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Routledge Handbook of Civil Society in Asia
No full textThe Routledge Handbook of Civil Society in Asia is an interdisciplinary resource, covering one of the most dynamically expanding sectors in contemporary Asia
Transnational Civil Society in Asia The Potential of Grassroots Regionalization
No full textThis edited volume addresses how transnational interactions among civil society actors in Asia and its sub-regions are helping to strengthen common democratic values and transform dominant processes of policymaking and corporate capitalism ..
Unethical Politics: Japan’s Nuclear Technology Export to Turkey and Transnational Antinuclear Networks
No full textIntroduction: Envisioning new frontiers in Japanese Studies
Full text linkThe introductory chapter clarifies this book’s aims and scope. By ‘new frontiers in Japanese Studies’ we are referring to a shift in geographical emphasis from the United States and the United Kingdom to countries in the Asia-Pacific region through the integration of multiple perspectives on Japanese society from hereto scholarly underrepresented areas. We also envision ‘new frontiers’ as a repositioning of Japanese Studies from ‘outsiders looking in’ to ‘insiders looking out’. Lastly, we perceive a ‘new frontier’ in Japanese Studies as a decisive movement away from the idea that people working in Japanese Studies are primarily presenting case studies while eschewing theoretical contributions to knowledge. Ultimately, this chapter proposes that scholarship should go beyond methodological nationalism – an assumption that the nation-state is the natural and necessary form of society in modernity. To re-conceptualise Japanese Studies, we will open up new horizons by demonstrating how we can make the empirical investigation of border crossings and other transnational phenomena possible. The methodology we employ in this book is in line with Yoshio Sugimoto’s notion of ‘cosmopolitan methodology’ (presented in Rethinking Japanese Studies, Routledge 2018). In so doing, we make Japanese Studies ever more multicultural, multilingual, interdisciplinary and transnational in natur
‘Community power’: Renewable energy policy and production in post-Fukushima Japan
No full textJapan has assumed a central position within global discourses on energy since the catastrophic earthquake and tsunami in 2011 that caused radiation leakage from the Fukushima Daiichi nuclear power plant. This disaster singlehandedly destabilised energy policymaking and production practices in Japan. Before this disaster, many people in Japan, including myself, never gave much thought about energy, and only individuals with some reason to be worried about energy issues engaged in discussion about energy. However, people from a broader cross section of society joined the conversation after the disaster. They started learning about how the electricity system works – how electricity is generated and how it is consumed. Before the 11 March disaster, if and when the general public discussed electricity, it was mostly within the context of global climate change; in other words, how to reduce carbon emissions. Unlike coal and natural gas plants, nuclear energy does not involve carbon emissions during the generation of electricity. Such energy generation reflected an ideal pursuit of development and growth, which dominated our lifestyle over the post-Second World War period. However, the post-disaster landscape reshaped our values and ways of living at the grassroots level. People began to engage in more insightful political debates
New Frontiers in Japanese Studies
Full text linkOver the last 70 years, Japanese Studies scholarship has gone through several dominant paradigms, from ‘demystifying the Japanese’, to analysis of Japanese economic strength, to discussion of global interest in Japanese popular culture. This book assesses this literature, considering future directions for research into the 2020s and beyond.
Shifting the geographical emphasis of Japanese Studies away from the West to the Asia-Pacific region, this book identifies topic areas in which research focusing on Japan will play an important role in global debates in the coming years. This includes the evolution of area studies, coping with aging populations, the various patterns of migration and environmental breakdown. With chapters from an international team of contributors, including significant representation from the Asia-Pacific region, this book enacts Yoshio Sugimoto’s notion of ‘cosmopolitan methodology’ to discuss Japan in an interdisciplinary and transnational context and provides overviews of how Japanese Studies is evolving in other Asian countries such as China and Indonesia.
New Frontiers in Japanese Studies is a thought-provoking volume and will be of great interest to students and scholars of Japanese and Asian Studies
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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