1,720,956 research outputs found
“denk an Pasolinis »verzweifelte Leere von Casarsa«”: Considerations on the Influence of Spanish Mysticism and of Pasolini’s »Friulian« Poems on Peter Handke’s 'Noch einmal für Thukydides' and 'Versuch über die Jukebox'
Full text linkThe aim of this paper is to reflect on Handke’s reception of Spanish and Friulian traditions. The first part of this
paper will mention Miguel de Cervantes’, Teresa of Ávila’s and John of the Cross’ influence on Handke’s works,
while also focusing on Handke’s fascination with the Spanish tradition and Pasolini’s works through the use of the
comparative method. Pasolini’s vision of modern cultural customs is also taken into consideration in Handke’s Essay
on the Jukebox, where clear references to Spanish authors also appear. The same occurs in Handke’s Glowworm
Epopee, where Pasolini’s critical view of the “vanishing of the fireflies” indirectly shines throughout a tribute to
the Poems in Casarsa. In the second section, an anthropological perspective will be employed, seeing as Handke’s
‘mysticism’ can be said to have drawn inspiration from the Romantic motif of “Mother Holle” (Höller 2013). In this
regard, Ginzburg’s (1989) and Nardon’s (1999) studies will be used to assume Handke’s attachment to Friulian folk
topics dating back to the 17th century. As opposed to Handke’s reception of Pasolini’s critical views and of Spanish
mysticism, the influence of Friulian ethno-anthropological aspects on the Carinthian author’s works still needs to
be demonstrated and its study improved
Elemente der romanischen tradition im werk Peter Handkes: traum, mystik und eros
Full text linkThe aim of this doctoral thesis is to reflect on the influence that the Romance tradition has had on the work of Peter Handke.
One play and three novels were selected as the corpus of the thesis, all of which were analysed from a textual perspective and all of which displayed the influence of the mystical-medieval tradition in a particularly original way.
The research will be divided into three macro-sections: the first macro-section will focus on the influence of the Grail-Parzival universe on Handke’s work, while the second will analyse the revival of the Latin hagiographic dimension. Finally, the third macro-topic will address the re-interpretation, through a modern lens, of the Spanish mystical tradition.
In view of future studies regarding the influence of the Romance cultural dimension on Handke’s work, this dissertation intends to demonstrate how the chivalric-medieval tradition and the mystical tradition itself become, for the Austrian author, a tool used to re-interpret the present and his own biographical past in light of themes and elements apparently distant from the current times, yet still profoundly connected to them
Prvky Dvorské Románské Tradice v Díle Petra Handkeho: Sen, Mystika a Eros
No full textTato disertační práce si klade za cíl reflektovat vliv tradičních znaků romance na dílo Petera Hankeho. Korpus této práce tvoří jedna divadelní hra a tři romány, které jsou zde analyzovány z textového hlediska. V dílech, kterým je zde věnována pozornost se vliv mysticko- středověké tradice projevil zvlášť originálním způsobem. Výzkum bude rozdělen do tří makro sekcí: první makro sekce bude zkoumat to, jakým způsobem bylo Handkeho dílo ovlivněno konvencemi příběhů o svatém grálu a Parsifalovi, druhá bude analyzovat oživení románského hagiografického rozměru a třetí makro sekce se zaměří na reinterpretaci španělské mystické tradice z dnešního, moderního, úhlu pohledu. S očekáváním toho, že v budoucnu budou vznikat studie týkající se vlivu romance na Handkeho dílo, chce tato disertační práce poukázat na to, jak se tradice rytířského středověkého románu a tradice mysticismu samotná stává pro rakouského autora nástrojem, kterým reinterpretuje současnost a vlastní biografickou minulost za pomoci témat a prvků zdánlivě vzdálených době současné, ale přesto s nimi hluboce provázané.The aim of this doctoral thesis is to reflect on the influence that the Romance tradition has had on the work of Peter Handke. One play and three novels were selected as the corpus of the thesis, all of which were analysed from a textual perspective and all of which displayed the influence