91,392 research outputs found
Paganini et Bériot par F. Fayolle (9 juin 1831)
No full textTranscript of PAGANINI ET BÉRIOT PAR F. FAYOLLE attributed to Joseph d'Ortigue, appearing in COURRIER DE L'EUROPE, 9 juin 1831, pp. 1-2
(A) study on "Six Paganini-Etu¨den" by F. Liszt
No full text본 논문은 1990년 10월 24일에 있었던 본인의 석사과정 이수를 위한 졸업연주회의 연주곡목중의 하나인 F. Liszt의 Paganini-Etu¨den 에 대한 연구로서 이작품의 연주자들에게 도움을 주고자함을 목적으로 한다. 본 논문에서는 F. Liszt의 Etude에 대한 특징을 살펴보고 형식, 구성, 조성, 주요리듬에 대한 분석을 중심으로 고찰하고자 한다.
Liszt는 많을 다른 작곡가들의 작품을 편곡하여 대중에게 널리 알렸으며, 다른 악기에서의 기법을 피아노를 통하여 피아노 기법에 새로운 가능성을 제시한 작곡자이다. 그 중에서도 Paganini-Etu¨den은 그의 대표적인 작품이라고 할 수 있다.
Paganini-Etu¨den은 모두 6개의 Etude로 되어 있므며, 각 Etude 마다 특징적인 기교를 요구한다. 또한, 음악적으로도 높이 평가되어 일반적 의미의 연습곡으로써 뿐만아니라 하나의 연주작품으로 인식되고 있다.
6개의 작품으로 구성된 Paganini-Etu¨den은 1831년에 그 당시 바이올리니스트 였던 Paganini의 연주를 들은 뒤에, Paganini가 바이올린으로 창조해 낸 것과 똑같은 효과를 피아노로 내기위해 만들어졌다.
No. 1, 2는 octave passage, 상행·하행 Scale, 반음계적 진행, 도약음정으로 되어있다.
No. 3은 La Campanella라는 명칭으로 되어 있으며, Octave 진행과 trill의 기교가 요구되는 곡이다. No. 4, 5는 Paganini 원곡과 거의 차이를 보이지 않고 있으나 staccato, 왼손과 오른손의 교차, glissando등으로 되어있다. No. 6은 variation으로 조성의 변화보다는 여러가지 리듬형을 변형시킨 곡이다.;This thesis is attempted to analyze one of the repertaire played in the graduate recital for authors master's degree in Music, held on Oct. 24 , 1990.
The work was "Paganini-Etu¨den" composed by F. Liszt. F.Liszt is a representative composer in Romantic period Music as well as most skillful pianist. He suggested new possibility of the piano by transcbing other instruments repertoire into that of piano.
Paganini-Etu¨den is regarded as a representive of his in that style.
"Paganini-Etu¨den" is composed six etudes, and each of them demands not only unique technique but also stands on a high level of music which makes them assessed as a practical use in general terms but rather as a new genre of music.
"Six Paganini-Etu¨den" was produced so as to make the same effect with that "Paganini" had made with the violin. No.1 and 2 compose of octave passage, upward and downwards scales, chromatic scale passage, and leep steps.
"Lo Camponella" of No.3 demands actave passages and trills. No.4 and No.5 show little difference from the original "Paganini' however, they contain staccatos, cross hands, double notes, and glissandos.
