142,658 research outputs found
The Emergence of Analytic Philosophy and a Controversy at the Aristotelian Society: 1900-1916
Get PDFFor this year’s Virtual Issue, our guest editor, Omar W. Nasim, has collected together papers from the Aristotelian Society archives that represent a substantial part of a dispute that contributed to the emergence of analytic philosophy in Britain at the turn of the 20th Century. The dispute was primarily concerned with the problem of the external world – the nature of the sensible objects of perception, and how they relate to physical things and the perceiving subject. The participants in this controversy contested the nature of the appearance-reality distinction, whether it is it is possible for a thing to instantiate contrary sensible qualities at the same place and time, the distinction between presentation and representation, the nature of knowledge by acquaintance, and the nature of sense-data – e.g., whether sense-data are psychical or physical, whether they persist unperceived, and how they give rise to knowledge of the external world.
G. E. Moore and Bertrand Russell were significant contributors to these debates, but so too were several philosophers whose names are now less well known: G. F. Stout, G. Dawes Hicks, Abraham Wolf, T. Percy Nunn, and S. Alexander. This Virtual Issue collects together, for the first time, the important contributions made to these debates by all of these figures. In doing so it provides a fascinating insight into the ways in which Russell’s earliest attempts to construct the external world from sense-data were influenced by the ideas and arguments of his immediate contemporaries. Omar W. Nasim’s specially commissioned introduction to the Virtual Issue sets out the historical context of these disputes about the external world, and details the prominent role played by the Aristotelian Society in making them possible
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Translating Translations: A study of Ngā Rūpaiaha o Oma Kaiama, a Māori translation of the English version of the Rubáiyát of Omar Khayyám
No full textOmar Khayyám, a Persian poet who died in 1131, wrote a number of quatrains in Farsi which are regarded by some as representing the very summit of Sufism (that is, of the mystical dimension of Islamic thought) and by others as being essentially agnostic and hedonistic in nature. Those who are of the latter view are often strongly influenced by the ‘translation’ into English of some of these quatrains by Edward Fitzgerald, a British poet and writer whose first edition of the Rubáiyát of Omar Khayyám appeared in 1859, at the height of the Victorian era. Although there have been several other translations of Khayyám’s quatrains, none has been as popular or, perhaps, as highly regarded as an artistic work as that of Fitzgerald. It has rarely, however, been regarded as a work that is faithful to the intent of the original. In deciding to translate into Māori Fitzgerald’s rendering into English of some of Khayyám’s Farsi quatrains (5th version), Pei Jones was faced with a peculiarly complex set of problems (linguistic, literary, cultural and religious). Pei Jones’ translation, a translation of a translation, is generally regarded as being faithful to Fitzgerald’s version of the Rubáiyát. It would appear, therefore, that he decided to treat Fitzgeralds’s text, in spite of the reference in its title to the original text, as his source text. This gives rise to a number of questions, including questions about what it means for a translator to be faithful or unfaithful to a source text. With particular reference to Pei Jones’ translation of Fitzgerald’s Rubáiyát of Omar Khayyám, this thesis explores the concept of ‘fidelity’, a concept that, it is argued here (see Chapter 3), is often treated in the literature on translation in a way that belies its extremely complex nature. The thesis proposes a new approach to the concept of fidelity, one that is based on nine fidelity types: grammatical, lexical, informational, metrical, imagistic, rhetorical, historical, didactic and functional fidelity. In terms of this nonagonal analytical model, twenty-five of Pei Jones’ quatrains are analysed in relation to the equivalent quatrains in Fitzgerald’s version (Chapter 4). The analysis indicates that Pei Jones’ translation has neither metrical fidelity (a consequence of the very different nature of the source and target languages) nor functional fidelity (a consequence of the very different expectations and sensibilities that a Māori audience has in relation to the verbal arts). Metre and function are both, however, fundamental to the enduring appeal of Fitzgerald’s quatrains. The overall conclusion is that since it is often impossible to achieve all nine types of fidelity, translators need to carefully consider what their primary aim is in undertaking the translation of artistic works and be prepared to sacrifice certain types of fidelity (e.g. historical and informational fidelity) in order to create a work that fulfils the aesthetic expectations of the target audience. Pei Jones was undeniably successful in achieving those types of fidelity that were possible. However, the work may have had more widespread appeal if he had sacrificed some of them in order to create a work that was more closely aligned with the aesthetic expectations of Māori readers
Dispelling the Myths Behind First-author Citation Counts
Get PDFWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
Rubáiyat of Omar Khayyam : the astronomer-poet of Persia : translated into English verse.
