1,721,283 research outputs found
Analysis for the interpretation of five themes by the Cuban trombonist Juan Pablo Torres
No full textDesde la segunda mitad del siglo XX, el trombón ha venido adquiriendo gran importancia en la interpretación de la música popular latinoamericana, siendo usado en las secciones de vientos de géneros tan importantes como la salsa, el jazz latino y otros provenientes de Jamaica como el reggae y el ska, pese a esto, es muy poco lo que se ha explorado en estos ámbitos a nivel académico. Durante el recorrido como interprete he tenido influencias de algunos de los más reconocidos trombonistas en la música latina entre los que cabe nombrar a Barry Rogers, Ángel Papo Vásquez, Jimmy Bosch, Wayne Wallace y Juan Pablo Torres siendo este último considerado como el trombonista cubano más importante de todos los tiempos. De allí nace mi interés de resaltar la importancia del trombón en la música latina partiendo de dos de sus más destacadas producciones discográficas grabadas para el sello tropijazz, Trombone man de 1995 y Pepper Trombone de 1997. Para ello se seleccionaron cinco temas para su análisis y posterior interpretación en un concierto en vivo donde se evidencie su riqueza a nivel técnico e interpretativo por medio de la reproducción de sus improvisaciones. Este trabajo es de gran interés académico, ya que servirá para aquellos intérpretes que quieran explorar a fondo la manera en que Juan Pablo Torres aborda el trombón latino, respondiendo así a la escasez de material existente para trombón solista en este tipo de música, por otro lado cabe resaltar que a los pocos días de haber elegido esta temática para mi trabajo de grado me entere del fallecimiento de este gran músico y trombonista motivándome también a realizar un homenaje póstumo a su vida artística y a su gran legado musical.Since the second half of the 20th century, the trombone has been gaining great importance in the interpretation of Latin American popular music, being used in the wind sections of genres as important as salsa, Latin jazz, and others from Jamaica such as reggae and ska. Despite this, very little has been explored in these areas at the academic level. During my career as a performer, I have been influenced by some of the most recognized trombonists in Latin music, including Barry Rogers, Ángel Papo Vásquez, Jimmy Bosch, Wayne Wallace, and Juan Pablo Torres, the latter being considered the most important Cuban trombonist of all time. From there arises my interest in highlighting the importance of the trombone in Latin music, starting from two of his most outstanding record productions recorded for the Tropijazz label, Trombone Man from 1995 and Pepper Trombone from 1997. For this, five themes were selected for analysis and subsequent interpretation in a live concert where his technical and interpretive richness is evidenced through the reproduction of his improvisations. This work is of great academic interest, as it will serve for those performers who want to explore in depth the way in which Juan Pablo Torres approaches the Latin trombone, thus responding to the scarcity of existing material for solo trombone in this type of music. On the other hand, it should be noted that a few days after having chosen this theme for my thesis, I learned of the death of this great musician and trombonist, which also motivated me to pay a posthumous tribute to his artistic life and his great musical legacy
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Full text linkWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
No full textWe have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
Author-wise bibliometric analysis based on entropy.
No full textAuthor-wise bibliometric analysis based on entropy.</p
Author Under Sail The Imagination of Jack London, 1893-1902
No full textIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Intro -- Title Page -- Copyright Page -- Dedication -- Contents -- Acknowledgments -- Introduction -- 1. Spirit Truth -- 2. From Absorption to Theatricality and Back Again -- 3. "I Will Build a New Present" -- 4. Sons as Authors -- 5. Fathers as Publishers -- 6. The Daughter as Author -- 7. Lovers as Authors -- 8. At Sea with the Family -- 9. Yellow News, Yellow Stories -- 10. The Return Home -- Notes -- Bibliography -- Index -- About Jay WilliamsIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
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