1,720,954 research outputs found
Commenter c’est métaphoriser: les mappings conceptuels au cœur du commentaire footballistique
A highly interdisciplinary topic, metaphor has undergone a major paradigm shift since the 1980s, evolving from a trope confined to ornamental and stylistic functions to a fundamental cognitive and discursive mechanism deeply rooted in lived experience, thought, and language. It allows us to grasp complex abstractions through concrete and familiar concepts. Our reflection, within a multidimensional cognitive framework, explores French and Arabic metaphorical expressions from broadcasts of two football matches. Deliberately limited due to the qualitative methodology adopted, the corpus is analyzed in light of Lakoff and Johnson's (1980) model in order to show the role of conceptual metaphor in structuring sports discourse based on other experiential domains. The study revolves around the following question: how do metaphorical mappings contribute to the conceptualization and shaping of football commentary? The objective is to highlight how systematic correspondences between source domains such as war, life, death, or meteorology and the target domain of soccer contribute to the construction of meaning, the intensification of discourse, and the creation of a collective imagination of the game, thus revealing the cognitive, discursive, and cultural significance of these mechanisms. Commentators make extensive use of metaphorical language to avoid monotony, enrich their narration, and reinforce the impact of their words. The analysis reveals that conceptual metaphors structure football discourse by projecting complex cultural and social representations onto it. They are not simply a play on words but reflect a mental structure that allows us to think about and feel the sport through images drawn from other spheres of human experience.Thématique à forte portée interdisciplinaire, la métaphore connaît depuis les années 1980 un tournant paradigmatique majeur, passant d’une figure tropique cantonnée à une fonction ornementale et stylistique à un mécanisme cognitif et discursif fondamental, profondément enraciné dans l’expérience vécue, la pensée et le langage. Elle permet d’appréhender des abstractions complexes à travers des concepts concrets et familiers. Notre réflexion, inscrite dans un cadre cognitif multidimensionnel, explore des expressions métaphoriques françaises et arabes issues de retransmissions de deux matchs de football. Volontairement restreint en raison de la méthodologie qualitative adoptée, le corpus est analysé à la lumière du modèle de Lakoff et Johnson (1980) afin de montrer le rôle de la métaphore conceptuelle dans la structuration du discours sportif à partir d’autres domaines expérientiels. L’étude s’articule autour de la problématique suivante : en quoi les mappings métaphoriques participent-ils à la conceptualisation et à la mise en forme du commentaire footballistique ? L’objectif est de mettre en lumière la manière dont les correspondances systématiques entre domaines sources tels que la guerre, la vie, la mort ou la météorologie et le domaine cible du football contribuent à la construction du sens, à l’intensification du discours et à la création d’un imaginaire collectif du jeu, révélant ainsi la portée cognitive, discursive et culturelle de ces mécanismes. Les commentateurs y recourent massivement pour éviter la monotonie, enrichir leur narration et renforcer l’impact de leurs propos. L’analyse montre que les métaphores conceptuelles structurent le discours et expriment des représentations culturelles et sociales complexes, transposant l’expérience humaine dans l’univers footballistique.
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
Author-wise bibliometric analysis based on entropy.
Author-wise bibliometric analysis based on entropy.</p
Author Under Sail The Imagination of Jack London, 1893-1902
In Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Intro -- Title Page -- Copyright Page -- Dedication -- Contents -- Acknowledgments -- Introduction -- 1. Spirit Truth -- 2. From Absorption to Theatricality and Back Again -- 3. "I Will Build a New Present" -- 4. Sons as Authors -- 5. Fathers as Publishers -- 6. The Daughter as Author -- 7. Lovers as Authors -- 8. At Sea with the Family -- 9. Yellow News, Yellow Stories -- 10. The Return Home -- Notes -- Bibliography -- Index -- About Jay WilliamsIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
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