1,721,108 research outputs found
Parsec-scale structure of quasars: dawn of the golden age?
Half a century after their discovery, the study of quasars remains one of the most fascinating intellectual challenges in astronomy. Quasars are laboratories for everything from relativity to magnetohydrodynamics and are perhaps the best available probes for cosmology. A tremendous amount has been learned about quasars and yet many of the most fundamental questions about their physics remain open. Parsec-scale observations have played an indispensable role in building up our current understanding of quasars; virtually everything we know about quasars depends on such observations. However, the finest hour for parsec scale observations may be just beginning. This is partly due to the development of highly reliable VLBI networks (which is continuing) but mostly due to the unprecedented availability of multiepoch, simultaneous, broadband observations that have long been the `holy grail' for quasar researchers.The author gratefully acknowledges his colleagues in the TANAMI and Fermi/LAT programs from whom he continues to learn. The author sincerely apologizes for the vast range of wonderful work that he was unable to touch upon in such a brief review. This research was funded in part by NASA through Fermi Guest Investigator grant NNH10ZDA001N (proposal number 41213). This research was supported by an appointment to the NASA Postdoctoral Program at the Goddard Space Flight Center, administered by Oak Ridge Associated Universities through a contract with NASA. This research has made use of NASA’s Astrophysics Data System. This research has made use of the NASA/IPAC Extragalactic Database (NED) which is operated by the Jet Propulsion Laboratory, California Institute of Technology, under contract with the National Aeronautics and Space Administration. This research has made use of the SIMBAD database (operated at CDS, Strasbourg, France).https://arxiv.org/abs/1310.087
From Radio with Love: an overview of the role of radio observations in understanding high-energy emission from active galaxies
The gamma-ray satellite Fermi and the ground based TeV facilities MAGIC, VERITAS and HESS have ushered in a new era in the observation of high-energy emission from active galaxies. The energy budgets of these objects have a major contribution from gamma-rays and it is simply not possible to understand their physics without high-energy observations. Though the exact mechanisms for high-energy production in galaxies remains an open question, gamma-rays typically result from interactions between high-energy particles. Via different interactions these same particles can produce radio emission. Thus the non-thermal nature of gamma-ray emission practically guarantees that high-energy emitters are also radio loud. Aside from their obvious role as a component of multiwavelength analysis, radio observations provide two crucial elements essential to understanding the source structure and physical processes of high-energy emitters: very high timing resolution and very high spatial resolution. A brief overview of the unique role played by radio observations in unraveling the mysteries of the high energy Universe is presented here.The author thanks Matthias Kadler for numerous very helpful discussions. He also acknowledges the generous help and advice of Denise Gabuzda, Marco Giroletti, Dan Homan, Svetlana Jorstad, Alan Marscher and Greg Taylor. Responsibility for any shortcomings, however, lies solely with the author. This research was funded in part by NASA through Fermi Guest Investigator grant NNH09ZDA001N. This research was supported by an appointment to the NASA Postdoctoral Program at the Goddard Space Flight Center, administered by Oak Ridge Associated Universities through a contract with NASA.https://iopscience.iop.org/article/10.1088/1742-6596/355/1/01200
Fermi LAT detection of renewed strong GeV activity from the FSRQ 3C 279
http://www.astronomerstelegram.org/?read=1154
Fermi LAT detection of strong gamma-ray activity from the FSRQ 3C 454.3
http://www.astronomerstelegram.org/?read=919
Fermi LAT detection of the brightest ever gamma-ray flare from the FSRQ TXS 0646-176
http://www.astronomerstelegram.org/?read=1232
Fermi-LAT Detection of an Unusual Hard Spectrum and Enhanced Gamma-ray Emission from the FSRQ PKS 0131-522
http://www.astronomerstelegram.org/?read=1098
Fermi-LAT detection of enhanced gamma-ray activity and hard spectrum of TXS 0506+056, located inside the IceCube-170922A error region
http://www.astronomerstelegram.org/?read=1141
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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