13,502 research outputs found
John P. Cunningham to Captain Charles Buchanan, October 9, 1863
No full textIn this letter of October 9, 1863, John P. Cunningham writes Charles S. Buchanan to send him a bond or lease for land and discusses the sale of his property
RRS Discovery Cruise D334, 27 Oct-24 Nov 2008. RAPID Mooring Cruise Report
No full textThis report describes the mooring and underway operations conducted during RRS Discovery cruise D334 between 27 October and 24 November 2008. These mooring operations were completed as a part of the United Kingdom Natural Environment Research Council (NERC) funded RAPID Programme to monitor the Atlantic Meridional Overturning Circulation at 26.5°N. The primary purpose of this cruise was to service the Eastern Boundary and Mid-Atlantic Ridge sections of the 26.5°N mooring array first deployed during RRS Discovery cruises D277 and D278 (SOC cruise report number 53), and serviced in 2005 during RRS Charles Darwin cruise CD177 (NOCS cruise report number 5), in 2006 on RRS Discovery cruise D304 (NOCS cruise report number 16) and FS Poseidon cruises P343 and P345 (NOCS cruise report number 28) and in 2007 on RRS Discovery cruise D324 (NOCS cruise report number 34). Cruise D334 started and finished in Tenerife, Spain and covered the Eastern Boundary and Mid-Atlantic Ridge moorings deployed on D324 and P343. This cruise was the fourth annual refurbishment of the Eastern Boundary and Mid-Atlantic Ridge sections of the mooring array. The array will be further refined and refurbished during subsequent years. The instruments deployed consist of a variety of current meters, bottom pressure recorders, CTD loggers and Inverted Echosounders, which, combined with time series measurements of the Florida Straits current and wind stress estimates, will be used to determine the strength and structure of the MOC at 26.5°N. (http://www.noc.soton.ac.uk/rapidmoc
Come to Daddy? Claiming Chris Cunningham for British Art Cinema
No full textTwenty years after he came to prominence via a series of provocative, ground-breaking music videos, Chris Cunningham remains a troubling, elusive figure within British visual culture. His output – which includes short films, advertisements, art gallery commissions, installations, music production and a touring multi-screen live performance – is relatively slim, and his seemingly slow work rate (and tendency to leave projects uncompleted or unreleased) has been a frustration for fans and commentators, particularly those who hoped he would channel his interests and talents into a full-length ‘feature’ film project. There has been a diverse critical response to his musical sensitivity, his associations with UK electronica culture – and the Warp label in particular – his working relationship with Aphex Twin, his importance within the history of the pop video and his deployment of transgressive, suggestive imagery involving mutated, traumatised or robotic bodies. However, this article makes a claim for placing Cunningham within discourses of British art cinema. It proposes that the many contradictions that define and animate Cunningham's work – narrative versus abstraction, political engagement versus surrealism, sincerity versus provocation, commerce versus experimentation, art versus craft, a ‘British’ sensibility versus a transnational one – are also those that typify a particular terrain of British film culture that falls awkwardly between populism and experimentalism
The effect of fracture roughness on the onset of non-linear flow, supplementary data
No full textSupplementary material for Cunningham, D., Auradou, H., Shojiei-Zaden, S., and Drazer, G. article, "The effect of fracture roughness on the onset of non-linear flow.
Letter from C. P. Cunningham to Stimpson H. Woodward, 1867
No full textA document from an extensive collection spanning four generations of the Woodward family that operated merchant pig iron companies in West Virginia and Alabama. The collection begins with Stimpson Harvey Woodward (S. H. Woodward), a native of Massachusetts, who moved from Pittsburgh to Wheeling, West Virginia in 1852. He had interests in an iron company as early as 1852 in West Virginia and began Alabama operations in 1869. The family business continued in Alabama until the death of S. H. Woodward's great-grandson in 1965
Letter from S. P. Cunningham, Buffalo Gap, Texas, to J. H. Woodward, Taylorville, Texas, October 8, 1879
No full textA document from an extensive collection spanning four generations of the Woodward family that operated merchant pig iron companies in West Virginia and Alabama. The collection begins with Stimpson Harvey Woodward (S. H. Woodward), a native of Massachusetts, who moved from Pittsburgh to Wheeling, West Virginia in 1852. He had interests in an iron company as early as 1852 in West Virginia and began Alabama operations in 1869. The family business continued in Alabama until the death of S. H. Woodward's great-grandson in 1965
Letter from H. P. D., Chicago, Illinois, to J. P. H. Cunningham, January 25, 1909
No full textA document from an extensive collection spanning four generations of the Woodward family that operated merchant pig iron companies in West Virginia and Alabama. The collection begins with Stimpson Harvey Woodward (S. H. Woodward), a native of Massachusetts, who moved from Pittsburgh to Wheeling, West Virginia in 1852. He had interests in an iron company as early as 1852 in West Virginia and began Alabama operations in 1869. The family business continued in Alabama until the death of S. H. Woodward's great-grandson in 1965
Developing agent interaction protocols graphically and logically
No full textAlthough interaction protocols are often part of multi-agent infrastructures, many of the published protocols are semi-formal, vague or contain errors. Formal presentations can counter such disadvantages since they are amenable to verification of correctness. On the other hand, a diagrammatic representation of system structure is easier to comprehend. To this end, this paper bridges the gap between formal specification and intuitive development by: (1) proposing an extended form of propositional dynamic logic for expressing protocols completely, with clear semantics, that can be converted to a programming language for interaction protocols and (2) developing extended statecharts as a diagrammatic counterpart
Merce Cunningham and his Technique
No full textThis thesis approaches the personal life, artistic creation and dance technique of American dancer and choreographer Mercier Philip Cunningham. The first part focuses on the artist?s life stages during his evolution in dance from the beginnings of his choreographic work, and seeks the origins for the establishment of his own dance company ? Merce Cunningham Dance Company. A chronological overview of his extensive repertoire is also incorporated. The second part deals with collaboration, connection and interaction among the dance, music, design and film fields during the artistic work of Merce Cunningham. Following the author?s experience with Cunningham technique, the final part is directed to an understanding of this dance technique, its principles and specific elements used in contemporary dance world
Letter from J. H. Woodward to Jack P. H. Cunningham, Beaumaris, Canada, July 29, 1916
No full textA document from an extensive collection spanning four generations of the Woodward family that operated merchant pig iron companies in West Virginia and Alabama. The collection begins with Stimpson Harvey Woodward (S. H. Woodward), a native of Massachusetts, who moved from Pittsburgh to Wheeling, West Virginia in 1852. He had interests in an iron company as early as 1852 in West Virginia and began Alabama operations in 1869. The family business continued in Alabama until the death of S. H. Woodward's great-grandson in 1965
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