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大腸癌手術における皮下閉鎖式吸引ドレーン留置はセローマ発生を減少させる
No full text博士（医学） 乙第2864号， 著者名：IINO Takayuki・ITABASHI Michio・OGAWA Shimpei・SHIMIZU Satoru・KAMEOKA Shingo，タイトル： Subcutaneous Closed Suction Drainage in Elective Open Surgery for Colorectal Cancer Lowers the Incidence of Seroma，掲載誌：東京女子医科大学雑誌 (0040-9022)，巻・頁・年：84巻6号p.187-193 (2014
Subcutaneous Closed Suction Drainage in Elective Open Surgery for Colorectal Cancer Lowers the Incidence of Seroma
No full text博士（医学） 乙第2864号， 著者名：IINO Takayuki・ITABASHI Michio・OGAWA Shimpei・SHIMIZU Satoru・KAMEOKA Shingo，タイトル： Subcutaneous Closed Suction Drainage in Elective Open Surgery for Colorectal Cancer Lowers the Incidence of Seroma，掲載誌：東京女子医科大学雑誌 (0040-9022)，巻・頁・年：84巻6号p.187-193 (2014
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Subcutaneous Closed Suction Drainage in Elective Open Surgery for Colorectal Cancer Lowers the Incidence of Seroma
Get PDF東京女子医科大学博士（医学）博士（医学） 乙第2864号， 著者名：IINO Takayuki・ITABASHI Michio・OGAWA Shimpei・SHIMIZU Satoru・KAMEOKA Shingo，タイトル： Subcutaneous Closed Suction Drainage in Elective Open Surgery for Colorectal Cancer Lowers the Incidence of Seroma，掲載誌：東京女子医科大学雑誌 (0040-9022)，巻・頁・年：84巻6号p.187-193 (2014)doctoral thesi
局所制御能からみた大腸癌肝転移における熱凝固療法至適病変の検討
No full text博士（医学） 乙第2863号， 著者名：AMANO Kunihiko・OGAWA Shimpei・KAMEOKA Shingo，タイトル：Optimizing the Indications for Local Ablation in the Treatment of Colorectal Liver Metastasis According to Recurrence at the Ablation Site，掲載誌：東京女子医科大学雑誌 (0040-9022)，巻・頁・年：84巻臨時増刊3号 p.E342～350 (2014
Optimizing the indications for local ablation in the treatment of colorectal liver metastasis according to recurrence at the ablation site
Get PDF東京女子医科大学博士（医学）博士（医学） 乙第2863号， 著者名：AMANO Kunihiko・OGAWA Shimpei・KAMEOKA Shingo，タイトル：Optimizing the Indications for Local Ablation in the Treatment of Colorectal Liver Metastasis According to Recurrence at the Ablation Site，掲載誌：東京女子医科大学雑誌 (0040-9022)，巻・頁・年：84巻臨時増刊3号 p.E342～350 (2014)doctoral thesi
D-dimer Measurement for Prediction of Pre- and Post-operative Venous Thromboembolism in General and Abdominal Surgical Cases
Get PDF東京女子医科大学博士（医学）博士（医学） 乙第2855号， 著者名：HATTA Kazuha・OGAWA Shimpei・ITABASHI Michio・SHIMIZU Satoru・KAMEOKA Shingo，タイトル：D-dimer Measurement for Prediction of Pre- and Post-operative Venous Thromboembolism in General and Abdominal Surgical Cases，掲載誌：東京女子医科大学雑誌 (0040-9022)，巻・頁・年：84巻臨時増刊3号 p.E397～405 (2014)doctoral thesi
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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