17,307 research outputs found
Dichotomius (Cephagonus) darwini Nunes
No full text4.2.: Dichotomius (Cephagonus) darwini Nunes & Vaz-de-Mello 2016 (Figure 41 (b)) Dichotomius (s.) darwini ı Nunes & Vaz-de-Mello 2016ı p. 82 (description) Diagnosis. In the groupı D. darwini is one of the five recognised brachypterous species and is separated from them by the wrinkling/striation on the cephalic carina. Distribution. Parque Nacional de Eması municipality of Mineirosı state of Goiásı Brazil (Figure 42).Published as part of Nunes, Rafael V. & Vaz-de-Mello, Fernando Z., 2019, Taxonomic revision of Dichotomius (Cephagonus) Luederwaldt 1929 and the taxonomic status of remaining Dichotomius Hope 1838 subgenera (Coleoptera: Scarabaeidae: Scarabaeinae: Dichotomiini), pp. 2231-2351 in Journal of Natural History 53 (37) on page 2329, DOI: 10.1080/00222933.2019.1692088, http://zenodo.org/record/366551
Dichotomius (Cephagonus) manni Nunes
No full text4.3.: Dichotomius (Cephagonus) manni Nunes & Vaz-de-Mello 2016 (Figure 41 (c)) Dichotomius (selenocopris) manni Nunes & Vaz-de-Melloı 2016ı p. 84 Diagnosis. In the groupı D. manni is the largest of the five recognised brachypterous species and is separated from them by the following combined characters: cephalic carina higher than wide bearing a weakly emargination at the apex; anterior pronotal excavation bearing spaced fine punctures spaced by more than twice their diameter; central-curved lobe delimiting the pronotal disc from the anterior declivity and paramera longitudinal excavation taking the apical one third. Distribution. the label (from 1970s) is written ‘ Serra da Canastra ’ ı in the state of Minas Geraisı BRAZIL. Howeverı this is a dubious locality since we do not have any other information concerning this species (Figure 42).Published as part of Nunes, Rafael V. & Vaz-de-Mello, Fernando Z., 2019, Taxonomic revision of Dichotomius (Cephagonus) Luederwaldt 1929 and the taxonomic status of remaining Dichotomius Hope 1838 subgenera (Coleoptera: Scarabaeidae: Scarabaeinae: Dichotomiini), pp. 2231-2351 in Journal of Natural History 53 (37) on page 2329, DOI: 10.1080/00222933.2019.1692088, http://zenodo.org/record/366551
Dichotomius (Cephagonus) paresi Nunes & Vaz-de-Mello 2015
No full text4.4. Dichotomius (Cephagonus) paresi Nunes & Vaz-de-Mello 2015 (Figure 41 (c)) Dichotomius (selenocopris) paresi Nunes & Vaz-de-Melloı 2016ı p. 85 (description) Diagnosis. In the groupı D. paresi is separated of other species in the group (including the brachypterous) by the following combined characters: posterior portion of the pronotal disc bearing ocellate punctures; elytral striae widened near the basis and lacking punctures and anterior portion of pronotal border flattened (dorsal view) (Figure 6 (a-b)). Distribution. Chapada dos Parecisı municipality of Tangará da Serraı state of Mato Grossoı Brazil (Figure 42).Published as part of Nunes, Rafael V. & Vaz-de-Mello, Fernando Z., 2019, Taxonomic revision of Dichotomius (Cephagonus) Luederwaldt 1929 and the taxonomic status of remaining Dichotomius Hope 1838 subgenera (Coleoptera: Scarabaeidae: Scarabaeinae: Dichotomiini), pp. 2231-2351 in Journal of Natural History 53 (37) on page 2330, DOI: 10.1080/00222933.2019.1692088, http://zenodo.org/record/366551
Dichotomius (Cephagonus) periotoi Nunes
No full text<p> 4.5.: <i>Dichotomius</i> (<i>Cephagonus</i>) <i>periotoi</i> Nunes & Vaz-de-Mello 2016 new combination (Figure 41 (e))</p> <p> <i>Dichotomius</i> (<i>selenocopris</i>) <i>periotoi</i> ı Nunes & Vaz-de-Melloı 2016ı p. 87 (description)</p> <p> <i>Diagnosis.</i> In the groupı <i>D. periotoi</i> is separated of the other brachypterous species in the group by the following combined characters: dorsal surface shiny and usually with brown or blue reflections; cephalic carina taller than wideı with two tubercles at apex; dorsal surface of head smooth; surface of pronotal anterior excavation smoothı bearing few and sparse fine punctures and anterior portion of pronotal disc having two lobes.</p> <p> <i>Distribution.</i> municipality of Descalvadoı state of São Pauloı BRAZIL.</p>Published as part of <i>Nunes, Rafael V. & Vaz-de-Mello, Fernando Z., 2019, Taxonomic revision of Dichotomius (Cephagonus) Luederwaldt 1929 and the taxonomic status of remaining Dichotomius Hope 1838 subgenera (Coleoptera: Scarabaeidae: Scarabaeinae: Dichotomiini), pp. 2231-2351 in Journal of Natural History 53 (37)</i> on page 2330, DOI: 10.1080/00222933.2019.1692088, <a href="http://zenodo.org/record/3665519">http://zenodo.org/record/3665519</a>
A previdência social e a sustentação das finanças públicas : a atuação do poder legislativo
No full textEdição Especial : Senado Federal : 50 anos de Brasília.Inclui bibliografia.Meiriane Nunes Amaro e Fernando B. Menegui
Sobre as práticas e reflexões publicitárias de Fernando Pessoa
No full textNeste texto, a autora analisa alguns trabalhos publicitários de Fernando Pessoa, bem
como algumas das suas reflexões sobre esta actividade. É dada especial atenção ao slogan
“Primeiro estranha-se. Depois entranha-se”, analisado sobre a perspectiva das funções
e propriedades deste constituinte da mensagem publicitária. Por fim, recorda-se
um recente slogan que recupera o clássico de Fernando Pessoa.
