28,786 research outputs found
Yi-Nuo Wang, Piano
No full textYi-Nuo Wang, piano, performed Béla Bartók (1881-1945): Piano Sonata, Sz. 80; Johannes Brahms (1833-1897): 8 Klavierstücke, Op. 76; Chen Yi (b. 1953): Ba Ban; Sergei Rachmaninoff (1873-1943): Etude in D Minor, Op. 39, No. 8; Etude in D Major Op. 39, No. 9https://digitalcommons.rockefeller.edu/tri-institutional-noon-recitals/1003/thumbnail.jp
The Complete Solo Piano Works of Chen Yi: A Recording, Analysis, and Interpretation
No full textabstract: This dissertation focuses on seven solo piano works written by contemporary Chinese-American composer Chen Yi. It is presented in the form of a recording project, with a written analysis of each recorded composition. The seven recorded pieces are Variations on "Awariguli", Duo Ye, Guessing, Two Chinese bagatelles: Yu Diao and Small Beijing Gong, Ba Ban, Singing in the Mountain, and Ji-Dong-Nuo. They were written between 1978 and 2005, presenting a wide range of Chen Yi's compositional style. The written portion consists of five chapters. After the introductory chapter, a sketch of Chen Yi's life is presented in Chapter Two. This chapter specifically uncovers Chen Yi's deep roots of Chinese traditional and folk music through her experiences during the Cultural Revolution. Chapter Three analyzes each of the seven pieces. Through formal structure realization, motivic analysis, and folk music implication, the author discovers the blend of Chinese and Western cultures throughout Chen Yi's music. Chapter Four discusses the performance aspect of these compositions through the author's recording experience. In this chapter, the author provides background information as well as suggestions on specific performance practice. The last chapter summarizes the entire dissertation.Dissertation/ThesisVariations on "Awariguli"Duo YeGuessingTwo Chinese Bagatelles: Yu DiaoTwo Chinese Bagatelles: Small Beijing GongBa BanSinging in the MountainJi-Dong-NuoD.M.A. Music 201
Chen Chen, 42nd Annual ODU Literary Festival
No full textChen Chen is the author of When I Grow Up I Want to Be a List of Further Possibilities (BOA Editions, 2017), which was long-listed for the National Book Award and won the Thom Gunn Award, among other honors. Bloodaxe Books published a UK edition in June. He is also the author of four chapbooks, most recently You MUST Use the Word Smoothie (Sundress Publications, 2019) and Gesundheit! (in collaboration with Sam Herschel Wein and forthcoming from Glass Poetry Press, fall 2019). His work appears in many publications, including Poem-a-Day, The Massachusetts Review, The Best American Poetry, and The Best American Nonrequired Reading. He has received a Pushcart Prize and fellowships from Kundiman and the National Endowment for the Arts. He holds an MFA from Syracuse University and a PhD from Texas Tech University. He teaches at Brandeis University as the Jacob Ziskind Poet-in-Residence and co-runs the journal, Underblong. He lives in Waltham, Massachusetts, with his partner, Jeff Gilbert, and their pug, Mr. Rupert Gile
Supporting data used in the paper: Xi Chen, 2020, The LMARS based shallow-water dynamical core on generic gnomonic cubed-sphere geometry
No full text# Simulation results of the unstaggered shallow water model
This repository contains the supporting data used in the paper: Xi Chen, 2020, The LMARS based shallow‐water dynamical core on generic gnomonic cubed‐sphere geometry, DOI: 10.1029/2020MS002280
Organization of the repository:
The tar archive with this data submission has a:
doc directory contains a README.md with information regarding naming conventions to label the model configurations for a shallow water test simulation. Additional information can also be found in README.md. Table 4 in the paper provides additional details.
The data directory contains the supporting data files (NetCDF format).Disclaimer: "This was prepared by Xi Chen under award NA18OAR4320123 from the National Oceanic and Atmospheric Administration, U.S. Department of Commerce. The statements, findings, conclusions, and recommendations are those of the author(s) and do not necessarily reflect the views of the National Oceanic and Atmospheric Administration, or the U.S. Department of Commerce.
Artimpaza brevilineata Tian & Chen, 2012 in Tian, Chen & Li 2012
No full textArtimpaza brevilineata Tian & Chen, 2012 in Tian, Chen & Li, 2012: 43, figs. 1–9. (Figs. 28a, b) Type locality: China, Yunnan, Pu’er City, Yutang. Gender: female. Date collected: 2011.V.25 (2010.V.25, in the original description, is incorrect). Collector: Li-Chao TIAN & Gui-Qiang HUANG. Paratypes: 1 female, China, Yunnan, Lincang City, 1980.VI.1, Fen LIU leg. Remarks: In the original description, the type locality is “ Yunnan, Jinghong” while it is “ Yunnan, Yutang” according to the label. “Yutang” is actually in Pu’er, not Jinghong. The first author described the type locality by mistake. In the original description, the collector was only listed as Li-Chao TIAN, which was a mistake.Published as part of Li, Zhu & Chen, Li, 2020, Primary types of longhorned beetles (Coleoptera, Cerambycidae, Vesperidae and Disteniidae) of Southwest University (SWU), pp. 25-46 in Zootaxa 4718 (1) on page 33, DOI: 10.11646/zootaxa.4718.1.2, http://zenodo.org/record/360220
Author contributions
No full textPlease browse the "Files" tag to access the appendix specifying the author - Chen Hsi Tsai's contributions to the seven papers included in the thesis
Ying Chen\u27s Impressions of Summer
No full textChapbook of narrative/personal poems by Ying Chen originally published by Finishing Line Press in 2013. Translated from the French by Peter Schulman, ODU Professor of French and International Studies.https://digitalcommons.odu.edu/worldlanguages_books/1016/thumbnail.jp
《在中法之间 — 陈伟农的艺术体验》 Zai Zhong Fa zhi jian: Chen Weinong de yishu tijian / “Between China and France. The Artistic Experience of Chen Weinong”
No full textThe author analizes the artistic production of the Chinese contemporary artist Chen Weinong, who has travelled between China and France for more ten years. In his ink paintings and calligraphies, Chen Weinong reflects the essence of both Western and Eastern cultures, succeeding in refreshing the ancient tradition as well as blazing new trails in Chinese art
Programmatic and performance observations for Two Chamber Works by Chen Yi
No full textAs a Chinese-American composer who was born and reared in China, then studied and settled in the United States, Chen Yi’s success is widely recognized around the world. However, this success is not coincidental and is closely related to her fusion of the Chinese and Western cultures in her works. At the time of this writing, Chen Yi has composed more than forty chamber works, from which the author researched two with the same instrumentation—flute, clarinet, violin, cello, and piano. By understanding Chen Yi’s life experiences and analyzing the theoretical aspects of these compositions, the author gives suggestions for ensemble, timbre, rhythm, pedaling, and performance techniques in these two chamber works by Chen Yi—Happy Rain on a Spring Night and … as like a raging fire
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