1,751,340 research outputs found
Teaching the Piccolo: A Survey of Selected College Flute Teachers
Full text link"The piccolo is an auxiliary member of the flute family. A diversity of opinion exists among college flute teachers as to the importance and method of piccolo study as part of a flute curriculum. This author conducted a study to outline some current pedagogical trends among college flute teachers. This document presents information gathered via electronic survey from college flute instructors at schools accredited by the National Association of Schools of Music. The survey questions pertained to background information of respondents, studio size, studio requirements, instruments and pedagogical material, and pedagogy. Sixty-five teachers responded to the survey, and the results are published in this document. "--Abstract from author supplied metadata
Violazioni. Letteratura, cultura e società in Russia dal crollo dell'Urss ai nostri giorni
Full text linkll volume raccoglie una serie di saggi dedicati al mondo letterario e culturale post-sovietico letto alla luce della ‘violazione’, intesa in primo luogo nella sua accezione di trasgressione, infrazione, profanazione del retaggio sovietico. In questa prospettiva le diverse declinazioni della ‘violazione’ hanno portato gli autori a interrogarsi su: canone-anticanone; tradizione-antitradizione; negazione e ridefinizione dei paradigmi culturali; violazione di confini, generi, testi; questioni di periodizzazione
Il piccolo imprenditore
No full text1. I problemi esegetici dell’art. 2083 e la nozione codicistica di piccolo imprenditore.
2. Il piccolo imprenditore e la legge fallimentare.
3. L’impresa familiar
Ca\u27 Foscari allo specchio. Letture di Ottavia Piccolo
No full textVideo delle letture di Ottavia Piccolo in occasione dell\u27inaugurazione della mostra "Ca\u27 Foscari allo specchio" il 9 gennaio 2018 presso la Cultural Flow Zone di Ca\u27Foscari
Ten Orchestral Excerpts for Piccolo: An Historical and Stylistic Analysis
Full text linkAs a member of the orchestra, the piccoloist performs in many capacities as both a section player and soloist. Though several collections of orchestral piccolo excerpts with brief commentary exist, the literature lacks historical and stylistic information regarding frequently requested excerpts for piccolo auditions. In this document, ten standard solo passages are studied using available print sources and score analysis. The excerpts were chosen by comparing the contents of an audition guide, excerpt books, articles, and the author's personal experience taking auditions for small and large orchestras. The excerpts discussed are from the following works and movements: Rossini's opera overtures (La Gazza Ladra and Semiramide), Beethoven (Symphony No. 9, Finale, Alla Marcia), Berlioz (La Damnation de Faust), Tchaikovsky (Symphony No. 4, III. Scherzo), Ravel (Ma mère l'oye, III. Laideronnette, Impératrice des pagodes), Stravinsky (Firebird Suite, 1919 version, "Variation de l'oiseau de feu"), Prokofiev (Lieutenant Kijé Suite, I. The Birth of Kijé, IV. Troïka), Shostakovich (Symphony No. 8, II. Allegretto), and Bartók (Concerto for Orchestra, III. Elegia). The author examined related research and historical sources including books, dissertations and journal articles to determine pertinent historical information and current performance practice and for each excerpt. Additionally, available editions of each work were compared to identify discrepancies, errors, and the purpose and placement of the solo in the work. Aspects of each excerpt examined included intonation tendencies, rhythmic difficulties, technical challenges, dynamics, articulation, and timbre. Solutions and practice suggestions are proposed for the challenges presented for each of the excerpts. Each chapter concludes with a summary including the solo piccolo part with notated instructions. The result is a useful reference for teachers, students, and piccoloists preparing for auditions
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