1,721,256 research outputs found

    Depth-bounded Belief functions

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    This paper introduces and investigates Depth-bounded Belief functions, a logic-based representation of quantified uncertainty. Depth-bounded Belief functions are based on the framework of Depth-bounded Boolean logics [4], which provide a hierarchy of approximations to classical logic. Similarly, Depth-bounded Belief functions give rise to a hierarchy of increasingly tighter lower and upper bounds over classical measures of uncertainty. This has the rather welcome consequence that “higher logical abilities” lead to sharper uncertainty quantification. In particular, our main results identify the conditions under which Dempster-Shafer Belief functions and probability functions can be represented as a limit of a suitable sequence of Depth-bounded Belief functions

    Bifurcation of free and forced vibrations for nonlinear wave and Kirkhoff equations via Nash-Moser theory

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    In questa tesi P. Baldi ha dimostrato nuovi risultati di esistenza di soluzioni periodiche per varie classi di equazioni alle derivate parziali Hamiltoniane quali l'equazione delle onde, e l'equazione quasi-lineare di Kirkhoff nella teoria della elasticità. Il problema principale è dovuto a fenomeni di risonanza che producono dei "piccoli divisori". Questo è risolto mediante teoremi di funzione implicita alla Nash-Moser dove l'inversione del problema linearizzato è affrontato mediante nuove tecniche sviluppate da Berti, Bolle, Biasco e Procesi

    Probability and Degrees of Truth

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    We argue in favour of interpreting degrees of truth in terms of objective probabilities, while retaining truth-functionality. We back our proposal with a selection of examples taken from a variety of recent approaches to quantitative uncertain reasoning. Keywords

    Introduzione [Programmazione regionale e sviluppo locale: recenti esperienze in Italia]

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    Si tratta degli atti (stampati dall'IRPET) di un Seminario di studio organizzato dall'Associazione italiana di Scienze regionali, in collaborazione con la Regione Toscana. L'insieme delle relazioni e degli altri contributi presentati in tale occasione tende a fornire un panorama sostanzialmente completo ed aggiornato dello stato evolutivo raggiunto dalla programmazione "reale" presso le Regioni italiane. Con tale volume s'intende favorire la ripresa del dibattito in sede sia tecnica che scientifica su un tema attualmente trascurato, nonostante la recente riforma del Titolo V della Costituzione, sia della connessa normativa ancora in via di adozione al fine di introdurre nel nostro ordinamento istituzionale una forma più accentuata di federalismo fiscale

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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