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Dr P. Jansen (1882—1955)
No full textOn April 2nd of this year Dr P. Jansen, agrostologist and honorary member of the staff of the Rijksherbarium, suddenly passed away at Amsterdam, 73 years old.
Pieter Jansen was born at Rotterdam on January 25th, 1882. Trained to be a teacher, his appointment as such followed in 1900. His study in mathematics soon led to his appointment to a secondary school at Rotterdam and afterwards, in 1912, to the Municipal Training School for Teachers at Amsterdam, of which he filled the post of director from 1936 until his retirement a few years ago
H. P. Jansen, Landbouwpacht in Brabant in de veertiende en vijjtiende eeuw
No full textVerhulst Adriaan. H. P. Jansen, Landbouwpacht in Brabant in de veertiende en vijjtiende eeuw. In: Annales. Economies, sociétés, civilisations. 11ᵉ année, N. 4, 1956. pp. 540-542
P. Jansen, De Blaise Pascal à Henry Hammond : Les « Provinciales » en Angleterre
No full textMandrou Robert. P. Jansen, De Blaise Pascal à Henry Hammond : Les « Provinciales » en Angleterre. In: Annales. Economies, sociétés, civilisations. 10ᵉ année, N. 3, 1955. pp. 431-432
S. Jackson, P. Jansen, A. Mangoni (red.). Prescribing for Elderly Patients
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S. Jackson, P. Jansen, A. Mangoni (red.). Prescribing for Elderly Patients.-523 blz. Wiley-Blackwell, Chichester, 2009, ISBN 978-0-470-
02428-
H. P. Jansen, Landbouwpacht in Brabant in de veertiende en vijjtiende eeuw
No full textVerhulst Adriaan. H. P. Jansen, Landbouwpacht in Brabant in de veertiende en vijjtiende eeuw. In: Annales. Economies, sociétés, civilisations. 11ᵉ année, N. 4, 1956. pp. 540-542
P. Jansen, De Blaise Pascal à Henry Hammond : Les « Provinciales » en Angleterre
No full textMandrou Robert. P. Jansen, De Blaise Pascal à Henry Hammond : Les « Provinciales » en Angleterre. In: Annales. Economies, sociétés, civilisations. 10ᵉ année, N. 3, 1955. pp. 431-432
P. Jansen, Le cardinal Mazarin et le mouvement janséniste français, 1653-1659. Paris, Vrin, 1967.
No full textDethan Georges. P. Jansen, Le cardinal Mazarin et le mouvement janséniste français, 1653-1659. Paris, Vrin, 1967.. In: Bibliothèque de l'école des chartes. 1970, tome 128, livraison 1. pp. 264-266
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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