1,721,029 research outputs found
A new species of Loricaria (Siluriformes: Loricariidae) from the Turiaçu River basin, Eastern Amazon region, Brazil
No full textSaraiva, Ananda Carolina S., Abreu, João Marcelo S., Ottoni, Felipe Polivanov, Piorski, Nivaldo Magalhães (2021): A new species of Loricaria (Siluriformes: Loricariidae) from the Turiaçu River basin, Eastern Amazon region, Brazil. Zootaxa 4915 (3): 424-434, DOI: 10.11646/zootaxa.4915.3.1
FIGURE 1 in A new species of Loricaria (Siluriformes: Loricariidae) from the Turiaçu River basin, Eastern Amazon region, Brazil
No full textFIGURE 1. Loricaria turi, holotype, CPUFMA 3204, 192.2 mm SL, Lago do Rapa Cuia, Turiaçu River Basin, municipality of Santa Helena, Maranh"o state, Brazil.Published as part of Saraiva, Ananda Carolina S., Abreu, João Marcelo S., Ottoni, Felipe Polivanov & Piorski, Nivaldo Magalhães, 2021, A new species of Loricaria (Siluriformes: Loricariidae) from the Turiaçu River basin, Eastern Amazon region, Brazil, pp. 424-434 in Zootaxa 4915 (3) on page 426, DOI: 10.11646/zootaxa.4915.3.10, http://zenodo.org/record/445644
FIGURE 1 in A new species of Hypostomus Lacepède, 1803 (Siluriformes: Loricariidae) from the Mearim River basin, northeastern Brazil
No full textFIGURE 1. Hypostomus krikati sp. n. Holotype, CICCAA 01731, 209.3 mm SL; Brazil, State of Maranhão, Municipality of Bom Jesus das Selvas, Pindaré River drainage, Mearim River basin, northeastern Brazil.Published as part of Oliveira, Rafael Ferreira De, Guimarães, Erick Cristofore, Brito, Pâmella Silva De & Ottoni, Felipe Polivanov, 2022, A new species of Hypostomus Lacepède, 1803 (Siluriformes: Loricariidae) from the Mearim River basin, northeastern Brazil, pp. 339-352 in Zootaxa 5219 (4) on page 344, DOI: 10.11646/zootaxa.5219.4.2, http://zenodo.org/record/742669
FIGURE 4 in A new species of Hypostomus Lacepède, 1803 (Siluriformes: Loricariidae) from the Mearim River basin, northeastern Brazil
No full textFIGURE 4. Distribution of Hypostomus krikati sp. n. Paratypes (red circles) and holotype (black circle). Mearim River basin in orange.Published as part of Oliveira, Rafael Ferreira De, Guimarães, Erick Cristofore, Brito, Pâmella Silva De & Ottoni, Felipe Polivanov, 2022, A new species of Hypostomus Lacepède, 1803 (Siluriformes: Loricariidae) from the Mearim River basin, northeastern Brazil, pp. 339-352 in Zootaxa 5219 (4) on page 347, DOI: 10.11646/zootaxa.5219.4.2, http://zenodo.org/record/742669
FIGURE 5 in A new species of Hypostomus Lacepède, 1803 (Siluriformes: Loricariidae) from the Mearim River basin, northeastern Brazil
No full textFIGURE 5. Hypostomus krikati sp. n. (CIUEMA 1300) 191.9 mm SL. A. Keels of lateral plate series. B. Tip of pectoral fin.Published as part of Oliveira, Rafael Ferreira De, Guimarães, Erick Cristofore, Brito, Pâmella Silva De & Ottoni, Felipe Polivanov, 2022, A new species of Hypostomus Lacepède, 1803 (Siluriformes: Loricariidae) from the Mearim River basin, northeastern Brazil, pp. 339-352 in Zootaxa 5219 (4) on page 348, DOI: 10.11646/zootaxa.5219.4.2, http://zenodo.org/record/742669
FIGURE 3. Predorsal squamation pattern. A in A new species of Hypostomus Lacepède, 1803 (Siluriformes: Loricariidae) from the Mearim River basin, northeastern Brazil
No full textFIGURE 3. Predorsal squamation pattern. A. Hypostomus krikati sp. n. (CICCAA 07109) 99.1 mm SL. B. Hypostomus pusarum (CICCAA 07108) 81. 5 mm SL. Red = predosal plate. Green = acessory predorsal plates. Yellow = supraoccipital plate. Blue = pterotic-supracleithrum.Published as part of Oliveira, Rafael Ferreira De, Guimarães, Erick Cristofore, Brito, Pâmella Silva De & Ottoni, Felipe Polivanov, 2022, A new species of Hypostomus Lacepède, 1803 (Siluriformes: Loricariidae) from the Mearim River basin, northeastern Brazil, pp. 339-352 in Zootaxa 5219 (4) on page 345, DOI: 10.11646/zootaxa.5219.4.2, http://zenodo.org/record/742669
Dactylogyridae Bychowsky 1933
No full textDactylogyridae Bychowsky, 1933 <p> <i>Diaphorocleidus</i> Jogunoori, Kritsky & Venkatanarasaiah, 2004</p>Published as part of <i>Silva, Marciara Lopes, Cohen, Simone Chinicz, Ottoni, Felipe Polivanov, Viana, Diego Carvalho, Meneses, Yuri Costa De & Justo, Marcia Cristina Nascimento, 2024, Two new species of Diaphorocleidus and new data on D. affinis (Monogenoidea: Dactylogyridae) parasitizing Bryconops cf. affinis (Characiformes: Iguanodectidae) from the Munim River basin, State of Maranhão, northeastern Brazil, pp. 91-103 in Zootaxa 5403 (1)</i> on page 95, DOI: 10.11646/zootaxa.5403.1.6, <a href="http://zenodo.org/record/10561629">http://zenodo.org/record/10561629</a>
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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