1,721,221 research outputs found

    Hôpital St-Louis (Paris) - Cour de la Pharmacie. Coll. P. Faure

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    Faure Pierre. Hôpital St-Louis (Paris) - Cour de la Pharmacie. Coll. P. Faure . In: Revue d'histoire de la pharmacie, 87ᵉ année, n°324, 1999. p. 1

    Lossky (Boris). et P. Faure. Les fresques du cloître franciscain de Schwaz (Tyrol), 1950

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    Aubert Marcel. Lossky (Boris). et P. Faure. Les fresques du cloître franciscain de Schwaz (Tyrol), 1950. In: Bulletin Monumental, tome 109, n°2, année 1951. pp. 225-226

    Lossky (Boris). et P. Faure. Les fresques du cloître franciscain de Schwaz (Tyrol), 1950

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    Aubert Marcel. Lossky (Boris). et P. Faure. Les fresques du cloître franciscain de Schwaz (Tyrol), 1950. In: Bulletin Monumental, tome 109, n°2, année 1951. pp. 225-226

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Orizzonti epigrafici di età romana nelle Alpi centrali

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    Le epigrafi sono fonti insostituibili per la storia antica ed erano un importante mezzo di comunicazione in età romana: l’analisi di questo fenomeno è decisiva per meglio comprendere molti aspetti della romanità e della romanizzazione. Il concetto di “cultura epigrafica” è essenziale per le ricerche che considerano le iscrizioni non soltanto come fonti storiche, ma anche come testimonianze di un fenomeno sociale di comunicazione che si materializza contemporaneamente nel testo scritto e nel suo supporto. La storia e l’archeologia delle Alpi sono al centro di un interesse costantemente rinnovato: le ricerche in queste due discipline si sono evolute e si sviluppano in un’ottica interdisciplinare perché il contesto alpino, strettamente legato al territorio, domanda una forte interazione fra di esse. In questo contesto l’epigrafia, punto di contatto fra la cultura materiale e quella scritta, ha un ruolo importante. Le informazioni ricavate dalle iscrizioni e dai loro supporti sono state gestite mediante la banca dati ALPINITAS, appositamente creata, a partire dalla quale si sono potute definire varie categorie tematiche e poi, con un procedimento di seriazione, vari gruppi tipologici nella comunicazione epigrafica centroalpina. Questo ha poi permesso di riconoscere e definire diversi “orizzonti epigrafici” locali e regionali; capirne le origini, le particolarità, gli sviluppi e le relazioni reciproche permette di affacciarsi su dinamiche socioculturali più ampie
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