1,721,610 research outputs found

    Agomelatine as monotherapy for major depression: an outpatient, open-label study [Corrigendum]

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    Pecenak J, Novotny V. Neuropsychiatric Disease and Treatment 2013;9:1595–1604.On page 1601, line 1 in the right-hand column, note that the drug "venlafaxine" is incorrect and should instead be "fluoxetine". The correct sentence is "The response rate in the current study was much higher than in the 6-week and 8-week double-blind, placebo-controlled studies of agomelatine13,36 and higher than in an observational study of different antidepressants where a 38.2% early remission rate and a 20.5% early response rate were found at week 6 of treatment,41 but similar to a double-blind study comparing agomelatine with fluoxetine in patients with severe depression."42Read the original articl

    Shape analysis of Incisura Ischiadica major: definition of reference outlines in sexing the human pelvis

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    Series of reference outlines expressing variations of morphological features, mainly related to sexual dimorphism, are commonly used in anthropological practice. Usually, these are defi ned on the basis of observer experience and the degree of expression of the examined character is explained by a score. The level of objectivity in scoring morphological features can obviously vary depending on the observer's skilled eye and can be bound with diffi culty to standardization criteria. Considering these exigencies, we explored the possibility of setting series of reference outlines of the incisura ischiadica major, associating each form in the series to a suitable probability value expressing its sexual dimorphism. This value is obtained by comparing the analytic numerical descriptors obtained by the outlines in the series to those obtained by studying the shape differences, by Fourier analysis, in a sample of incisurae taken from pelvises of known sex. Reference outlines validated in this way through analytic morphometry improve the quality of observation, reducing the level of subjectivity of traditional visual scoring

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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