. Γαλλικά: L' objet de ce mémoire est la traduction en français des jeux de mots repérés dans des albums de jeunesse de l'auteur grec Eugène Trivizas. Nous examinons les stratégies de traduction des jeux de mots, sous la lumière des spécificités des albums de jeunesse et des jeux de mots, dans le cadre linguistique imposé par le couple grec-français. En adoptant la typologie des jeux de mots et des stratégies de traduction, proposées par la traductologue Jacueline Henry, nous analysons notre échantillon de jeux de mots, repérés dans cinq albums d'Eugène Trivizas et leurs traductions, dont quatre sont effectuées dans le cadre de ce mémoire. La traduction homomorphe étant la stratégie privilégiée, il paraît que le poids des jeux de mots dans le texte, les références culturelles et la spécificité linguistique des langues source et cible sont autant d'éléments qui influencent cette tendance.The subject of the following study is the french translation of wordplay retrieved from children's albums written by the greek author Eugenios Trivizas. Wordplay translation strategies are explored, in the light of the specificities of those language unities and of children's albums specificities, in the linguistic context imposed by the greek-french pair. Adopting the wordplay typology and translation strategies proposed by Jacqueline Henry, a of wordplay selected from five albums by Eugenios Trivizas and their translations, four of which were done for the purposes of this study. The preferred strategy is homomorphe translation. This tendency is heavily influenced by factors such as the weight of wordplay in the text, the cultural references and the linguistic specificity of both source and target language
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Get PDFWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Get PDFWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
No full textWe have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
Author-wise bibliometric analysis based on entropy.
No full textAuthor-wise bibliometric analysis based on entropy.</p
- …
