12,570 research outputs found
Rede uitgesproken op 17 september 1956 ter gelegenheid van de erepromotie van Dr. Th. von Karman door de promotor Dr. C.B. Biezeno
No full textRede uitgesproken door prof. C.B. Biezeno ter gelegenheid van de erepromotie aan de TH Delft van dr. Theodore von Karman.Precision and Microsystems EngineeringMechanical, Maritime and Materials Engineerin
Prof. Th. W. Adorno and the author Hans Erich Nossack.
No full textProf. Th. W. Adorno and the author Hans Erich Nossack at a reception of Insel Verlag, Buchmesse Frankfurt 1966LB
Author, publisher and bookseller : a tripartite synergy in Nigerian book industry
No full textThis work is about the roles of Author, Publisher and Bookseller in Book development in
Nigeria. The paper started by delving into the history of Book Publishing in Nigeria after
which it proceeded by defining who an author, a publisher, and a bookseller is and
expatiated on the indispensable roles of these key actors in Nigerian Book Industry and in
the emerging Information Society. Furthermore, the various constraints to book
development were identified while the paper advised on how the Book Industry can be
further promoted in Nigeria. However, the paper concluded and made recommendations
on how the Book sector can help in enhancing scholarship in the country
Otto Th. W. Stein 1950-1957
No full textAnna Eisler’s account about the life of the painter Otto Th. W. Stein: 5 pages, typescript, 1950. Also included is an article by Elli Müller-Rau about Stein: clipping, 1957.Mrs. Alexander von Zemlinsky, 1990Otto Th[eodor] W[olfgang] Stein was born in Saaz in 1877. He studied art in Karlsruhe and lived in Berlin and Chemnitz. He fled to Prague, but was later deported to Theresienstadt. He died in Friedland in 1958
Dissipative Range Scaling of Higher Order Structure Functions for Velocity and Passive Scalars
No full textDifferently to Kolmogorov's second similarity hypothesis, we find that the 2n-th order velocity and scalar structure functions scale with n-th order moment of the energy dissipation and the scalar dissipation, respectively. The origins of this scaling are analyzed by the transport equations of the fourth order velocity and scalar increment moments and by direct numerical simulations
Profile of painter William Thon, 87, of Port Clyde, with a review of William Th
No full textProfile of painter William Thon, 87, of Port Clyde, with a review of William Thon: Recent Works, currently showing at the Farnsworth Art Museum in Rocklan
Also By The Same Author: AKTiveAuthor, a Citation Graph Approach to Name Disambiguation
No full textThe desire for definitive data and the semantic web drive for inference over heterogeneous data sources requires co-reference resolution to be performed on those data. In particular, name disambiguation is required to allow accurate publication lists, citation counts and impact measures to be determined. This paper describes a graph-based approach to author disambiguation on large-scale citation networks. Using self-citation, co-authorship and document source analyses, AKTiveAuthor clusters papers, achieving precision of 0.997 and recall of 0.818 over a test group of eight surname clusters
Catholic Louis Caravaque: to the question about religiosit y of the painter of the Rococo
No full textАндреева Юлия Сергеевна, кандидат исторических наук, старший научный сотрудник НОЦ «Актуальные проблемы истории и теории культуры», Южно-Уральский государственный университет (г. Челябинск, Россия). E-mail: [email protected]
Yu. S. Andreeva, South Ural State University, Chelyabinsk, Russian Federation, iulyand@
yandex.ruВ статье исследуются религиозные параметры личности и церковная сторона биографии живописца Луи Каравака, одного из самых известных представителей россики XVIII в. Для решения задач по реконструкции религиозного облика Каравака автор использует метод комплексного анализа структурных компонентов религиозности, трактуемой в качестве системы активных взаимосвязей человека с социумом. На архивных материалах в статье анализируются
взаимосвязи Каравака с римско-католическим приходом в Санкт-Петербурге, дается характеристика его социально-психологических качеств, вводятся в оборот новые биографические данные. Автор делает вывод о том, что Каравак не проявлял большой заинтересованности в обрядовых формах религии. В религиозности живописца ярко проявились когнитивный и идентификационный компоненты, однако оказалась слабо выраженной поведенческая составляющая. Характер религиозности Каравака определен как внешний, поверхностный,
почти исключающий возможность сильного эмоционального потрясения от богослужения и таинств, подразумевающий господство мирского над сакральным. Автор полагает, что религиозность Каравака выражает суть секуляризационных процессов, свойственных европейской цивилизации, и ставит вопрос о том, какую роль религиозная позиция художника сыграла в обмирщении русской культуры XVIII столетия.The article examines the religious parameters of personality and the church biography of the painter Louis Caravaque, one of the most famous artists of Rossica in the 18-th century. For solving the problem of reconstruction of Caravaque’s religious image the author uses the method of complex analysis of the structural components of religiosity. Thus the religiosity is treated as a system of the person’s active relations with society. On the basis of many archival sources the article analyzes the relationships of Caravaque with the Petersburg Roman Catholic parish, defines characteristics of his
social and psychological traits, and introduces a new biographical data. The author concludes that Caravaque had shown no interest in church rites. The religiosity of this man demonstrates the expressed cognitive component and identification component; however this religiosity contains almost no behavioral part. The characteristic of Caravaque’s religiosity in the article is defined as formal and shallow. It virtually eliminates the possibility of strong emotional experience of liturgy and mysteries.
