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    Contribution of the Institut français of Ouagadougou to Fespaco and to the consolidation of the film culture in Burkina Faso

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    In Sub-Saharan Africa, Burkina Faso is one of the countries where the political authorities became aware, early on, of the economic, political and axiological stakes of the image. Three years after the acquisition of independence, in 1963, the country adopted a national television as a privileged channel for the education and awareness of its mainly illiterate populations, whose linguistic and cultural diversity was already an obstacle to the construction of national unity. The strategy of c..

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Acteurs et public du cinéma au Burkina Faso : une nouvelle dynamique de la pratique cinématographique

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    Introduction Si les programmes d’ajustement structurel imposés aux États africains au sud du Sahara par les institutions de Bretton Woods ont fortement tari les sources publiques de financement du cinéma dans cette partie du continent, l’avènement et la vulgarisation du numérique à partir des années 2000 apparaît comme une bouffée d’oxygène pour une cinématographie financièrement essoufflée. Avec le numérique, il s’est en effet produit une sorte de démultiplication de « miroirs » accessibles ..

    Dispelling the Myths Behind First-author Citation Counts

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    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods

    Author Index

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    koamabayili/VECTRON-author-checklist: VECTRON author checklist

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    We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used

    L’Apport de l’Institut français de Ouagadougou au Festival FESPACO

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    En Afrique noire au sud du Sahara, le Burkina Faso est l’un des pays où les autorités politiques ont pris conscience, assez tôt, des enjeux économique, politique et axiologique de l’image. Trois ans après l’acquisition de l’indépendance, soit en 1963, le pays s’est doté d’une télévision nationale comme canal privilégié d’éducation et de sensibilisation de ses populations majoritairement analphabètes et dont la diversité linguistique et culturelle apparaissait déjà comme un obstacle à la const..
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