1,721,013 research outputs found

    A COPULA-BASED JOINT MODEL OF COMMUTE MODE CHOICE AND NUMBER OF NON-WORK STOPS DURING THE COMMUTE

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    In this paper, in the spirit of a tour-based frame of analysis, we examine the commute mode choice and the number of non-work stops during the commute. Under- standing the mode and activity stop dimensions of weekday commute travel is impor- tant since the highest level of weekday traffic congestion in urban areas occurs during the commute periods. The paper employs a copula-based joint multinomial logit – ordered modeling framework in which commute mode choice is modeled using a multinomial logit formulation and the number of commute stops is modeled using an ordered response formulation. The data used in this study are drawn from the “Time use” multipurpose survey conducted between 2002 and 2003 by the Turin Town Council and the Italian Na- tional Institute of Statistics (ISTAT) in the Greater Turin metropolitan area of Italy. The re- sults highlight the importance of accommodating the inter-relationship between commute mode choice and commute stops behavior. The results also point to the stronger effect of household responsibilities and demographic characteristics in the Italian context compared to the US context

    Effects of Physical Activity on Propensity for Sustainable Trips

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    Recent statistics about the low level of participation by individuals in physical activities as well as a generalized propensity to use private vehicles have broadened the scope of transport studies to the sphere of health and well-being. The current shift in travel demand modeling to the activity-based paradigm is central to investigating which population segment is more likely to opt for environmentally friendly and energy-efficient vehicles, alternative modes of transport, and a rational use of the motor car. A mixed, joint Tobit–probit model analyzes the effects of time allocation for daily activity on the propensity to sustainable trips. The model is applied to a sample of workers and students age 14 and older, drawn from a time-use survey conducted in Turin, Italy, and its metropolitan area. The analysis suggests the presence of self-selection effects between active lifestyles and sustainable mandatory trips. The model predictions highlight the substantial contribution of transportation interventions in getting individuals to engage in healthier behaviors

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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