3,225,682 research outputs found

    Sneaky Feelings Keyboardist, The Others Way Festival

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    Performance as keyboardist and backing vocalist for New Zealand band Sneaky Feelings at The Others Way Festival, Auckland, 1 September 2017

    Some Europeans are more equal than others

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    The position of Roma migrants in the EU presents an anomaly which challenges the foundations of European Union law. As Union citizens, European migrants are entitled to freedom of movement and residence in Member States. Yet the rights intended to secure this position have been routinely and selectively denied to Roma migrants, leading to forced evictions and collective expulsions without regard t o European Law. As has been evidenced in the UK, Roma arrivals are viewed with particularly acute suspicion; a response which reflects their double stigmatization as both immigrant and Roma. At the same time, Roma migration from new Member States has expo sed a contradiction inherent in the citizenship project which strikes at the heart of the Union ’s human rights credentials. The degree of exclusion and inequality faced by Europe’s largest minority in all Member States is the most pressing internal human rights issue facing the EU. Yet the European institutions continue to lack a coherent response and defined strategy. The current European framework demanding National Action Plans is commendable in that it prevents individual states from abdicating responsibility for the situation of their Roma citizens. Nevertheless, the absence of clear targets, Roma engagement and European leadership, suggest that this strategy is doomed to failure offering little more than a distraction. In a Union predicated on, inter alia, the rule of law, respect for human rights and the protection of minorities, this detached position undermines the legitimacy of the entire citizenship project

    Autobiographies of Others Historical Subjects and Literary Fiction

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    In this volume, Boldrini examines "heterobiography"-the first-person fictional account of a historic life. Boldrini shows that this mode is widely employed to reflect critically on the historical and philosophical understanding of the human; on individual identity; and on the power relationships that define the subject. In such texts, the grammatical first person becomes the site of an encounter, a stage where the relationships between historical, fictional and authorial subjectivities are played out and explored in the 'double I' of author and narrating historical character, of fictional narrator and historical person. Boldrini considers the ethical implications of assuming another's first-person voice, and the fraught issue of authorial responsibility. Constructions of the body are examined in relation to the material evidence of the subject's existence. Texts studied include Malouf's An Imaginary Life, Carey's True History of the Kelly Gang, Ondaatje's The Collected Works of Billy the Kid, Adair's The Death of the Author, Banti's Artemisia, Vázquez Montalbán's Autobiografía del general Franco. Also discussed, among others: Yourcenar's Memoirs of Hadrian, Tabucchi's The Last Three Days of Fernando Pessoa, Giménez-Bartlett's Una habitación ajena (A Room of Someone Else's).Front Cover -- Autobiographies of Others -- Copyright Page -- Contents -- List of Images -- List of Abbreviations -- Acknowledgments -- Introduction: The Portrait of a Voice -- 1. Heterobiography and the Utopia of Man -- 2. Heterobiography, Violence, and the Law -- 3. The Madness of the Documentary and the Aesthetics of the Body -- 4. The Author? In Theory, Dead: Heterobiography and Responsibility -- 5. The Polluted Swamp: Heterobiography, Dialogue, and History -- Conclusions -- Notes -- Bibliography -- IndexIn this volume, Boldrini examines "heterobiography"-the first-person fictional account of a historic life. Boldrini shows that this mode is widely employed to reflect critically on the historical and philosophical understanding of the human; on individual identity; and on the power relationships that define the subject. In such texts, the grammatical first person becomes the site of an encounter, a stage where the relationships between historical, fictional and authorial subjectivities are played out and explored in the 'double I' of author and narrating historical character, of fictional narrator and historical person. Boldrini considers the ethical implications of assuming another's first-person voice, and the fraught issue of authorial responsibility. Constructions of the body are examined in relation to the material evidence of the subject's existence. Texts studied include Malouf's An Imaginary Life, Carey's True History of the Kelly Gang, Ondaatje's The Collected Works of Billy the Kid, Adair's The Death of the Author, Banti's Artemisia, Vázquez Montalbán's Autobiografía del general Franco. Also discussed, among others: Yourcenar's Memoirs of Hadrian, Tabucchi's The Last Three Days of Fernando Pessoa, Giménez-Bartlett's Una habitación ajena (A Room of Someone Else's).Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries

    Understanding others peoples, animals, pasts

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    "To what extent do we and can we understand others...other peoples, species, times, and places? What is the role of others within ourselves, epitomized in the notion of unconscious forces? Can we come to terms with our internalized others in ways that foster mutual understanding and counteract the tendency to scapegoat, project, victimize, and indulge in prejudicial and narcissistic impulses? How do various fields or disciplines address or avoid such questions? And, in the light of recent developments, have these questions become particularly pressing and not in the least confined to other peoples, times, and places? Making selective and critical use of the thought of such important figures as Sigmund Freud, Jacques Derrida, and Mikhail Bakhtin, the book investigates a series of crucial topics from the current state of deconstruction, trauma studies, and the humanities to newer fields such as animal studies and posthumanist scholarship. A feature of the book is the effort to bring critical historical thought into a provocative engagement with politics and our current political climate"..

    An Idol for Others

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    Cover Page -- Title Page -- Dedication -- 1 -- 2 -- 3 -- 4 -- 5 -- 6 -- 7 -- 8 -- About the Author -- Copyright PageDescription based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries

    ACK 5-IN-1

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    This is a curious 7¼" x 9¾" hardbound book containing five sections each of which we might most aptly call a comic book. The five are listed on the cover; each after the first has its own cover and pagination covering 32 pages. Some sections, like the first, cover only one story. In this case, the story there, "The Mouse Merchant," has an ambitious man start with selling a dead mouse and ending incredibly rich. The stories come closest to short fables in the third section, "The Magic Chant," with two stories: "The Sadhu and the Ram" and "The Day the Earth Broke into Two." The first features a Sadhu who believes that a ram is bowing before him. Others try to warn him that the ram is preparing to attack. The ram does attack. "I have invited this agony on myself! I was foolish and vain! Now I have paid the price!" The second story we tend to know as presenting a panic because the sky is supposedly falling. The book is one in a series of books containing either three or five such sections. Two of the 3-IN-1 volumes, I notice, present tales from the Panchatantra. Those could be fun!This is a hardbound book (hard cover)Luis Fernandes and other

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
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