1,720,973 research outputs found
Traceability in routine chemical measurements: an example of application in the determination of CO2 at atmospheric concentration
No full textIn routine chemical measurements traceability can be achieved by using analytical instruments calibrated against primary reference materials. In the present work the calibration of a CO2 nondispersive infrared (NDIR) analyzer with measuring range 0-2000 umol/mol of CO2 and a resolution of 5 umol/mol is reported. A procedure with working reference gas mixtures (WRMs) has been adopted, which requires seven calibration points. Primary reference gas mixtures (PRMs) are used to validate WRMs in a narrower range around the average atmospheric CO2 concentration value. In this range the relative uncertainty reached is of the order of some parts in 10(3) and the corrections are between 1 umol/mol and 5 umol/mo
Metrological traceability in gas analysis at INRIM: gravimetric primary gas mixtures
No full textMetrologically traceable measurements are needed, in environmental monitoring, to provide meaningful information on the pollution level and the possibility to have suitable reference standards is crucial to this purpose to calibrate instruments. The Italian National Institute of Metrological Research (I.N.Ri.M.), as a primary metrological institute, realizes and maintains primary standards for the basic and derived units of the International System of Units (SI). In this framework and regarding gas analysis, in the last few years I.N.Ri.M. has started a research line on the preparation of primary reference mixtures (PRMs) by the gravimetric method that led to plan and build a facility for evacuating and filling cylinders and a device for high precision weighing. In the present work the developments in such field at I.N.Ri.M. are reported to underline the relevance, in the atmospheric pollutants monitoring, of performing accurate and reliable measurements and having reference standards fit for the calibration of the analytical instrumentation
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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