1,721,016 research outputs found

    A computer-implemented method for quantum compiling for measurement-based unidirectional quantum computation, and related systems

    No full text
    A computer-implemented method for quantum compiling for measurement-based unidirectional quantum computation is described. In the method, electronic processing means 2 are provided with digital information corresponding to a 10 unitary operator or matrix U, representing a singlequbit or multi-qubit quantum operation to be carried out, through a measurement-based unidirectional quantum computation, by a quantum computer 1. The unitary operator or matrix are then decomposed 15 in terms of Pauli operators, by the aforesaid electronic processing means 2. The method, then, comprises directly converting, by the electronic processing means 2, the unitary operator or matrix U, decomposed in terms of Pauli 20 operators, into a graph G implementable on the quantum computer 1. The graph G represents a state of a cluster of qubits to be processed by the quantum computer 1 to carry out the desired said quantum operation. In the graph G, each graph vertex represents a respective qubit 25 of the cluster and each edge of the graph corresponds to 46 an entanglement to be imposed between the two qubits corresponding to the two vertices connected by the edge. The aforesaid step of directly converting comprises identifying the sub-set of entanglements to be 5 implemented between qubits of the cluster and identifying the sub-set of qubits of the cluster to be measured, to obtain the graph G representing the state of said cluster, based on the criterion that the measurement of the aforesaid identified sub-set of 10 qubits to be measured affects the output state of the other unmeasured qubits, through the aforesaid identified entanglements, in a manner corresponding to the quantum operation to be carried out. The method finally comprises the step of providing 15 to the quantum computer 1, by the electronic processing means 2, as the result of the quantum compiling, a graph description information Q(G) describing the aforesaid obtained graph (G). A computer implemented method for performing 20 measurement-based unidirectional quantum computation, based on the aforesaid computer-implemented method for quantum compiling, is also described. A quantum computing system, exploiting said computer-implemented methods, is also described

    Prati, Enrico

    No full text

    Going Beyond Counting First Authors in Author Co-citation Analysis

    Full text link
    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

    Full text link
    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
    corecore