1,720,958 research outputs found

    Dom Jacques Dubois et Laure Beaumont-Maillet. Sainte Geneviève de Paris : la vie, le culte, l'art ; Paris : Beauchesne, 1982 ; in-8°, 168 pages, illustrations.

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    Davy-Notter Annick. Dom Jacques Dubois et Laure Beaumont-Maillet. Sainte Geneviève de Paris : la vie, le culte, l'art ; Paris : Beauchesne, 1982 ; in-8°, 168 pages, illustrations.. In: Bibliothèque de l'école des chartes. 1984, tome 142, livraison 2. pp. 367-368

    Augeron Mickaël, Bry John de et Notter Annick (dir.), Floride, un rêve français (1562-1565), 2012

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    Hrodej Philippe. Augeron Mickaël, Bry John de et Notter Annick (dir.), Floride, un rêve français (1562-1565), 2012. In: Outre-mers, tome 100, n°380-381,2013. Missions chrétiennes et pouvoir colonial. pp. 401-402

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    La dévotion au Calvaire d'Arras et sa diffusion

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    The acquisition in 1992 by the Arras Museum of a wood carving representing "the miraculous calvary erected on the walls of the city of Arras" in 1738 was the starting point of a research on this devotion and the other images published around it. In the XVIIIth century, a major group of aqua fortis etchings was edited by the publishers of the Rue Saint-Jacques in Paris. The motive is used again at the end of the period by the printers of popular images in Caen, Le Mans, Orléans, Nantes, etc. down to the years 1830s when the calvary itself no longer exists.L'acquisition en 1992 par le musée d'Arras d'une gravure sur bois représentant «le calvaire miraculeux planté sur le rempart de la ville d'Arras» en 1738 a donné l'occasion d'une recherche sur cette dévotion et sur les autres images éditées à ce sujet. Au XVIIIe siècle, un groupe important d'eaux-fortes sont nées chez les éditeurs parisiens de la rue Saint-Jacques. Le motif est repris à la fin de la période par les imprimeurs d'imagerie populaire à Caen, Le Mans, Orléans, Nantes, etc., jusque dans les années 1830 alors même que le calvaire n'existe plus.De aanwinst ddoor het museum in 1992 van een houtsnede met Het mirakel van de kalvarie op de stadswal te Arras in 1738 was de aanleiding voor een onderzoek naar deze devotie en andere afbeeldingen ervan. In de xvnie eeuw werden heel wat etsen uitgegeven daarover door uitgevers in de Saint-Jacquesstraat te Parijs. Daarna wordt het motief overgenomen door populaire drukkers in Caen, Le Mans, Orléans, Nantes enz. tot in de jaren 1830 als de kalvarie al lang verdwenen is.Notter Annick. La dévotion au Calvaire d'Arras et sa diffusion. In: Revue du Nord, tome 74, n°297-298, Juillet-décembre 1992. pp. 635-644

    Dispelling the Myths Behind First-author Citation Counts

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    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods

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