1,720,986 research outputs found
Assetto sismotettonico regionale ed effetti di superficie indotti dal terremoto dell’Umbria-Marche del 26 settembre 1997
No full textSettlements induced by a road embankment on recent alluvial deposits in urban area (Aniene River, Rome-Italy).
No full textStudio delle condizioni di stabilità dei versanti a seguito di forti terremoti: applicazione ad un’area tipica dell’Appennino centrale
No full textEarthquake-Induced Ground Failures in Italy
No full textThe National Catalog of Ground Failures Induced by Strong Earthquakes in Italy (CEDIT), is described. The catalog holds data on ground failures triggered by the earthquakes that occurred in the Italy in the last millenium and which had a nominal epicentral intensity equal to or greater than VIII in the Mercalli-Cancani-Sieberg (MCS) intensity scale. The ground effects reported in the catalog are the following: landslides, fractures, liquefaction, surface faulting, and topographic changes of the ground level (subsidence, settlements, tilting, and so on). Each effect is described in terms of seismological parameters of the triggering earthquake, site coordinates and administrative code, lithology and kinematic type of the ground failure. The catalog represents a tool to assess the susceptibility of geologic materials to ground shaking, and to validate predictive models of seismically induced ground displacements (scenarios of earthquake-induced geologic risks). In the context of this study, a simple statistical analysis of the database yielded useful relations between the parameters of the triggering earthquakes and the related effects. © 2000 Elsevier Science B.V. All rights reserved
Probabilistic versus deterministic seismic hazard analysis: an integrated approach for siting problems.
No full textELSEVIER SCIENCE
Cartografia geomorfologico-applicativa per un'area campione delle Marche meridionali.
No full textLa carta (scala 1:10.000) si riferisce ad una ristretta area del bacino del Tenna (Marche). Vi vengono rappresentati i fondamentali lineamenti geomorfologici e lito-tecnici del substrato geologico e dei depositi continentali. La finalità del lavoro è quella di mettere a punto una legenda di rappresentazione cartografica di tali elementi di spiccato interesse applicativo
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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