1,358,017 research outputs found

    Book launch - John Paley - Concept Analysis in Nursing: A New Approach

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    Online event organiser and moderator Paul Snelling. Contributors - John Paley, Roger Watson, Sally Thorne, Martin Lipscomb

    Paley, William: science and rhetoric in his natural theology

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    William Paley's Natural Theology is probably the nineteenth century's most well- known design argument. As such an influential book, it is almost expected that twentieth century intellectual historians should at least pay a footnote to it. In midst of all these studies about the impact of Natural Theology upon the nineteenth century, one key fact is forgotten: Natural Theology and its sources were written in the eighteenth century. It is the goal of this thesis to demonstrate that Paley's design argument must be compared to the intellectual climate of that time period. Chapters 1 and 2 outline the rhetorical argument and the tools that Paley used to persuade his polite eighteenth century audience. The majority of scientific sources and examples he used were well-known names and therefore implicitly contributed to the believability of his argument. Accordingly, chapters 3 and 4 investigate why Paley's scientific sources added credibility to Natural Theology. Chapters 5 and 6 examine the actual scientific data that Paley turned into examples for his design argument. Setting the rhetoric aside, what was the actual scientific picture communicated by his examples? In these chapters, we find that even though Paley argues against random change, he does support a morphological telic change—the development of a supplemental part based on a pre-existing, fixed body part. As every chapter of this thesis unfolds, it will become more apparent that Paley was an intellectual heir to the eighteenth century. He wrote in a polite manner and employed a body of standard eighteenth century natural philosophical knowledge. It is this context that must be addressed and seriously considered when studying the nineteenth century intellectual legacy of Natural Theology

    Reading: Grace Paley

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    In this audiovisual recording from Wednesday, March 21, 1979, as part of the 10th Annual UND Writers Conference: “Epitomes, Bombast & Climaxes,” Grace Paley reads from her work. Paley reads a selection of poems, including “The Question,” a series of “One Day” poems, and “A Warning.” She reads the stories “Friends,” “Once,” and “The Northeast Playground.” Paley also responds to audience questions about bad language, her political activism, contemporary writers she admires, and her approach to fiction. Introduced by Dr. Sandra Donaldson, Department of English

    Albert Paley : Sculpture

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    The monumental site-specific metal assemblages former College at Brockport faculty member Albert Paley has created over the past three decades place him not only in the forefront of contemporary sculpture but also in the vanguard among artists working in the new, genre-defying area that has been called Archisculpture. This richly illustrated monograph presents the full spectrum of Albert Paley\u27s work. Paley goes beyond creating sculptures that stand as isolated works of art. His sculptures enhance the spaces in which they are placed and, in return, are enhanced by those spaces. He has established himself as an artist who is constantly pushing boundaries, questioning old categories and redefining himself in his own distinctive idiom, at once visionary and persuasively tangible. Noted art historian Donald Kuspit discusses Paley\u27s development as an artist, his virtuosity as a monumental sculptor and his diverse and significant achievements.https://digitalcommons.brockport.edu/bookshelf/1069/thumbnail.jp

    The Paley ulnarization of the carpus with ulnar shortening osteotomy for treatment of radial club hand

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    Recurrent deformity from centralization and radialization led to the development in 1999 of a new technique by the author called ulnarization. This method is performed through a volar approach in a vascular and physeal sparing fashion. It biomechanically balances the muscle forces on the wrist by dorsally transferring the flexor carpi ulnaris (FCU) from a deforming to a corrective force. The previous problems of a prominent bump from the ulnar head and ulnar deviation instability were solved by acutely shortening the diaphysis and by temporarily fixing the station of the carpus to the ulnar head at the level of the scaphoid. This is the first report of this modified Paley ulnarization method, which the author considers a significant improvement over his original procedure

    Albert Paley, Portals & Gates

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    By M. Jessica Rowe, with forward & essays by Lynette L. Pohlman ... [et al.].About former College at Brockport faculty member Albert Paley.Albert Paley (b. 1944), modernist American metal sculptor, is the first to receive the coveted Lifetime Achievement Award from the American Institute of Architects - it\u27s highest award to a non-architect.Albert Paley has been active as an artist for over 30 years. Commissioned by both public institutions and private corporations, he has completed more than 50 site-specific works. Notable examples are the Portal Gates, Renwick Gallery of the Smithsonian Institution; Synergy, a ceremonial archway in Philadelphia; Portal Gates for the New York State Senate; and a plaza sculpture for AT & T in Atlanta.Paley\u27s work can be found in the permanent collections of many major museums including the Victoria and Albert Museum, and the Fitzwilliam Museum, Cambridge.https://digitalcommons.brockport.edu/bookshelf/1114/thumbnail.jp

    First we had a talk and then, we sat by the fire [first line of chorus]

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    strophic with choruspiano and voiceads on back cover for Paley Music Co. stockJohns Hopkins University, Levy Sheet Music Collection, Box 189, Item 016Words by Alfred Bryan. Music by Herman Paley.Introduced in Vaudeville With Phenomenal Success by Bessie Wynnunattrib. photo of Wyn

    First we had a talk and then, we sat by the fire [first line of chorus]

    No full text
    strophic with choruspiano and voiceads on back cover for Paley Music Co. stockJohns Hopkins University, Levy Sheet Music Collection, Box 189, Item 016Words by Alfred Bryan. Music by Herman Paley.Introduced in Vaudeville With Phenomenal Success by Bessie Wynnunattrib. photo of Wyn

    Grace Paley: 02-18-1982

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    In an interview recorded February 18, 1982, Grace Paley reads her short story "Wants" and discusses her beginnings as a writer, her switch from poetry to the short story, writing while raising children, her political activism, and her "strong streak of indolence." She then talks about the roles of men, women and politics within her writing. Paley then touches briefly on potentially writing a novel and talks about what she’s currently working on. She ends the interview by discussing the reoccurring characters in her stories.Archived web contentSUNY BrockportWriters Forum Video

    The analysis of the lexicon of the narrator’s linguistic personality in the novel “The Moon and Sixpence” by Somerset Maugham

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    The author of this article studies and analyzes the peculiarities of the vocabulary and style of the narrator in the novel “The Moon and Sixpence”. The analyses are based on the definition of the linguistic personality by Yu. N. Karaulov. We analyzed 33 examples of the narrator’s sentences. There are such stylistic devices as simile, allusion, irony etc. in the narrator’s speech. The author comes to the conclusion that the narrator in Maugham’s novel is a person with wide scope, well–educated and broad–minded
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