1,721,656 research outputs found
Quan guo er tong zuo wen bi sai te deng zuo pin
No full text全國兒童作文比賽評判會編.Cover title.Quan guo er tong zuo wen bi sai ping pan hui bian
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Full text linkWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
Wireless Epidemic Spread in Dynamic Human Networks
Full text linkThe emergence of Delay Tolerant Networks (DTNs) has culminated in
a new generation of wireless networking. New communication paradigms, which
use dynamic interconnectedness as people encounter each other opportunistically,
lead towards a world where digital traffic flows more easily. We focus on humanto-
human communication in environments that exhibit the characteristics of social
networks. This paper describes our study of information flow during epidemic
spread in such dynamic human networks, a topic which shares many issues with
network-based epidemiology. We explore hub nodes extracted from real world
connectivity traces and show their influence on the epidemic to demonstrate the
characteristics of information propagation
The Carnival Images in Gao Xingjian’s Plays: Study on Weekend Quartet, Snow in August, and The Man Who Questions Death
No full text高行健的劇場實驗，都是為了尋找適合自己世界觀的表現方式，透過形式表達思想，因此其劇場美學跟哲學思想息息相關，研究其劇作必須從哲學與劇場兩方面同時下手。高行健的沒有主義與巴赫汀的狂歡理論，雖然表達方式不同，但兩者具相同思想：主張消解中心思想的意識形態、強調真實生活，在後現代一片虛無聲浪中指出一條道路。本論文藉由對高行健一手資料的再爬梳，發現其在戲劇與哲學歷史中的承繼關係，佐以巴赫汀的觀點，將兩者互相印證，解釋作者如何在戲劇實踐中反映個人思想，同時傳達狂歡節的精神。以高行健近期三個劇作《週末四重奏》、《八月雪》、《叩問死亡》為主要分析對象。Through his experiments in theatre, Gao Xingjian looks for a better approach to exhibit the human world. The theatre form, to Gao, is the expression to expose his personal thoughts. Thus, Gao’s theatrical esthetics cannot be separated from his philosophical thoughts. To study Gao’s plays means a research of both his theatre and philosophy. he Without-ism of Gao echoes Bakhtin’s carnival theory. Their different literal expressions embrace actually the same values: to dissolve the ideology of a unique centre, to emphasize the real life, and to try to indicate a way out from the noises of postmodern nihilism. his thesis is to analyze how Gao’s plays follow his precedent theatre and philosophy history. By reviewing Gao’s firsthand unpublished writings, I will examine how the playwright demonstrates his own thoughts through his theatre practice. I will also use Bakhtin’s philosophical observations as reference to Gao’s theory, in order to explain how the playwright conveys the carnival spirit in his works. Three later plays of Gao are my research objects: Weekends Quartet, Snow in August, and The Man Who Questions Death.目次論…………………………………………………………………………………1一章 沒有主義與狂歡理論……………………………………………………7 壹、沒有主義…………………………………………………………………8 貳、狂歡節……………………………………………………………………18 一、狂歡節歷史…………………………………………………………19 二、狂歡節特性…………………………………………………………20 三、狂歡化文學…………………………………………………………25 小結……………………………………………………………………………32二章 對高行健戲劇理論的再認識……………………………………………35 壹、戲劇性……………………………………………………………………36 一、過程…………………………………………………………………39 二、變化、發現與驚奇…………………………………………………41 三、對比、複調與多聲部………………………………………………42 貳、劇場性……………………………………………………………………44 一、假定性………………………………………………………………45 二、三重性與中性演員…………………………………………………47 三、你─我─他的主詞人稱代換：高行健式的人稱表演……………49 四、全能演員與全能戲劇………………………………………………52 五、時間與空間…………………………………………………………55 小結……………………………………………………………………………58三章 複調的人物、情境與形式：以《週末四重奏》為例…………………59 一、本事………………………………………………………………………61 二、你我他的人稱代換表演…………………………………………………64 三、複調人物…………………………………………………………………67 四、情境變化…………………………………………………………………72 五、複調的音樂形式…………………………………………………………76 小結……………………………………………………………………………78四章 狂歡節的劇場實踐：以《八月雪》演出為例…………………………81 一、本事………………………………………………………………………83 二、戲劇性……………………………………………………………………86 三、音樂………………………………………………………………………89 四、表演動作…………………………………………………………………90 五、場面調度…………………………………………………………………94 六、語言音響…………………………………………………………………97 小結……………………………………………………………………………101五章 加冕與脫冕：《叩問死亡》中的思想人物對話………………………103 一、本事………………………………………………………………………104 二、廣場語言…………………………………………………………………108 三、冒險時空…………………………………………………………………111 四、加冕脫冕…………………………………………………………………115 五、複調對話…………………………………………………………………117 六、雙重對比…………………………………………………………………122 小結……………………………………………………………………………126論…………………………………………………………………………………129考書目……………………………………………………………………………13
koamabayili/VECTRON-author-checklist: VECTRON author checklist
No full textWe have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
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