No full text"Facsimile of the first edition of Fitzgerald's Rubáiyat of Omar Khayyām". Originally published: London : B. Quaritch, 1859.Mode of access: Internet
Omar Hakim on the Melting Pot of American Music
No full textA veteran session musician and longtime touring road warrior, world-renowned drummer, composer, and producer Omar Hakim has performed on records and tours with the biggest names in music without ever allowing himself to be typecast by genre. In the realm of R&B and pop, he’s worked with Michael Jackson, Madonna, Mariah Carey, and Daft Punk. In jazz, his extensive credits include work with Miles Davis, Herbie Hancock, Joe Sample, and Weather Report. In the rock arena, he’s worked with David Bowie, Bruce Springsteen, Mick Jagger, and Sting. And the list goes on, from country great Jerry Douglas to hip-hop leader Queen Latifah, just to scratch the surface
b) Tombeau de Fatma Khâtoun
No full textBahgat Ali, Omar Ahmad. b) Tombeau de Fatma Khâtoun. In: Comité de Conservation des Monuments de l'Art Arabe. Fascicule 32, exercice 1915-1919, 1922. p. 354
Relationship's Omar b. Abdalaziz with politic and social groups
No full textSosyal Bilimler Enstitüsü, İslam Tarihi ve Sanatları Ana Bilim Dalı, İslam Tarihi Bilim DalıBiz bu çalışmamızda Emevi halifelerinden Ömer b. Abdülaziz'in siyasi ve soayal gruplarla ilişkilerine değindik. Bu bağlamda onun siyasi gruplar arasında bazı aileler, idareciler ve siyasi ve itikadi fırkalarla olan ilişkilerini inceledik. Ayrıca onun sosyal gruplar arasında da müslüman ve gayrı müslim gruplarla olan ilişkisini de ortaya koyduk. İkinci Ömer olarak da bilinen Ömer b. Abdülaziz iktidarı süresince hem müslüman hem de gayrı müslimlerle ve idarecileriyle oldukça düzeyli ve olumlu ilişkiler kurmuştur. Bu yönüyle diğer Emevi halifelerinden farklılık göstermektedir.We dealt with in this work Omar b. Abdulaziz who was from Umayyads Chaliphs relationship with politic and social groups. İn this context, we studied relationship between his politic groups some families, governers and politic and faith gorups. In addition, we presented his reletion between some social groups, as muslims and non muslims. Well known Second Omar, Omar b. Abdalaziz, interrelated level and positiv relation during his rulership with muslim and non muslims and his administrators.. He differs from other Umayyads Chalips with this in that
[Letter from Omar Burleson to John J. Herrera - January 28, 1966]
No full textLetter from Omar Burleson to John J. Herrera, dated January 28, 1966, concerning efforts to get President Lyndon B. Johnson to recognize the work of the League of United Latin American Citizens and proclaim the week of February 13 - 19, 1966 to be National LULAC Week
Identification of author profiles through social networks
Get PDFThe aim of this paper is to compile dictionaries of slang words, abbreviations, contractions, and emoticons to help the pre-processing of texts published in social networks. The use of these dictionaries is intended to improve the results of the tasks related to data obtained from these platforms. Therefore, a hypothesis was evaluated in the task of identifying author profiles (author profiling).Silva, JesúsMaria Santodomingo, Nicolas EliasRomero, LigiaJorge, MarisolHerrera, MaritzaPineda Lezama, Omar Bonerg
- …