No.6 is a variation, through transforming several forms of rhythms rather than changing its theme.목차 = ⅲ
논문개요 = ⅳ
Ⅰ. 서론 = 1
Ⅱ. 본론 = 2
A. F.Liszt의 Etude 작품들 = 2
B. Paganini - Etu¨den 작품분석 = 6
Ⅲ. 결론 = 40
참고문헌 = 41
ABSTRACT = 4
Études d'Exécution transcendante d'après Paganini / Liszt, Franz. - Wien : Haslinger, [1840]
No full textÉTUDES D'EXÉCUTION TRANSCENDANTE D'APRÈS PAGANINI / LISZT, FRANZ. - WIEN : HASLINGER, [1840]
Études d'Exécution transcendante d'après Paganini / Liszt, Franz. - Wien : Haslinger, [1840]
Études d'Exécution transcendante d'après Paganini = Bravour-Studien nach Paganini's Capricen für das Piano-Forte bearbeitet und der Frau Clara Schumann gebornen Wieck k. k. Kammer-Virtuosin gewidmet / von F. Liszt ; Abth. 1 (Abth. 1) (1)
Études d'Exécution transcendante d'après Paganini / Liszt, Franz. - Wien : Haslinger, [1840] ; Abth. 2 (Abth. 2) (1
Die vierte Etüde aus der Sammlung der "Grandes Etudes de Paganini transcrites pour le Piano par F. Liszt" in ihren drei Bearbeitungen
No full textDIE VIERTE ETÜDE AUS DER SAMMLUNG DER "GRANDES ETUDES DE PAGANINI TRANSCRITES POUR LE PIANO PAR F. LISZT" IN IHREN DREI BEARBEITUNGEN
Die vierte Etüde aus der Sammlung der "Grandes Etudes de Paganini transcrites pour le Piano par F. Liszt" in ihren drei Bearbeitungen ([1])
Titelseite ([1])
Exlibris: L. Ramann´s Liszt-Bibliothek. No. 85. ([1])
Vorwort ([3])
Zwischentitel ([1])
Die "vierte" Etüde von N. Paganini (2
Effect of organic and mineral fertilisation on yield and quality of zucchini
No full textZucchini squash is classified as a high-fertilized vegetable, because of its ability to produce a lot of biomass. The aim of this work was to compare with control the following fertilization treatments, each with 250 kg N, 280 kg P2O5 and 250 kg K2O per hectare: organic fertiliser (pelletted farmyard manure) preplant; slow release fertiliser (15-9-15) integrated with superphosphate preplant; 2/3 organic fertiliser preplant and 1/3 mineral fertiliser (15-15-15) as 3 top dressings (starting from fruit setting); 2/3 slow release fertiliser preplant and 1/3 mineral fertiliser as above. Each treatment was combined with 3 levels of sodium silicate: 0, 6 and 12 L ha-1, applied 3 times as top dressing in combination with 10 kg humic acid ha-1. The experimental design was a randomized block, with 3 replications and plots of 16 m2. During the growing period from June to the end of July the following parameters were recorded: number, length, diameter, fresh and dry weight of fruits and number of male flowers. At the end of the trial the NPK content, the fresh and dry weight of plants and fruits were determined. Results showed that all treatments significantly increased size, weight and number of fruits, number of male flowers, weight of leaves and stems as compared to the control. The dry matter content of fruits, leaves and stems was not affected by treatments. Sodium silicate increased the fruit dry weight, but did not show any significant effect on the other parameters. The yield was significantly higher in the treatments with slow release fertiliser, organic+top dressing, slow release+top dressing than the organic manure and control
Le malebranchisme hétérodoxe des clandestins Challe et Du Marsais
No full textPour mettre en lumière l’influence, mais aussi les variations auxquelles la philosophie malebranchienne se prêta dans ces courants clandestins qui ne furent pas athées (le cas de Meslier est bien différent), nous essaierons ici une analyse comparative de deux textes très représentatifs, sans pour autant supposer l’existence de rapports de filiation directe entre eux. Les textes auxquels nous nous référons sont les Difficultés sur la religion proposées au père Malebranche de Robert Challe, don..
Grandes Etudes de Paganini transcrites pour le Piano et dédiées À Madame Clara Schumann par F. Liszt / Liszt, Franz. - [Musikdr.], Partitur. - Leipzig : Breitkopf & Härtel, [1851] ; Cah. 1
No full textGRANDES ETUDES DE PAGANINI TRANSCRITES POUR LE PIANO ET DÉDIÉES À MADAME CLARA SCHUMANN PAR F. LISZT / LISZT, FRANZ. - [MUSIKDR.], PARTITUR. - LEIPZIG : BREITKOPF & HÄRTEL, [1851] ; CAH. 1
Grandes Etudes de Paganini transcrites pour le Piano et dédiées À Madame Clara Schumann par F. Liszt / Liszt, Franz. - [Musikdr.], Partitur. - Leipzig : Breitkopf & Härtel, [1851] (-)
Grandes Etudes de Paganini transcrites pour le Piano et dédiées À Madame Clara Schumann par F. Liszt / Liszt, Franz. - [Musikdr.], Partitur. - Leipzig : Breitkopf & Härtel, [1851] ; Cah. 1 (Cah. 1) (1)
Title page (1)
Titelblatt (3)
Etude I. (5)
Etude II. (14)
Etude III. La Campanella (22
André-Michel Schub, Semi-finals (Part 2), 6th Van Cliburn Competition (1981)
No full textFantasy in F-sharp minor, op. 28 / Mendelssohn -- Variations and fugue on a theme by Handel, op. 24 / Brahms -- Touches / Bernstein -- Grandes études de Paganini (S. 141). No. 2 in E-flat major / Liszt -- Grandes études de Paganini (S. 141). No. 6 in A minor / Liszt
- …
