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    Teologi Paulus dalam Surat Titus

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    This paper aims to present the theology of Paul in Titus. Although this letter addressed to Titus, but the contents of this letter should be heard by the whole church and not just the leaders. At the center of the theology of pastoral letters there is a need to defend the faith against heretics who is starting to affect church. While investigating this letter, We would see all practical purposes when discussing the problems facing the existence of churches. However, the amazing thing is is that the range of theological truth that underlies such practical advice. Therefore, understanding the various theological concepts presented in this book help us appreciate the truth of which Paul speaks to uphold a healthy church

    materialisme

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    Materialisme adalah pandangan filsafat yang mencari dasar segala sesuatu yang termasuk kehidupan manusia di dalam alam kebendaan semata-mata dengan mengesampingkan segala sesuatu yang mengatasi alam indera.[Colin Brown, Filsafat dan Iman Kristen terj.Lena Suryana dan Sutjipto Subeno (Jakarta: Lembaga Reformed Injili Indonesia, 1994), 231 ]Filsafat ini menjadi pandangan hidup mayoritas manusia modern saat ini yang sangat membahayakan kehidupan iman orang Kristen. Bagaimana pandangan ini mempengaruhi gereja Tuhan dan bagaimana respon orang Kristen dalam menghadapi pengaruh filsafat materialisme sebagai bentuk apologetika Kristen

    PHILIPUS PADA SULISTYA's Quick Files

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    The Quick Files feature was discontinued and it’s files were migrated into this Project on March 11, 2022. The file URL’s will still resolve properly, and the Quick Files logs are available in the Project’s Recent Activity

    Konsep Keselamatan Dalam Perjanjian Lama

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    Soteriology (doctrine of salvation) is the subject of the most extensive in the Bible. This is because it covers the whole eternity of time either in the past or future. Safety relates to the whole of mankind. Salvation is personal as well as national and world universe. The theme of salvation contained in the Old Testament and New Testament0

    PHILIPUS PADA SULISTYA's Quick Files

    No full text
    The Quick Files feature was discontinued and it’s files were migrated into this Project on March 11, 2022. The file URL’s will still resolve properly, and the Quick Files logs are available in the Project’s Recent Activity

    Teologi Paulus Dalam Surat Titus

    No full text

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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