181,088 research outputs found
Compte rendu: Anne Hébert : el jardín de la reina. Vida y obra poética de Anne Hébert
No full textTellez, Willebaldo Herrera, Anne Hébert : el jardín de la reina. Vida y obra poética de Anne Hébert. Mexique, El centauro, Consejo nacional para la cultura y las artes, 2007, 175 p
Compte rendu: Anne Hébert : el jardín de la reina. Vida y obra poética de Anne Hébert
No full textTellez, Willebaldo Herrera, Anne Hébert : el jardín de la reina. Vida y obra poética de Anne Hébert. Mexique, El centauro, Consejo nacional para la cultura y las artes, 2007, 175 p
Anne as Pagan, Anne as Queer
No full text‘Anne as Pagan, Anne as Queer’ is a critical and creative answer to the question: How do we construct Anne Shirley, and what does she mean to us? This creative research submission is a work of fanfiction, specifically a mash up based on Anne of the Island, L.M.M. Montgomery’s sequel to Anne of Green Gables. In this short work of fiction (under 4 thousand words) Anne is revealed as a changeling, one of the Faerie Folk, and also a being not strictly male or female; sometimes neither, sometimes both. The mash up is based on the last two chapters of Anne of the Island, the scenes in which Gilbert Blythe is seriously ill and Anne realises she loves him. This realisation causes Anne, in this version, to reveal to Gilbert that she is both non-human and not a girl, and to use Faerie magic to save Gilbert’s life. Anne’s revelation causes Gilbert a great relief, as he has been keeping a secret also - that he too is queer. The piece has an accompanying research statement and reflection, that reflects on the ways the contributor/author interprets Anne, as a being troubled by gender, and not strictly gender conforming. The much-loved scene from Anne of Green Gables in which Anne realises she is not wanted by the Cuthberts because she is not a boy is inserted into the mash up (as a memory) as this scene is the principal cause for the contributor’s identification with Anne as a gender non-conforming figure who resists gender expectations. Overall, this creative and critical work and reflection queers both Anne as a character and the Anne of the Island novel.Book chapter - work of fiction with a critical reflective essa
[Letter from Anthony P. Colombo to Anne Colombo - July 12, 1943]
No full textLetter from Anthony P. Colombo to Anne Colombo, his sister, discussing how he is doing and what they will do when he gets back. Their father would like to throw a party for Anthony
Interview with Anne Russell
No full textInterview with Anne Russell, playwright and author of several books on local history, including Wilmington: A Pictoral History
Shirley Anne Collins
No full textShirley Anne Collins was born in Darwin and has lived all her life in the Northern Territory. Her great-grandfather, Philip Samuel Rilstone, established the first dairy in Darwin. Her maternal great-grandmother, Mimi (Robertson) Yaramaninjimara was from the Robertson River coastal community Wurdaliya at Borroloola. Shirley's mother Bridgette was one of the Stolen Generation. Shirley was first educated by her mother Bridgette in traditional Aboriginal teachings. Later she went on to Darwin Primary and High School at Frogs Hollow. Shirley was fourteen when her mother died and she left school to help look after her siblings.
Over time and through a succession of jobs, Shirley rose to become Director of the Arnhemland Aboriginal Art Gallery. The gallery staged a series of art exhibitions featuring creative work of both a traditional and transitional nature, in addition to organising frequent interstate and overseas exhibitions. Shirley has actively promoted and encouraged Aboriginal arts, crafts and pioneered the development of marketing artefacts. In 1986 Shirley established the Raintree Aboriginal Art Gallery which was considered among Australia's most representative galleries of Aboriginal art. In May 1995 the Raintree Fine Art Gallery was established, this gallery still offers quality works by high-profile Aboriginal artists.Business ownerManagerArts and Craft marketingIndigenous Australia
A sojourn in Paris 1824-25: sex and sociability in the manuscript writings of Anne Lister (1791-1840)
No full textThis thesis examines the day to day practices that constituted Anne Lister's (1791-1840) sexuality and sociability within the range of her writings, as well as her society. Anne's writings were a detailed account, spanning her lifetime, of her own love and relationships with the 'fairer sex' (Whitbread 1988, 145). Anne's sociality, seen in her correspondence and plain handwritten journal entries, has been explored by Muriel Green in Miss Lister of Shibden Hall and Jill Liddington in Female Fortune and Nature's Domain (Green 1992; Liddington 1998; 2003). As a gentlewoman of adequate means, Anne has garnered some attention from women's historians interested in her agency within an early nineteenth century social and historical context. Anne's sexual identity has been extensively analysed over the past nearly twenty years by lesbian feminists, queer theorists, women's historians and historians of sexuality concerned with the history and development of modern Western female homosexuality and gender. The source for theorising Anne's sexuality has been the edited selections of the crypted journal entries, published by Helena Whitbread in I Know My Own Heart and No Priest but Love (Whitbread 1988; 1992). However, many analyses deal either with the theorisation of Anne's sexuality or her sociality; the theoretical difficulty with reconciling these categories has troubled the analysis of her complex subjectivity. Drawing upon the archival materials, I have used an interdisciplinary feminist approach to analyse the sexual and social processes of Anne's everyday interactions in her writings. Taking the seven month period of the sojourn to Paris in 1824-25, I have focused upon Anne's textual practices within her journal volume and letters during her residence in Paris, her social practices with the other guests at the guesthouse 24 Place Vendome and her sexual practices with her lover, the widow Mrs. Maria Barlow. The journal volumes and correspondence are a valuable historical record of one gentlewoman's engagement with early nineteenth century British culture
Lettre de Anne Manceron
No full textManceron Anne. Lettre de Anne Manceron. In: Sorcières : les femmes vivent, n°7, 1977. Ecritures. p. 63
Editor's inscription in Valentine Duval : an autobiography of the last century
No full textEditor Anne Manning's gift inscription to author William Stebbing (1832–1926), "To William Stebbing from his affectionate friend the editor Nov. 2, 1860".Manning, Anne, 1807-1879
Dr. Anne Koch
No full textDr. Anne Koch, author of the book It Never Goes Away: Gender Transition at a Mature Age, meets with students Kolby Nelson after a speech at PCOM.https://digitalcommons.pcom.edu/pa_2020_photos/1065/thumbnail.jp
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