69 research outputs found
De la novela de investigación de escritor a la dramaturgia transmedia. El libro de Toji de Antonio Rojano
This article analyzes the transmedia dramaturgy by Antonio Rojano entitled El libro de Toji. This work displays an investigation about a character from the past named Antonio Rojano Hornero, his life, participation in the Spanish Civil War and death in a Francoist prison, through five pieces in different platforms: blog, Twitter, podcast, Instagram and Zoom. The analysis of this transmedia work is carried out by comparing it with the conventional model of “writer’s research novels”, a narrative procedure strongly codified in the contemporary Hispanic novel. This work studies the possibilities of transmediality: multimodality of texts, construction of meaning from the decentering of the narrative center, questioning the status of the author and the work or the irruption of a new reading experience.Este artículo analiza la dramaturgia transmedia de Antonio Rojano titulada El libro de Toji. Esta obra despliega una investigación sobre un personaje del pasado llamado Antonio Rojano Hornero —su vida, participación en la guerra civil española y su muerte en una cárcel franquista—, a través de cinco piezas que transitan por diferentes plataformas: blog, Twitter, pódcast, Instagram y Zoom. El análisis de esta obra transmedia se realiza por comparación con el modelo convencional de “novelas de investigación de escritor”, procedimiento narrativo fuertemente codificado en la novela hispánica contemporánea, y estudia las posibilidades de la transmedialidad: multimodalidad de los textos, construcción de sentido a partir del descentramiento del centro narrativo, cuestionamiento del estatuto del autor y de la obra o la irrupción de una nueva experiencia de lectura
Tensile Deformation Behavior of 1 GPa-Grade TRIP-Aided Multi-microstructure Steels Studied by In Situ Neutron Diffraction
Material of Art Research: Column Paintings of the Kanjo-in in the Toji
In Tobōki, a collection of historical and religious records of the Tōji (Kyōōgokokuji) Monastery, Kyoto, compiled by Priest Kōhō in 1352, there is a section for the Kanjō-in, the Ordination Hall, of the monastery, in which he
records that at the request of the Prince-Priest Shukaku the main columns in the hall were painted with Buddhist images under the management of Priest Gyōen in the second year of Kenkyū Era (1191). According to it, the column paintings were lost when the hall was destroyed by fire in 1252, and we had had no clew to get detailed idea on them. But the author recently recovered a manuscript in the library of the
Kanchi-in, Toji, which includes among others an article on the column paintings of that hall. Here in this number he, with an introduction, first publishes this manuscript named “Arrangement of Cult Images in the Main Hall, the Lecture Hall and the Ordination Hall of the Tōji Monastery.”
This manuscript, which consists of some records written by Priest Gyōen (Bodai-in) and others, was copied by Kempō in 1370 without knowing its compiler. We find in it two plans of the column paintings of the Kanjō-in. Both are shown in the form of a diagram in which the lay-out of principal images of the Ryōkai mandara, the Garbhadhatu and the Vajradhatu mandalas, is indicated. In either plan, as a rule, each column is divided into three sections, upper, middle and lower; and the upper and the middle sections having six images in two horizontal rows in each and the lower section two or three in one row. The first plan probably presented by Priest Enkū was not used, whose letters are inserted after the diagram in the ma The second plan, which seems more reasonable from the view-point of mandala arrangement, was prepared by Priest Ryūyo of Kōyasan Monastery, is mentioned in an accompanying record that was originally written by Gyōen. In the author's opinion this plan was adopted for the actual painting.
In the Kanjō-in then reconstructed, the architraves too were covered with painted mandala images. Famous Buddhist painter Shōga was consulted for their lay-out. It is interesting to find that deities were applied to this part of the building for a rare case.journal articl
Material of Art Research: Appendix (Text Publication): Toji Kondo Kodo Kanjo-in Honzon Zai (Arrangement of Cult Images in the Main Hall, the Lecture Hall and the Ordination Hall of the Toji Monastery)
In Tobōki, a collection of historical and religious records of the Tōji (Kyōōgokokuji) Monastery, Kyoto, compiled by Priest Kōhō in 1352, there is a section for the Kanjō-in, the Ordination Hall, of the monastery, in which he
records that at the request of the Prince-Priest Shukaku the main columns in the hall were painted with Buddhist images under the management of Priest Gyōen in the second year of Kenkyū Era (1191). According to it, the column paintings were lost when the hall was destroyed by fire in 1252, and we had had no clew to get detailed idea on them. But the author recently recovered a manuscript in the library of the
Kanchi-in, Toji, which includes among others an article on the column paintings of that hall. Here in this number he, with an introduction, first publishes this manuscript named “Arrangement of Cult Images in the Main Hall, the Lecture Hall and the Ordination Hall of the Tōji Monastery.”
This manuscript, which consists of some records written by Priest Gyōen (Bodai-in) and others, was copied by Kempō in 1370 without knowing its compiler. We find in it two plans of the column paintings of the Kanjō-in. Both are shown in the form of a diagram in which the lay-out of principal images of the Ryōkai mandara, the Garbhadhatu and the Vajradhatu mandalas, is indicated. In either plan, as a rule, each column is divided into three sections, upper, middle and lower; and the upper and the middle sections having six images in two horizontal rows in each and the lower section two or three in one row. The first plan probably presented by Priest Enkū was not used, whose letters are inserted after the diagram in the ma The second plan, which seems more reasonable from the view-point of mandala arrangement, was prepared by Priest Ryūyo of Kōyasan Monastery, is mentioned in an accompanying record that was originally written by Gyōen. In the author's opinion this plan was adopted for the actual painting.
