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    O. H. McCartney

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    "Spr. O. H. McCartney 7 Aust. Fld. Survey. A.I.[F.] Arrived. Darwin. 4. July 1941. Departed Adelaide. River. 13. April 1943".Sapper O. H. McCartney. 7 Australian Field Survey. Australian Imperial Forces. Arrived Darwin 4 July 1941. Departed Adelaide River. 13 April 1943

    Oral History Interview with O. H. King, September 28, 2002

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    Interview with O. H. "Karl" King of Fort Worth, Texas, who is a World War Two veteran of the United States Marine Corps. In the interview, Mr. King recalls memories of his travels, the Japanese attack on Clark Field, the Battle for Bataan, and when he was a Japanese prisoner-of-war. He also talks about other experiences he had while serving in the Marines and his life before and after the war

    Gerdts Family Album - O. H. Gerdts, December 20, 1891.

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    O. H. Gerdts, photo dated December 20th 1891

    4597 O. H. Rippey to Bernard J. Reid, 1861

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    Letter from O. H. Rippey to Bernard J. Reid

    Headquarters of Hawaiian Department

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    Written by . What appears to be an official document, addressed to the adjutant general of the War Department by O. H. McDole, Lt. Col., Assistant Adjutant General, about deporting people in Hawaii of Japanese descent to Japan. The document mentions Kenzi Kimura, Torataro Onoda, Ryoichi Tanaka.These materials are from box 73 and 74 of the Frank Chin Papers. The Frank Chin Papers contain personal and professional correspondence between Frank Chin and Michi Weglyn relating to particular projects on which either author was working as well as files related to the Day of Remembrance Tribute to Michi Weglyn

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Allen, O. H. : Confederate Service Record, 1921.

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    This service record is an account of military actions during the American Civil War by veteran O. H. Allen, dated from 1921.All descriptive lists and service records in this United Confederate (Civil War) Veterans manuscript collection believed to be based out of Robert E. Lee Camp #158 of the United Confederate Veterans (Fort Worth, Tex.). United Confederate Veterans. R.E. Lee Camp No. 158 (Fort Worth, Tex.)The Southwest Collection Manuscript Record can be accessed at the following URL: http://www.lib.utexas.edu/taro/ttusw/00119/tsw-00119.html1 leaf ; 2 pdf pages

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Letter from Thos. J. Henley to G. W. Manypenny with a letter from O. H. P. Coleman, 1855

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    Enclosed a report of O. H. P. Coleman, one of the Russian River country agents, regarding the condition of the Indian bands under his charge
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