1,721,468 research outputs found
Winckelmann privato: conseguenze di una morte inaudita
Get PDFSi tratta di una ricognizione critica svolta in collaborazione con Paolo Panizzo dello stato della ricerca sulla morte di Winckelmann a Trieste nel 1768, che mette in luce i contributi recenti sul tema raccolti nel volume e indica nuove prospettive di ricerca sul grande archeologo e la ricezione letteraria della sua figur
The Innocence of the South. Winckelmann in Trieste and the Aschenbach Case
Get PDFReception of Winckelmann's Myth in Thomas Mann's novella "Death in Venice
Der Keim einer sittlichen Verderbnis. Ausnahmezustand in Thomas Manns Venedig-Novelle
No full textAusnahmezustand in Thomas Manns Novelle "Der Tod in Venedig
Ausnahmezustand und Literatur. Verschränkungen von Ästhetik, Politik und Leben in und zwischen den Weltkriegen
No full textIntroduzione al volume: Stato di eccezione nella letteratura dal 1914 al 194
Aufklärung und Nation in der Germanistik um 1900
No full textAufklärungsverständnis in der Germanistik um 190
Vom Schutzwall zur Wall Street Ingo Schulzes Schelmenroman Peter Holtz, die Mauer und das System des Geldes
Get PDFIn the years of the 2008 world financial crisis and of the global protests of the Occupy-Movement, the German author Ingo Schulze writes a novel about the German reunification, in which he tells the story of the ‘GDR-rogue’ Peter Holtz fighting for a fairer society. In this novel Schulze challenges the question of the democratic quality of the political and economic world order arisen at the historical moment of the Fall of the Berlin Wall. Why does Schulze decide to write just a picaresque novel about the German reunification during the financial crisis after 2007? What is the additional value of this literary elaboration of the historical turning point of 1989? Why does money play such a significant role in this novel? The contribution expounds that Schulze retrospectively and critically retraces in his picaresque novel the way from the ‘anti-fascist rampart’ of the GDR to the moneycentred financial world of Wall Street. The article illustrates at the same time Schulze’s diagnosis according to which during the process of German reunification the West betrayed its own democratic values and against the background of the peaceful revolution in the GDR missed the historical chance to build a fairer future society.In the years of the 2008 world financial crisis and of the global protests of the Occupy-Movement, the German author Ingo Schulze writes a novel about the German reunification, in which he tells the story of the ‘GDR-rogue’ Peter Holtz fighting for a fairer society. In this novel Schulze challenges the question of the democratic quality of the political and economic world order arisen at the historical moment of the Fall of the Berlin Wall. Why does Schulze decide to write just a picaresque novel about the German reunification during the financial crisis after 2007? What is the additional value of this literary elaboration of the historical turning point of 1989? Why does money play such a significant role in this novel? The contribution expounds that Schulze retrospectively and critically retraces in his picaresque novel the way from the ‘anti-fascist rampart’ of the GDR to the moneycentred financial world of Wall Street. The article illustrates at the same time Schulze’s diagnosis according to which during the process of German reunification the West betrayed its own democratic values and against the background of the peaceful revolution in the GDR missed the historical chance to build a fairer future society
Letteratura come progetto alternativo? I due straniamenti nel romanzo Die rechtschaffenen Mörder di Ingo Schulze
Get PDFThe article examines Ingo Schulze’s novel Die rechtschaffenen Mörder (2020) in the light of the considerations on estrangement expressed by the author in his speech for the Brecht Prize in 2013. This paper highlights how the novel is about two types of ‘estrangements’: the first, along Brecht’s lines, is at the service of committed literature, capable of representing an “alternative project” for society; the second, on the other hand, is functional to the author’s self-reflective moment and characteristic of the postmodern novel. The analysis of the novel argues that ‘estrangement’, from being a tool of political and social commitment aimed at demystifying power relations, ultimately becomes a merely formal device that preserves the status quo in the market of artistic forms produced by the “mass-democratic postmodernity” (Kondylis) in which Schulze operates, thus counteracting Brecht’s and perhaps even Schulze’s own initial aim.The article examines Ingo Schulze’s novel Die rechtschaffenen Mörder (2020) in the light of the considerations on estrangement expressed by the author in his speech for the Brecht Prize in 2013. This paper highlights how the novel is about two types of ‘estrangements’: the first, along Brecht’s lines, is at the service of committed literature, capable of representing an “alternative project” for society; the second, on the other hand, is functional to the author’s self-reflective moment and characteristic of the postmodern novel. The analysis of the novel argues that ‘estrangement’, from being a tool of political and social commitment aimed at demystifying power relations, ultimately becomes a merely formal device that preserves the status quo in the market of artistic forms produced by the “mass-democratic postmodernity” (Kondylis) in which Schulze operates, thus counteracting Brecht’s and perhaps even Schulze’s own initial aim
Carattere nazionale e rivincita culturale nel frammento "Deutsche Größe" di F. Schiller
No full textIl saggio si interroga sul concetto di “carattere nazionale” nel maggiore dei frammenti del lascito del poeta tedesco, scritto in reazione alle perdite territoriali del Sacro Romano Impero di nazione germanica definitivamente sancite dal Trattato di Amiens del 1802. Mettendo in evidenza non solo la componente consolatoria che anima il componimento ma anche quella di rivincita morale e culturale, il contributo problematizza sia la definizione di “universalismo nazionale” utilizzata dalla critica nell’interpretazione del testo, sia la recente proposta di modificare in “Dignità tedesca” il titolo postumo “Grandezza tedesca” attribuito dal curatore della prima edizione nel 1902. Il saggio analizza dunque criticamente il sistema valoriale di riferimento del
frammento schilleriano sullo sfondo del dibattito intellettuale scaturito nei Paesi di lingua tedesca in risposta alle contingenze storico-politiche del tempo
Introduzione [Dal cosmopolitismo al nazionalismo : il "carattere tedesco" e le sue radici filosofico-letterarie (1750-1850)]
No full textIntroduzione al volume Dal cosmopolitismo al nazionalismo : il "carattere tedesco" e le sue radici filosofico-letterarie (1750-1850)
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