In the Kanjō-in then reconstructed, the architraves too were covered with painted mandala images. Famous Buddhist painter Shōga was consulted for their lay-out. It is interesting to find that deities were applied to this part of the building for a rare case.journal articl
Nicotinic acetylcholine receptors in a songbird brain
Nicotinic acetylcholine receptors (nAChRs) are ligand-gated ion channels that mediate fast synaptic transmission and cell signaling, which contribute to learning, memory, and the execution of motor skills. Birdsong is a complex learned motor skill in songbirds. Although the existence of 15 nAChR subunits has been predicted in the avian genome, their expression patterns and potential contributions to song learning and production have not been comprehensively investigated. Here, we cloned all the 15 nAChR subunits (ChrnA1-10, B2-4, D, and G) from the zebra finch brain and investigated the mRNA expression patterns in the neural pathways responsible for the learning and production of birdsong during a critical period of song learning. Although there were no detectable hybridization signals for ChrnA1, A6, A9, and A10, the other 11 nAChR subunits were uniquely expressed in one or more major subdivisions in the song nuclei of the songbird brain. Of these 11 subunits, ChrnA3-5, A7, and B2 were differentially regulated in the song nuclei compared with the surrounding anatomically related regions. ChrnA5 was upregulated during the critical period of song learning in the lateral magnocellular nucleus of the anterior nidopallium. Furthermore, single-cell RNA sequencing revealed ChrnA7 and B2 to be the major subunits expressed in neurons of the vocal motor nuclei HVC and robust nucleus of the arcopallium, indicating the potential existence of ChrnA7-homomeric and ChrnB2-heteromeric nAChRs in limited cell populations. These results suggest that relatively limited types of nAChR subunits provide functional contributions to song learning and production in songbirds
Acute Limb Ischemia does not Facilitate but Inhibits Norepinephrine Release from Muscle Sympathetic Nerve Endings in Anesthetized Rabbit
The effects of flower visitors on intraspecific trait variation in some entomophilous plants (虫媒植物の種内形質変異に対して訪花者がもたらす影響)
信州大学(Shinshu university)博士(理学)この博士論文は、次の学術雑誌論文を一部に使用しています。 / PLANT SPECIES BIOLOGY 35(2) :112-119(2020); doi:10.1111/1442-1984.12265 © 2020 The Ecological Society of Japan. All rights reserved/ ECOSPHERE 11(9) :e03251(2020); doi:10.1002/ecs2.3251 ©2020 The Authors. This is an open access article under the terms of the Creative Commons AttributionLicense, which permits use, distribution and reproduction in any medium, provided the original work is properly cited./ BMC ECOLOGY AND EVOLUTION 21(1) :64(2021); doi:10.1186/s12862-021-01796-8 © The Author(s) 2021. Open Access This article is licensed under a Creative Commons Attribution 4.0 International License, which permits use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons licence, and indicate if changes were made. The images or other third party material in this article are included in the article’s Creative Commons licence, unless indicated otherwise in a credit line to the material. If material is not included in the article’s Creative Commons licence and your intended use is not permitted by statutory regulation or exceeds the permitted use, you will need to obtain permission directly from the copyright holder. To view a copy of this licence, visit http://creativecommons.org/licenses/by/4.0/. The Creative Commons Public Domain Dedication waiver (http://creativecommons.org/publicdomain/zero/1.0/) applies to the data made available in this article, unless otherwise stated in a credit line to the data./ ECOLOGY AND EVOLUTION 12(3) :e8668(2022); doi:10.1002/ece3.8668 © 2022 The Authors. Ecology and Evolution published by John Wiley & Sons Ltd./ American Naturalist :inpressThesis田路 翼. The effects of flower visitors on intraspecific trait variation in some entomophilous plants (虫媒植物の種内形質変異に対して訪花者がもたらす影響). 信州大学, 2022, 博士論文. 博士(理学), 甲第138号, 令和04年03月20日授与.doctoral thesi
ACE inhibitory effect of the protein hydrolysates prepared from commercially available nori product by pepsin-trypsin digestion
We studied angiotensin I converting enzyme (ACE) inhibitory effect of the protein hydrolysates prepared from commercially available nori products that contain Pyropia pseudolinearis as the main ingredient. The water extract of the nori product consisted mainly of phycobiliproteins and RubisCO. The proteins in the aqueous extracts were sequentially hydrolyzed with pepsin and trypsin, and the peptides in the pepsin-trypsin digests were fractionated by reversed-phase HPLC. As a result, 12 ACE inhibitory peptides containing ten novel peptides were identified. These peptides are suggested to have originated from the alpha- and beta-subunits of phycobiliproteins and the large subunits of RubisCO of P. pseudolinearis. The interactions of eight peptides (ALR, FAR, FSR, FDR, EVYR, AYR, GRP, and MVT) with ACE were then simulated using the flexible docking tool Auto Dock Vina. The results showed that all peptides interacted with the active center of ACE, and their docking scores ranged from - 6.8 to - 10.2 kcal/mol. In addition, we synthesized four peptides (AYR, FAR, EVYR, and GRP) and measured the IC50 values of these peptides for ACE. Consequently, FAR and GRP showed considerably low IC50 values (0.29 mu mol and 0.45 mu mol, respectively) in addition to other ACE inhibitory peptides. Moreover, FAR, which is specific to the nori product, was predicted to bind to the S1, S1 ', and S2 ' subsites of the catalytic center of ACE. Therefore, it can be expected that daily intake of "nori products" may have a positive effect on the prevention of hypertension
- …
