1,721,030 research outputs found
A Deflationary Account of the Truth of the Gödel Sentence G
No full textWe give a negative answer to the question of whether our conviction about the truth of the G ̈odel sentence G involves a theory of truth beyond the deflationary theories. After discussing and dismissing Neil Tennant’s de- flationary account of incompleteness, we show how a new deflationary construal of the incompletability of formal systems can be framed in the setting of Peano Arithmetic augmented to include a constructive version of the ω-rule based on Herbrand’s notion of prototype proof
Automotive Materials: An Experimental Investigation of an Engine Bay Acoustic Performances
No full textIn this work an extensively experimental analysis aimed to verify the sound insulation properties of the engine bay of a commercial passenger car is carried out, evaluating the possibility to adopt different sound absorbing materials, to be applied under engine cover nylon skin, in the place of commonly used polyurethane foams. Experimental tests were performed on the vehicle at different stationary operating conditions, employing typical pressure microphones for far field measurements, according to the related prescribed standards. A limited number of materials has been initially selected through a preliminary analysis, and then employed for creating different engine cover configurations, which were subsequently tested in real engine operating conditions. For a good understanding of the obtained results, an experimental investigation through an innovative in situ impedance method aimed to assess acoustic properties of each considered material has been also performed. Among all the tested materials, only one able to ensure better acoustic performance at mid and high frequencies with respect to the already existing cover configuration, has been finally identified, after considering other selection criteria such as an adequate high temperature resistance and the most cost-effective solution. Future analyses will regard investigations on the use of additional materials, for solving problem in attenuating engine noise also at low frequencies
Experimental catches of Aristeus antennatus and Aristaeomorpha foliacea in the Ionian Sea (Central Mediterranean)
No full textOn the growth and mortality of rockfish, Helicolenus dactylopterus (Delaroche 1809), from the Ionian Sea
No full textGoing Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
- …
