1,720,967 research outputs found
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dictating Aesthetic and Political Legitimacy through Golden Age Theater: Fuente Ovejuna at the Teatro Español, Directed by Cayetano Luca de Tena (1944)
Full text linkEmboldened by their success in the Spanish Civil War (1936–1939), Nationalist ideologues sought to revitalize the stagnant Spanish theater and promote values associated with the newly formed authoritarian regime. The memory and restaging of seventeenth-century comedias became a crucial part of this project that focused particularly on Lope de Vega\u27s Fuente Ovejuna, a history play that dramatizes a village\u27s fifteenth-century rebellion against a tyrannical overlord. The definitive performance of Fuente Ovejuna during the early years of Franco\u27s dictatorship, a production directed by Cayetano Luca de Tena at the Teatro Español in 1944, represented the culmination of the right\u27s struggle to regenerate the theater. By adopting a fascist aesthetic and reinforcing the regime\u27s political legitimacy through history, Luca de Tena\u27s production captured its contemporary moment and signaled a possible solution to the theatrical crisis, one that blended historiography, aesthetics, and politics
The enemy outside the gates: Isable the Catholic queen and the extramural mujer varonil in Tirso de Molina's Antona García
Full text link1 online resource (PDF, page 146-166)Chapter 8Oechler, Christopher C.. (2020). The enemy outside the gates: Isable the Catholic queen and the extramural mujer varonil in Tirso de Molina's Antona García. Retrieved from the University Digital Conservancy, https://hdl.handle.net/11299/212991
Crafting National Memory from News: Lope de Vega’s La nueva victoria de don Gonzalo de Córdoba
No full textOn the eighth of October, 1622, Lope de Vega finished La nueva victoria de don Gonzalo de Córdoba. This comedia recounts a Spanish victory in the Battle of Fleurus, one of several military triumphs that encouraged hope and excitement during the early years of Philip IV’s reign. The battle had occurred in late August of 1622, and Lope’s play, written and staged scant weeks later, functioned as a type of journalistic dramatization of Fleurus for corral audiences. I argue that, in addition to its news-bearing utility, the play historicizes its content, moving it from a journalistic happening to an integral part of Spain’s larger historical narrative, broadening and enhancing the ways in which audiences conceived of Fleurus. To do so, La nueva victoria engages with historical consciousness in the form of ballads, chronicles, genealogies, and collective memory. Such strategies enable the play to portray the victory as an essential part of Spain’s story, as a recent event that logically evolved out of the past and promises to condition the future
Manual de Gramática y Composición
No full textAn OER remixed textbook for fifth-semester Spanish instruction, focusing on grammar and composition.https://cupola.gettysburg.edu/oer/1010/thumbnail.jp
“Hoy escribiré una carta”: The News of Siege Warfare in Calderón’s El sitio de Bredá
No full textAmbrogio Spinola’s victory at the Siege of Breda (1624–1625) marked a high point in the imperial policies of Philip IV and his royal favorite, the Count-Duke of Olivares. Contemporary newsletters celebrated the achievement, and Pedro Calderón de la Barca followed these reports in commemorating the victory in his play El sitio de Bredá (1625). I find that in addition to the obvious praise of the triumphant Habsburg forces and monarchy, El sitio de Bredá cultivates a new vision of imperial siege warfare, one that is nurtured by a preoccupation with the burgeoning news industry. Cueing off contemporary reports, Calderón proposes a recently proven model in juxtaposition with those found in earlier siege plays, specifically El asalto de Mastrique por el Príncipe de Parma by Lope de Vega and Tragedia de Numancia by Miguel de Cervantes. When read alongside these works, Calderón’s play suggests an evolution in the depiction of Spanish warfare, redefining its technical and tactical aspects in light of the growing news industry and its rapid dissemination of knowledge
Dispelling the Myths Behind First-author Citation Counts
Full text linkWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
- …