Such religiosity implies domination of the secular over the sacred. The author believes that Caravaque’s religiosity expresses the essence of secularizing processes inherent in European civilization. Also she raises the question of the role played by the painter with his religion in the secularization of Russian culture in the 18-th century
"Faust" / by Ravenswood author of Th Opera "Rudolph", The Cantata "Arno, or The Syren of of [!] the Wild-See", The Cantata "Roselfa", etc.
No full text"FAUST" / BY RAVENSWOOD AUTHOR OF TH OPERA "RUDOLPH", THE CANTATA "ARNO, OR THE SYREN OF OF [!] THE WILD-SEE", THE CANTATA "ROSELFA", ETC.
"Faust" / by Ravenswood author of Th Opera "Rudolph", The Cantata "Arno, or The Syren of of [!] the Wild-See", The Cantata "Roselfa", etc. (1)
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St Adolf II. Adolf Wölfli 1864-1930. Painter, writer, composer
No full textAdolf Wölfli’s signature. Photograph of Wölfli. Der Gott Vatter Riisen Blit. Wölfli’s words over, talking about flying over stars in 1868; describes different parts of the painting, and talks about being in a cell. Dr Hugo Rast talks about Wölfli’s aggressive behaviour towards other patients which caused him to be put in his own separate cell. Mental institution. Commentary relates Wölfli’s family background personal experiences, including a prison sentence for child molestation. One of Wölfli’s paintings, hanging in the lecture hall of the Waldau asylum, Bern, where Wölfli was committed. Encouraged to paint by Dr Morgenthaler, he did so – as well as writing and composing – from 1899 until his death. He was the subject of the first study of a schizophrenic artist, published by Morgenthaler in 1920. A cupboard covered in designs by Wölfli, made on paper and glued to the wood. The contents of the cupboard, including Wölfli’s autobiography. Photograph of Wölfli, standing next to the pile of papers. A hand-written and hand-drawn book by Wölfli; quotation from the text read over. Photograph of Wölfli surrounded by his pictures. Prof. Dr. Th. Spoerri, Psychiatrische Universitätspoliklinik, Bern, talks about Wölfli’s schizophrenia being evident in his artistic work. His VO over some of Wölfli’s designs, showing repetition, the use of dream images, the use of symbols, sexual motifs, curving shapes, etc. Dr Rast talks about his experiences of visiting Wölfli in his cell, saying that this became easier once Wölfli had started drawing and painting. Music drawn from Wölfli’s work played over designs which incorporate musical notation. Designs from the Waldau Hospital’s own collection. Frustrated by the Catastrophe Before the Holy Ghost… The Fire Serpent; Wölfli’s description of it over. A design incorporating the words St Adolf Bank St Adolf Schloss St Adolf Fabrik St Adolf Hotel;Wölfli’s description of it over. An early pencil drawing showing farm worker John; Wölfli’s description over tells how John raped the farmer’s child and the consequences of this act. Details of The Barena Viaduct. Music played over. Collage incorporating photographs of young women. Design accompanied by Wölfli’s words over, "Ah, could I but see it all over again with the miraculous help of God The Father Almighty…" Black and white design "Adolf Wölfli, Catastrophe Reformed". Credits
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