1,721,575 research outputs found
Norbert R. Dettmann
Portrait of Norbert R. Dettmann, one time the Dean of Student Services at TCC Northeas
I will be true, my love, to thee! [first line of chorus]
strophic with choruspiano and voice (solo and satb chorus)To Miss Geo. Mc. L. Chesebro.46744Johns Hopkins University, Levy Sheet Music Collection, Box
133, Item 038Written and Composed by Norbert R. Ward
I will be true, my love, to thee! [first line of chorus]
strophic with choruspiano and voice (solo and satb chorus)To Miss Geo. Mc. L. Chesebro.46744Johns Hopkins University, Levy Sheet Music Collection, Box
133, Item 038Written and Composed by Norbert R. Ward
Naval Postgraduate School Graduation Ceremony Summer 2015, with Keynote Speaker, Vice Admiral Norbert R. Ryan Jr., USN (Ret) [video]
Naval Postgraduate School Graduation Ceremony Summer 2015, with Keynote Speaker, Vice Admiral Norbert R. Ryan Jr., USN (Ret
Implementing the market approach to enterprise support - an evaluation of ten matching grant schemes
Developing viable new business is critical to recovery, and long-term growth, especially in transition economies. There has been a long history of public support of enterprise development, starting with centralized state agency initiatives, but moving more recently to decentralized instruments for development of the business services market. The window of time during which the benefits of intervention are likely to be greatest: when a market is in its infancy, and its development is constrained by uncertainty, and lack of information. Interventions for enterprise support should be demand-responsive, and flexibly organized. In some circumstances, centralized assistance may still be effective, but it is generally better to use competitive private service providers responding to enterprises'changing needs. The main task is to stimulate the private services sector, improving its capacity to respond to the demands of new, and expanding private enterprises. Support for enterprises has tended to be either free, or heavily subsidized. But such subsidies can be justified only if interventions efficiently supply goods. Providing technical, and management know-how can be a public good if it generates externalities- if, for example, know-how benefits can be disseminated at proportionately low additional cost. Any subsidy for an intervention should be temporary, and should be phased out when the main objective of intervention is achieved - that is, when the market takes off. Grants should generally be for know-how, not for equipment. There may be a case for unbundling the know-how component of loans (including feasibility studies, and follow-up expert services) for grant funding. A package combining loans and grants - through a single financial institution, or through separate institutions - may work provided safeguards can be put in place to prevent perverse use of grants. The matching grant model, which is used increasingly in the World Bank, and elsewhere, is one solution - but it must be justified, and carefully designed. After evaluating ten matching grant funds, the author concludes that performance is mixed. Best practice models are needed. Ensuring economic benefits requires proactive management, with clear objectives of market facilitation ("making a market"). And it requires a balance between rapid grant approval procedures, and careful selection of services for grants.Economic Theory&Research,Decentralization,Enterprise Development&Reform,Environmental Economics&Policies,Banks&Banking Reform,Health Economics&Finance,Banks&Banking Reform,Economic Theory&Research,Environmental Economics&Policies,ICT Policy and Strategies
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Chronicles of Oklahoma
Article discusses the success and failures of Oklahoma's Bank Guarantee Law and its Bank Guarantee Fund throughout the years after its establishment in 1907. Norbert R. Mahnken examines the factors that contributed to the law's creation and the eventual collapse of the system
Chronicles of Oklahoma
Article illustrates the economic history of development in the Cherokee Outlet after the land run of 1893. Norbert R. Mahnken explores the beginnings of subsistence farming in Oklahoma, the construction of banks and other financial institutions, and the development of railroads that furthered industry and ease of access in the area
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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