8,718 research outputs found
Una lettera di Luigi Nono su "Incontri" con una nota di Veniero Rizzardi, in Nono e la ‘presenza storica’ di Schönberg, in Schoenberg & Nono, a cura di A.M. Morazzoni
Note biografiche. Elenco delle fonti / Biographical sketches. List of the sources
Opera di valorizzazione archivistica incentrata su una parte della biblioteca personale di Luigi Nono, ossia sulle unità recanti dediche autografe significative. I profili biografici sono il frutto di una ricerca originale degli autori, fondata per lo più su carteggi in gran parte inediti, e ricostruiscono succintamente il rapporto umano, intellettuale e artistico tra dedicante e il dedicatario, Luigi Nono. Elenco dei profili: C Abbado, T W Adorno, N Balestrini, J Beck, M Cacciari, M Cadieu, I Calvino, E Catunda, A Clementi, E Denisov, P Dessau, G Einaudi, M Gielen, J Huasi, P Ingrao, K Itô, E Jabès, J Jara, M Judina, T Kantor, A Kiefer, J Koblasa, G Kurtág, H Lachenmann, M Mila, L Otero, E Piscator, G Pomodoro, W Rihm, G Schönberg, M Sotelo, L Squarzina, H H Stuckenschmidt, A Tàpies, G Ungaretti, P Várnai, E Vedova, V Vidali, P Weiss, N Schoenber
Da Venezia all’Avana: Nono, la politica e le tradizioni musicali
Il saggio descrive e analizza il cammino che condusse Nono, dagli anni Sessanta in poi, a mettere la sua musica alla prova dei conflitti più accesi del tempo, quello tra la cultura dell'intellettuale europeo e il mondo operaio, tra l'Europa allineata con l'imperialismo americano e i paesi del terzo mondo. L’argomentazione verte sul concetto d’impegno come controverso punto d’incontro tra l’estetico e il politico, dalle esperienze maturate da Nono nella preparazione di Fabbrica illuminata all’internazionalismo che si coagula in A Floresta. Intrecciata a questa trama, vi è la sfida a far scaturire dalle premesse della tradizione musicale ed estetica del “moderno” le condizioni per una coscienza politica e sociale avanzata
"Come note di diari": la Polonia di Nono
Una sintesi dei rapporti tra Luigi Nono compositore e la Poloni
"Alla ricerca di luce e chiarezza". L'epistolario Helmut Lachenmann - Luigi Nono (1957-1990)
Carteggio inedito completo Luigi Nono - Helmut Lachenman
Nono
[ES] Definición del término Nono en el diccionario Dicter.[EN] Definition of the word Nono in the dictionary Dicter
Aye welele wa mhalaka
English translation of title: 'Alas for a bachelor'Topical song by Ngoi Nono and Kabongo Anastase, and friends, with guitars, accompanied by a bottle and a small rattleThis recording is held at the International Library of African Music. For further information contact [email protected] recording was digitised by the International Library of African MusicOriginal format: 15ips reelEquipment used in digitisation: Studer B 67 Tape Recorder; Nagra IIISoftware: Sound Forge V.6Sample rate: 44100Hz 16Bit Stere
Development of stapled NONO-associated peptides reveals unexpected cell permeability and nuclear localisation
The Non-POU domain-containing octamer-binding protein (NONO) is a nucleic acid binding protein with diverse functions that has been identified as a potential cancer target in cell biology studies. Little is known about structural motifs that mediate binding to NONO apart from its ability to form homodimers, as well as heterodimers and oligomers with related homologues. We report a stapling approach to macrocyclise helical peptides derived from the insulin-like growth factor binding protein (IGFBP-3) that NONO interacts with, and also from the dimerisation domain of NONO itself. Using a range of chemistries including Pd-catalysed cross-coupling, cysteine arylation, and cysteine alkylation, we successfully improved the helicity and observed modest peptide binding to the NONO dimer, although binding could not be saturated at micromolar concentrations. Unexpectedly, we observed cell permeability and preferential nuclear localisation of various dye-labelled peptides in live confocal microscopy, indicating the potential for developing peptide-based tools to study NONO in a cellular context
Di qui non-si passa: Luigi Nono and political engagement in post-war Italy
This study examines the Italian composer Luigi Nono’s proximity to extremist violence
and state oppression in the period between 1954 and 1968. American scholarship typically
analyzes Nono’s work in this time through a transnational lens. Doing so naturally invites a
comparison to his contemporaries in the Darmstadt School, chief among them Pierre Boulez and
Karlheinz Stockhauzen. This attitude downplays the significance of the Italian composer’s
domestic political affiliations, and the social conflict which followed him as a result. It is within
this period that Nono develops the use of politically charged media as his key operating
procedure. This writing argues that Nono’s proximity to political and social friction was a key
factor in influencing the course of his compositional output, contrary to analyses which primarily
examine contributions to the serial or experimental idioms, and thus do not consider innovations
in source material. This writing uses primary and secondary sources to examine the linear
progression of oppressive events which affected Nono in Italy, and the various ways he engaged
with them. The sources presented in this writing show a pattern of extreme reaction to Nono’s
politically charged composition from the Italian state and far-right; far more than is presented in
the typical survey of his life and works.Thesis (M.M.
Nono
Volume che raccoglie le opere, i testi e le testimonianze storiche del compositore d'avanguardia Luigi Nono. Una raccolta a cura di Enzo Restagno il quale ha intervistato il maestro Nono trascorrendo con lui un'intera settimana nella città di Berlino
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