1,724,416 research outputs found
Charles P. Collins
No full textThe portrait in this carte-de-visite photograph is of a man identified on the back as Charles P. Collins. He is wearing either a morning coat or frock with a waistcoat, a thin cravat, and a white collared shirt.
The name Charles P. Collins is handwritten in pencil on the back of the photo. The photographer's name, A. McCormick, and the location of Oxford, Chester County, PA, is stamped on the back. At the bottom is found "N. B. - Duplicates of this can be obtained at any time, by sending name and number.
Charles P. Collins
No full textThe portrait in this carte-de-visite photograph is of a man identified on the back as Charles P. Collins. He is wearing either a morning coat or frock with a waistcoat, a thin cravat, and a white collared shirt.
The name Charles P. Collins is handwritten in pencil on the back of the photo. The photographer's name, A. McCormick, and the location of Oxford, Chester County, PA, is stamped on the back. At the bottom is found "N. B. - Duplicates of this can be obtained at any time, by sending name and number.
T. P. Collins
No full textThis carte-de-visite photograph portrays a man identified on the back as T. P. Collins, sitting on a fringed chair. He wears a morning jacket with a matching waistcoat, trousers, a thin cravat, and a white collared shirt.
The back of the photo has the name T. P. Collins written in pencil. "Brady's National Photographic Portrait Galleries, Broadway & Tenth Street, New York, & No. 352 Pennsylvania Av. Washington, D.C." is decoratively printed in the center. Above that is a green three-cent tax stamp, with the border reading with abbreviations: "United States Internal Revenue Proprietary Three Cents.
T. P. Collins
No full textThis carte-de-visite photograph portrays a man identified on the back as T. P. Collins, sitting on a fringed chair. He wears a morning jacket with a matching waistcoat, trousers, a thin cravat, and a white collared shirt.
The back of the photo has the name T. P. Collins written in pencil. "Brady's National Photographic Portrait Galleries, Broadway & Tenth Street, New York, & No. 352 Pennsylvania Av. Washington, D.C." is decoratively printed in the center. Above that is a green three-cent tax stamp, with the border reading with abbreviations: "United States Internal Revenue Proprietary Three Cents.
Photographic portrait of J. P. Collins
No full textJ. P. Collins--Portrait. A man in a suit with a dark background.https://mavmatrix.uta.edu/specialcollections_wdsmithphotography/14992/thumbnail.jp
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Two Letters between Bishop Hackett and P. Collins
No full textTwo typescript copy letters in correspondence between Bishop Hackett of Waterford and Fr. P. Collins, St. Michael's, Glossop, Derbyshire, the latter gaining permission for remaining in the diocese of Nottingham and apologising for a letter sent by Fr. Finn; both expressing their goodwill. Added handwritten note from Hackett to [Hagan] about Collins staying in Nottingham. (No covering letter extant.
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