of the mystical-medieval tradition in a particularly original way. The research will be divided into three macro-sections: the first macro-section will focus on the influence of the Grail-Parzival universe on Handke's work, while the second will analyse the revival of the Latin hagiographic dimension. Finally, the third macro-topic will address the re-interpretation, through a modern lens, of the Spanish mystical tradition. In view of future studies regarding the influence of the Romance cultural dimension on Handke's work, this dissertation intends to demonstrate how the chivalric-medieval tradition and the mystical tradition itself become, for the Austrian author, a tool used to re-interpret the present and his own biographical past in light of themes and elements apparently distant from the current times, yet still profoundly connected to them.Department of Czech and Comparative LiteratureÚstav české literatury a komparatistikyFilozofická fakultaFaculty of Art
Elements of Romanesque Tradition in in the Work of Pete Handke: Dream, Mystique and Erotics
No full textThe aim of this doctoral thesis is to reflect on the influence that the Romance tradition has had on the work of Peter Handke. One play and three novels were selected as the corpus of the thesis, all of which were analysed from a textual perspective and all of which displayed the influence of the mystical-medieval tradition in a particularly original way. The research will be divided into three macro-sections: the first macro-section will focus on the influence of the Grail-Parzival universe on Handke's work, while the second will analyse the revival of the Latin hagiographic dimension. Finally, the third macro-topic will address the re-interpretation, through a modern lens, of the Spanish mystical tradition. In view of future studies regarding the influence of the Romance cultural dimension on Handke's work, this dissertation intends to demonstrate how the chivalric-medieval tradition and the mystical tradition itself become, for the Austrian author, a tool used to re-interpret the present and his own biographical past in light of themes and elements apparently distant from the current times, yet still profoundly connected to them
"Chanson douce"
No full textMuovendo dalla critica di traduzione di "Chanson douce", opera narrativa di Leïla Slimani apparsa, nel 2016, per Gallimard, il presente approfondimento mira a ricostruire le peculiarità linguistico-stilistiche della resa traduttiva curata nel 2017, per Rizzoli, da Elena Cappellini.
Prendendo in considerazione in particolar modo la sezione iniziale del romanzo, si è qui scelto di proporre un breve commento intorno alle scelte lessicali e stilistiche della versione italiana, così come riflessioni inerenti alla resa della sintassi.
Malgrado lievi imprecisioni traduttive, il lavoro di Cappellini si destreggia tra un magistrale mantenimento del ritmo originale e un'altrettanto interessante cernita dei "Realia" nel passaggio dalla sfera idiomatica francofona al milieu italofono.
Senza mai ricorrere a strategie quali, ad esempio, l'utilizzo del corsivo o di note a piè di pagina, il testo italiano riesce a rendere fedelmente elementi cari alla cultura francese.
La già avviata collaborazione tra la vincitrice del premio 'Goncourt' e la finalista del premio 'Stendhal' può quindi dirsi riuscita, e senz'altro degna di proseguire
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
«Chissà se in terra straniera una stella sa chi sono...». La neve, la fatagione, il ruolo iniziatico. Riflessioni sull’influenza trobadorica nell’opera di Peter Handke
No full textAnalizzando il ruolo dei topoi trobadorici nella produzione di Peter Handke, si intende evidenziare la sfaccettatura ‘moderna’ della lirica trobadorica, attraverso un confronto raramente indagato, finora, nell’ambito degli studi di Germanistica. Per prima cosa, si analizza la funzione letteraria della ‘soglia’ e del ‘sogno’, e in seconda istanza il topos della neve che riveste, in questo
percorso, un interesse maggiore in quanto elemento atto a sancire i caratteri di un’iniziazione che
trae spunto dall’universo dalla tradizione graalica
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
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