1,721,005 research outputs found

    Marco Santagata narratore

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    Il saggio prende in esame la produzione narrativa di Marco Santagata e ne delinea le caratteristiche principali, i temi ricorrenti e le interconnessioni con la produzione saggistica dell’autore

    Marco Santagata e i secoli della tradizione

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    Uno studio dell'opera di Marco Santagata: La Letteratura italiana. I Secoli della Tradizion

    A usability-driven approach to the development of a 3D web-GIS environment

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    The main goal of this work is to provide an advanced visual environment where users that are not skilled for what concerns the computer science domain may compose queries related to those geographical phenomena for which the third dimension is a relevant feature. Visual queries are composed in a 3D environment accessible from the web where the users manipulate geographical objects, called 3D geometaphors. The geometaphors represent the operands of an underlying algebra characterized by a set of topological, directional and metrical operators; such operators are expressed in the query environment in terms of visual relationships between the geographical objects. The introduction of the third dimension for querying the geographical databases has challenged the authors with a number of important issues related to the area of visualization, navigation and object manipulation. According to the principles of usability engineering, the authors have built different prototypes based on a client-server architecture that have been iteratively evaluated by experts and final users in order to discover drawbacks and to improve the quality of the proposal. The result is a coordinated user-friendly 3D visual metaphor for querying GIS on the web, where all the elements needed for composing a query have a visual, easy to understand, counterpart

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Representing Topological Relationships by Using 3D Objects: an Empirical Survey

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    In this paper we present a survey conducted in order to understand how simple 3D objects, named geometaphors, can be composed for building a model that permits to represent topological relationships in a 3D space. The research was conducted on twenty participants who were familiar with geographical information systems (GIS) and the notion of topological relationship. The subjects participating to the survey were asked to put in relation textual labels related to topological relationships with visual compositions of geometaphors pairs. The result is an interpretation model of the visual compositions that represents an important component for the building of visual query environments compliant with the users’ mental model, contributing therefore to augment significantly the usability of such systems

    Premessa

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    Il testo è un'introduzione al volume

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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