On this article, the author analyses some advertising texts created by Fernando Pessoa and
some of his thoughts about this activity. The main attention goes to the famous slogan “Primeiro
estranha-se. Depois entranha-se”, analysed through the principles of the functions
and proprieties of this element of advertisements. Finally, the author presents a recent slogan, constructed through the slogan of the Portuguese writer
Recensão de "Drogas e comportamentos de adicção"
No full textRecensão da obra NUNES, Laura M., 1963- ; JÓLLUSKIN, Gloria - Drogas e comportamentos de adicção : um manual para estudantes e profissionais de saúde. Porto : Edições Universidade Fernando Pessoa, 2007. 344 p.. ISBN 978-972-8830-90-
Mauro Teixeira Jr, Francisco Dal Vechio, Pedro M. Sales Nunes, Antonio
No full textJr, Mauro Teixeira, Vechio, Francisco Dal, Sales Nunes, Pedro M., Neto, Antonio Mollo, Lobo, Luciana Moreira, Storti, Luis Fernando, Gaiga, Renato Augusto Junqueira, Dias, Pedro Henrique Freire, Rodrigues, Miguel Trefaut (2013): Mauro Teixeira Jr, Francisco Dal Vechio, Pedro M. Sales Nunes, Antonio. Zootaxa 3646 (2): 200-200, DOI: http://dx.doi.org/10.11646/zootaxa.3646.2.1
Canthon (Goniocanthon) fulgidus subsp. martinezi Nunes & Nunes & Vaz-De 2018, subsp. nov.
No full textCanthon (Goniocanthon) fulgidus martinezi subsp. nov. urn:lsid:zoobank.org:act: 09023BB9-E175-4267-A289-A48D682ABBC2 Figs 3B, 7–8 Diagnosis In the subgenus, C. (G.) fulgidus martinezi subsp. nov. is separated by the following combination of characters: meso- and metafemora ventral surface rugose on its posterior half (Fig. 1D); dorsal surface of pronotum and elytral disc with similar metallic green metallic colouration (Fig. 3B); metasternal anterior lobe slightly convex (Fig. 1E); profemur with a tooth on its anterior border. Paramera in lateral view (Fig. 1I): flattened; apex truncated; upper angle rounded; lower angle acute, forming a spine or tooth. Internal sac (Fig. 7): FLP involving A forming a central duct with spiniform apex. SA lateral to FLP + A complex present. MP distal to A, not divided, semicircular, widely emarginated; FLP + A complex involved by MP. Etymology The specific epithet refers to Antônio Martínez (1922–1993), Argentinean taxonomist, author of Goniocanthon and of several other taxa of Scarabaeinae. Material examined Holotype ECUADOR: ♁, Francisco de Orellana, Rodrigo Borja, IAMOE, 0º41′50″ S, 77º8′25″ W, human faeces, pitfall, Jun. 2000, Dávalos leg. (CEMT). Paratypes (49 specimens) COLOMBIA: 1 ♁, Guaviare, S.J. Del Guaviare, Fianca Eli, 2º21′46.2″ N, 72º38′29.9″ W, 200 m a.s.l., faeces of macaco, Jan. 2008, M.C. Santos leg. (CEUN). ECUADOR – Francisco de Orellana: 1 ♁, 5 ♀♀, same collecting data as for holotype (CEMT). – Orellana (Napo): 2 ♀♀, PUCE Yasuni, 0º40′00″ S, 76º23′00″ W, 250 m a.s.l., primary forest, human faeces, pitfall, Jun. 1995, M. Bass and N. Pitfan leg. (CEMT); 1 ♀, Parque Nacional Yasuni, 0º56′00″ S, 75º23′00″ W, 15 Sep. 1998, A Vilacis leg. (CEMT); 1 ♁, Mid. Rio Tiputini, Yasuni Res. Stn., 0º40′00″ S, 76º24′00″ W, flight intercept trap, Jul. 1999, A. Tishechkin leg. (CEMT); 1 ♀, Yasuni National Park, 0º38′00″ S, 76º36′00″ W, 215 m a.s.l., lowland rainforest, 8 Jan. 1998, Ratcliffe, Jameson, Smith and Villatoro leg. (CEMT). PERU: 1 ♀, Loreto, Rio Pucacuru, 0120668 E, 9761668 N, pitfall, carrion, 1 Dec. 2007, C. Moreno leg. (CEMT); 1 ♁, Junin, Satipo, Gloribamba, Jan. 2004, H. Rojas leg. (CEMT). BRAZIL – Amazonas: 8 ♁♁, 7 ♀♀, Carauari, Reserva Extrativista do Médio Juruá, 5°31′17″ S, 67°41′17″ W, 28 Jan. 2010, Nichols, Braga and Schiffler leg. (CEMT); 8 ♁♁, 10 ♀♀, same data as for preceding, but 5°31′20″ S, 67°41′20″ W (CEMT). BOLIVIA: 1 ♁, 1 ♀, Pando, Santa Rosa, Manuripi National Wildlife Reserve, 12º00′ S, 68º52′ W, 190 m a.s.l., 24 Oct. 2004. A.C. Hamel and D. Aguirre leg. (CEMT). Distribution Bolivia (Pando), Brazil (Amazonas), Colombia, Ecuador and Peru (Fig. 8). Taxonomic remarks This subspecies is cited for Colombia (Medina et al. 2001) and Peru (Ratcliffe et al. 2015) as Canthon (Goniocanthon) smaragdulus because of its green metallic sheen, which allows it to be confused with the northern subspecies C. (G.) smaragdulus subviridis stat. rev. (diagnosed above). This subspecies is cited as Canthon fulgidus for Satipo province, Peru (Balthasar 1951).Published as part of Nunes, Luis Gabriel de O. A., Nunes, Rafael V. & Vaz-De, Fernando Z., 2018, Taxonomic revision of the South American subgenus Canthon (Goniocanthon) Pereira & Martínez, 1956 (Coleoptera: Scarabaeidae: Scarabaeinae: Deltochilini), pp. 1-31 in European Journal of Taxonomy 437 on pages 14-15, DOI: 10.5852/ejt.2018.437, http://zenodo.org/record/378788
