1,722,739 research outputs found
Palmer, J M, 422257
No full textThis record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/409291Surname: PALMER. Given Name(s) or Initials: J M. Military Service Number or Last Known Location: 422257. Missing, Wounded and Prisoner of War Enquiry Card Index Number: 53635.224735
Item: [2016.0049.41562] "Palmer, J M, 422257
Palmer, J C, NX35246
No full textThis record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/409310Surname: PALMER. Given Name(s) or Initials: J C. Military Service Number or Last Known Location: NX35246. Missing, Wounded and Prisoner of War Enquiry Card Index Number: 12190.224754
Item: [2016.0049.41581] "Palmer, J C, NX35246
Palmer (J. J. N.). England, France and Christendom, 1377-99
No full textPrevenier Walter. Palmer (J. J. N.). England, France and Christendom, 1377-99. In: Revue belge de philologie et d'histoire, tome 54, fasc. 2, 1976. Histoire (depuis l'Antiquité) — Geschiedenis (sedert de Oudheid) pp. 563-567
Image contrast and entropy based autofocusing for polarimetric ISAR
No full textIn recent studies the possibility of extending autofocusing techniques to fully polarimetric ISAR systems has been proposed. The image contrast and entropy based autofocusing techniques have been proposed in the last decade as some of the most common techniques for obtaining well focused single polarisation ISAR images. In this paper, the two techniques are extended and applied to fully polarimetric ISAR data. A performance analysis is then provided and compared to single polarisation ISAR using real data.Martorella, M., Berizzi, F., Palmer, J., Haywood, B. and Bates, B
Editors Introduction - Through the Window Again: Revisiting Modernity and the Holocaust
Get PDFThe analytical framework of this text is the ‘window’ metaphor, which Bauman applied in Modernity and the Holocaust to emphasise that the Holocaust can provide insight into the processes that shaped the modern world. Referring to this metaphor, the editors of this volume encourage the readers to look at Modernity and the Holocaust as a ‘window’ itself. They stress that looking through that ‘window’ now, more than three decades after this book was published, is invaluable not only in terms of the knowledge about the Holocaust but also with regard to the dark potentials of the contemporary world. The introduction is divided into four parts: the first part presents the entanglements between the biography of Zygmunt Bauman and his analyses of the Holocaust; the second part analyses his arguments of Modernity and the Holocaust in the broader context of his social and cultural theory; the third part discusses Bauman’s thought on the legacy of the Holocaust in the 1990s and in the twenty-first century; the fourth part addresses the issues of utopia and dystopia, which were particularly important to Bauman, and their intersections with his analyses of the Holocaust
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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