1,814,320 research outputs found
[Memo to J. M. Souter by P. G. McCaghren, June 6, 1967 #2]
Office memorandum addressed to J. M. Souter. The memo, which was written by P. G. McCaghren, states that Mr. Emery Richard Whetstone called the Police Department at 1:20 AM. Whetstone, who spoke as if he were intoxicated, said that Franklin Folley (the drummer in Frank Sanatra's band) shot President Kennedy
[Memo to J. M. Souter by P. G. McCaghren, June 6, 1967 #1]
Memorandum from P. G. McCaghren, Captain of Police, Patrol Division regarding a long distance call from Mr. Emery Richard Whetstine. There are handwritten notes in red and blue ink written at the bottom of the memorandum
La prévision de la valeur énergétique des aliments concentrés : résumé des résultats du laboratoire INRA de la Chaire de Zootechnie de l'INA P-G
La prévision de la valeur énergétique des aliments concentrés : résumé des résultats du laboratoire INRA de la Chaire de Zootechnie de l'INA P-G. La prévision de la valeur énergétique des aliments concentrés et des sous-produits assimilé
La prévision de la valeur énergétique des aliments concentrés : résumé des résultats du laboratoire INRA de la Chaire de Zootechnie de l'INA P-G
La prévision de la valeur énergétique des aliments concentrés : résumé des résultats du laboratoire INRA de la Chaire de Zootechnie de l'INA P-G. La prévision de la valeur énergétique des aliments concentrés et des sous-produits assimilé
[Report to Chief J. E. Curry by P. G. McCaghren, regarding the arrest of William Frank Goffney #2]
Report to Chief J. E. Curry by P. G. McCaghren regarding the arrest of William Frank Goffney. McCaghren states that Goffney was arrested while running from the City Hall after the shooting of Lee Harvey Oswald
[Report to Chief J. E. Curry by P. G. McCaghren, regarding the arrest of William Frank Goffney #1]
Report to Chief J. E. Curry by P. G. McCaghren regarding the arrest of William Frank Goffney. McCaghren states that Goffney was arrested while running from the City Hall after the shooting of Lee Harvey Oswald
P&G-GAPS Launching Conference :11th Global Alliance Project
Appendix : 1. Mass Personalization - 2. Global Alliance Project with P&G 예비평가(Screening) 신청서 - 3. Global Alliance Project with P&G Application Form for Screening(English)설명회자료 : "P&G-GAPS Launching Conference" (2011.12.6)1. Congratulatory Speech
2. Welcoming Speech
3. Corresponding Speech
4. Recent Trends in Cosmetic Research
5. Company Overview
6. C+D What is it and Examples
7. P&G Needs
8. Guidelines for GAPS with P&G
9. How to Prepare Effective Business Proposa
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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