Ponto cantado, encantando o ponto: Clara Nunes a interpretação dos cânticos de umbanda e candomblé na vida musical brasileira
No full textDissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão, Programa de Pós-Graduação em Literatura, Florianópolis, 2014.Este trabalho tem como objetivo investigar os limites entre a música cantada nos espaços afro-religiosos e fora deles. Desde a vinda dos povos africanos para o Brasil, a música e a religião foram elementos importantes nas práticas sociais. Focando estes componentes, foi escolhida a cantora brasileira Clara Nunes, que interpretava canções do universo religioso afro-brasileiro e sambas que faziam menção a esse universo, para entender as relações entre os diversos gêneros musicais do Brasil e a presença deles nos palcos e nos espaços religiosos. A pesquisa foi exploratória e descreve breve histórico sobre a vinda dos africanos para o Brasil, enfocando a religião e a música. Mereceu destaque uma exposição histórica do samba e dos gêneros que o influenciaram e que fizeram e fazem parte tanto do universo lúdico quanto do religioso afro-brasileiro, com seu desenvolvimento desde o período colonial. Em continuidade, foi necessária a referência à música executada dentro das casas que cultuam as religiões afro-brasileiras, os terreiros: cânticos chamados de pontos. Esses pontos são executados, principalmente, nos espaços ritualísticos. Clara Nunes, sua trajetória musical e a escolha pelo repertório alusivo à religiosidade afro-brasileira estão em destaque, finalizando este trabalho. A cantora demonstrava grande apreço e devoção aos cultos afro-brasileiros e passou a divulgá-los através de suas interpretações musicais. A pesquisa conclui que a canção brasileira que traz em seu conteúdo elementos religiosos afro-brasileiros e o ponto cantado fundem-se, ao mesmo tempo em que suas particularidades são individualizadas conforme seu lugar.Abstract:This work has as objective to investigate the limits between songs as performed in afro-religious spaces and outside them. Since the arrival of Africans in Brazil, music and religion were important elements of social practices. Focusing on these components the Brazilian singer Clara Nunes, who interpreted songs from the religious afro-brazilian universe and sambas mentioning it, was chosen in an attempt to understand the relationship between the diverse Brazilian musical scenario and their presence, both on stage and inside the religious spaces. The research was of an exploratory nature and presents a brief history of the coming of Africans to Brazil with focus on religion and music. A historical overview of samba and other musical genera influenced by it, which were, and still are, part of the ludical and afro-brazilian religious universe, developing since the colonial period, is highlighted. Following that, reference to the music performed within the spaces cultivating afro-brazilian religions - terreiros - songs called pontos, was considered necessary. These pontos are mainly performed within ritualistic spaces. Clara Nunes, her musical career and the choosing of her repertoire related to the afro-brazilian religion are highlighted at the end of this work. The singer used to demonstrate great liking and devotion to afro-brazilian cults and spread them through her musical interpretations. It is concluded that brazilian songs containing elements of afro-brazilian religions and the pontos are fused, and at the same time their particularities are individualized according to the place of execution
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